検索キーワード： ナレーター "Raoul Bhaneja" すべてのカテゴリー

What do you get when a narcissistic megalomaniac plagued by daddy issues leads a horde of angry zealots, xenophobes, and ornery incels on a crusade to Make the Afterlife Great Again? You get an out-of-this-world adventure in which history’s greatest minds face an apocalypse that could make Armageddon look like a cotillion.

Since we first heard rumblings about a novel type of pneumonia in Wuhan, China, terms like pandemic, spike protein, viral particles, variants, mRNA vaccines, antibodies, hydroxychloroquine, social distancing, immune response, convalescent plasma, aerosol transmission, and of course, face coverings, have entered our everyday vocabulary. The scientific literature has exploded with studies exploring every facet of COVID-19, but unfortunately the “viral” spread of misinformation about the pandemic has also reached epic proportions.

For fans of Yellowface and American Fiction, A Hero of Our Time is a vicious takedown of superficial diversity initiatives and tech culture, with a beating heart of broken sincerity that the Toronto Star calls "a powerful, unexpected reading experience."

The afterlife adventures of Rhinnick Feynman, who believes that he’s a character in a novel written by an omnipotent author. He also believes that the author is changing the past through editorial revision, and for the worse. We’ll see Rhinnick square off against Isaac Newton, whose experiments threaten everyone in the hereafter.

Arjie Chelvaratnam is a Tamil boy growing up in an extended family in Colombo, Sri Lanka. It is through his eyes that the story unfolds and we meet a delightful, sometimes eccentric cast of characters. Arjie’s journey from the luminous simplicity of childhood days into the more intricately shaded world of adults - with its secrets, its injustices, and its capacity for violence - is a memorable one, as time and time again the true longings of the human heart are held against the way things are.

We begin with a man off balance: one in one thousand, the only child in town whose polio leads to partial paralysis. We meet his future wife, chanting Hai Rams for Gandhiji and choosing education over marriage. On one side of the line that divides this book, we follow them as their homeland splits in two and they are drawn together, moving to Canada and raising their children in mining towns and in crowded city apartments.

Munir Khan, a recent widower from Toronto, on a whim decides to visit Delhi, the city of his forbears. Born in Kenya, he has lost all family connections, and has never visited India before. While sitting in the bar of the Delhi Recreational Club where he's staying, an attractive woman joins his table to await her husband. A sparring match ensues. The two are from different worlds: Munir is a westernized agnostic of Muslim origin; Mohini, a modern Hindu woman. Against her better judgment, Mohini agrees to show Munir around the city.

Fifteen-year-old Elias and his family are caught in the middle of an international conflict—the deadly crossfire between the Syrian Army and government-opposed Rebels. Dangers mount, conditions worsen, and after witnessing the tragedy of war and the indignities of a refugee camp, Elias finds himself a newcomer in North America where he comes face to face with completely new battles—culture shock, racism, and bullying.

Coconut Dreams explores the lives of the Pinto family through seventeen linked short stories. Starting with a ghost story set in Goa, India in the 1950s, the collection weaves through various timelines and perspectives to focus on two children, Aiden and Ally Pinto. These siblings tackle their adventures in a predominantly white suburb with innocence, intelligence and a timid foot in two distinct cultures.

M.G. Vassanji has been exploring the immigrant experience for over three decades, drawing deeply on his own transnational upbringing and intimate understanding of the unique challenges and perspectives born from leaving one's home to resettle in a new land. The question of identity, of how to configure and see oneself within this new land, is one such challenge faced. But Vassanji suggests that a more fundamental and slippery endeavour than establishing one's identity is how, if ever, we can establish a sense of belonging.

He comes to fix your photocopier, but really, Fred’s an inventor. At night, he goes to work. He has goals, ambitions, and when offered the task of building a better electric chair, he jumps at the chance. People have to die—he believes in the occasional necessity of evil—but what if we could kill them more humanely? A death specialist, first in his field but forever under-appreciated, he’s charmed when a new generation of fascists come calling for his expertise. A Holocaust denier is on trial in Toronto—could Fred prove the gas chambers never existed?