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In R. J. Palacio's best-selling collection of stories, Auggie & Me, which expands on characters in Wonder, audiences were introduced to Julian's grandmother, Grandmère. Here, Palacio presents Grandmère's heartrending story: how she, a young Jewish girl, was hidden by a family in a Nazi-occupied French village during World War II; how the boy she and her classmates once shunned became her savior and best friend.

For all its good intentions, Who Moved My Cheese? basically reduces us to mice in a maze sniffing after cheese. Harvard Business School professor Deepak Malhorta uses a fable involving a different set of mice in a maze—mice who question everything—to help readers see how they underestimate their ability change the rules, overcome the constraints they face, and control their own destiny.

Ellery Queen is persuaded to accompany an old friend and sculptor to his ancestral home when the latter arrives at Ellery's house covered in blood and unable to remember anything from the past few weeks. Once there, tensions erupt and foul play results in the murder of one of the household's members. Among the many transgressions Ellery will uncover are adultery, blackmail, and deceit.

Despite the dismal Broadway season, Gunplay continues to draw crowds. A gangland spectacle, it's packed to the gills with action, explosions, and gunfire. In fact, Gunplay is so loud that no one notices the killing of Monte Field. In a sold-out theater, Field is found dead partway through the second act, surrounded by empty seats. The police hold the crowd and call for the one man who can untangle this daring murder: Inspector Richard Queen.

In "The Waste Land,” T. S. Eliot’s eulogy for all that is buried after World War I, April promises a flowering. But as the world mourns the spirit of a bygone era, what future can emerge from the cold, dead, infertile ground? Doubt and fear grip the narrator, too, in “The Love Song of J. Alfred Prufrock” - a self-examination of an anxious, overeducated man unable to act against feelings of paralyzing impotence.

Trick I - The first thing to vanish is a worthless doorstop. Then, in the twinkling of an eye, goes its rich and elderly owner. And, for the grand finale, both reappear - each as dead as the other. Trick II - From the House of Darkness issues more bafflement. In total darkness and from a distance of 12 feet, four bullets are pumped within an inch of each other into a spectator's back - a feat utterly impossible to perform yet brazenly and undeniably done.

French's department store was famous for the rare merchandise it offered its elite clientele. But no one there could be proud of its latest exclusive window display: the bloodstained corpse of the owner's wife. Ellery Queen and his father, Inspector Richard Queen, soon discover that this palace of commerce is a viper's nest of fear, jealousy, suspicion, and hatred, where love is cheap and the price of honor marked down. But worst of all is the mysterious mocking mastermind who is out to turn the glittering store into a bargain basement of murder.

“Imparting some piece of yourself—any part—is arduous and warrants some kind of commendation,” writes guest editor Wesley Morris in his introduction. Both personal and personable, the essayists in this volume use their own vulnerability to guide listeners on excursions that unfold on uncomfortable edges. From contemplating the nuances of memory to exploring the complexities of family, romance, gender identity, illness, and death, Morris’s selection of essays presents a roundup of the thinkers who masterfully grapple with the issues of our time.

In this characteristically turbocharged new book, celebrated Rolling Stone journalist Matt Taibbi provides an insider's guide to the variety of ways today's mainstream media tells us lies. In the internet age, the press have mastered the art of monetizing anger, paranoia, and distrust. Taibbi, who has spent much of his career covering elections in which this kind of manipulative activity is most egregious, provides a rich taxonomic survey of American political journalism's dirty tricks.

This inspiring anthology collects enduring and entertaining stories that have enthralled young and old, by the cherished authors whose tales have captivated children for generations. Perfect for the family car trip or at-home listening, these recordings sparkle with the wit and wonder of time-tested storytelling.

What makes the modern world work? The answer to this deceptively simple question lies in four "grand transitions" of civilization - in populations, agriculture, energy, and economics - that have transformed the way we live.

The collection includes the novella We Don't Live Here Anymore, which served as the basis for the 2004 film of the same title; the novella also introduces Dubus' writer-protagonist Hank Allison, a character who continues to appear throughout his work. Two years later, the title story of Dubus' sophomore collection Adultery and Other Choices continued the exploits of Hank Allison. While the collection's opening stories focus on the fragile nature of youth, later stories shift to darker struggles of adulthood.

David J. Lieberman understands that a change in perspective is all that is needed to help keep from flying off the handle. In Never Get Angry Again, he reveals how to see anger through a comprehensive, holistic lens, illuminates the underlying emotional, spiritual, and physical components of anger, and gives listeners simple, practical tools to snuff out anger before it even occurs.

In 1966, two authorities on LSD—Richard Alpert, PhD, AKA Ram Dass, and Sidney Cohen, MD—spoke out on the merits and dangers of the psychedelic drug as acclaimed photographer Lawrence Schiller documented the experiences as they were happening. This Commemorative Edition of LSD looks back at the public’s use of LSD in the 1960s and features a new introduction that explores the book’s relevance to today’s psychedelic renaissance.

The New York Times best-seller with more than one million copies sold worldwide. Inspired by the incredible true story of one Jewish family separated at the start of World War II, determined to survive - and to reunite - We Were the Lucky Ones is a tribute to the triumph of hope and love against all odds. It is the spring of 1939 and three generations of the Kurc family are doing their best to live normal lives, even as the shadow of war grows closer.

In The Unwinding, George Packer, author of The Assassins’ Gate: America in Iraq, tells the story of the United States over the past three decades in an utterly original way, with his characteristically sharp eye for detail and gift for weaving together complex narratives. The Unwinding portrays a superpower in danger of coming apart at the seams, its elites no longer elite, its institutions no longer working, its ordinary people left to improvise their own schemes for success and salvation.

This audiobook will change your life by showing you how life changes. Why does happiness tend to get harder in your 40s? Why do you feel in a slump when you're successful? Where does this malaise come from, regardless of your gender, race, class or nationality? And, most importantly, will it ever end? Drawing on cutting-edge research and dozens of stories about a diverse set of people, award-winning journalist Jonathan Rauch answers all these questions.

The silent rush of footsteps, the muffled shriek, the ever-tightening noose of exotic silk…the mark of the Cat. The Cat had claimed number nine.

The Cat had nine kills, but Ellery Queen found number ten alive and offered the victim temptingly to the killer. The trap was baited, and Ellery and the police poised for the strike that had to come. But the strangler struck elsewhere - and Queen's heart chilled at the thought of what he would find.

Weird Tales magazine is known for launching a number of sub-genres of fiction—cosmic horror, swords & sorcery, dark fantasy, and others. It has also greatly added to existing genres like science fiction, horror, and—a personal favorite of editor Jonathan Maberry—weird mystery stories. Or, as they became known—occult detective tales.

There was a time when liberalism was an ism like any other, but that time, writes Michael Walzer, is gone. “Liberal” now conveys not a specific ideology but a moral stance, so the word is best conceived not as a noun but as an adjective—one is a “liberal democrat” or a “liberal nationalist.” Walzer itemizes the characteristics described by “liberal” in an inventory of his own deepest political and moral commitments—among other things, to the principle of equality, to the rule of law, and to a pluralism that is both political and cultural.