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Dylan, who began working on the book in 2010, offers a masterclass on the art and craft of songwriting. He writes over 60 essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyses what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose.

Charley Sunday, a sensible, sober-minded Texas grandfather, imparts the American Cowboy legacy to his only grandchild as he and several of his grizzled cronies concoct a 1,000-mile longhorn cattle drive across 21st Century America. Four leathery cowboys, one insightful Indian, two strong-willed women, a two-gun oddball, a dog, and a little boy make an unlikely team as they trek from Colorado to Texas, continually running up against the forces of corruption.

After a two-year drought, the Kerrigan ranch is dry as a bone and as dusty as a honky-tonk bible. On the brink of ruin, Kate Kerrigan hires the rainmaker Professor Somerset Lazarus, who promises salvation — in the form of a deluge. Kate is desperate enough to try anything. But when four angry gunmen show up, ready to lynch the phony rainmaker for swindling them out of their money, the Kerrigans have to choose sides fast — before the bullets start to fly.

Born and bred in the Texas Pandhandle town of Comanche Crossing, William "Wild Bill" Longley gunned down a dozen of its men in cold blood before he got around to the sheriff and deputy - so he could take over the job himself. Then he found the perfect sidekick in a vicious career criminal named Booker Tate.

With Christmas approaching, Charley is happy to welcome his grandson Henry-Ellis for a visit to his West Texas ranch. The boy is old enough now to travel alone by rail - but nothing can prepare him for the bullets and bloodshed waiting for him along the way. First, he witnesses a double shooting on the train. Then, he sees his grandpa gun down a dangerous duo of jewel thieves in the streets. After that, they stumble onto a train robbery in the making. But the real trouble starts when they get home for the holidays....

In the spring of 1963, a 22-year-old Bob Dylan was introduced to Studs Terkel's Chicago radio listeners. The up-and-coming musician sheds some insight into his life, ideas, and songwriting process.

Dylan, who began working on the book in 2010, offers his insight into the nature of popular music. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose. And while ostensibly about music, they are really meditations on the human condition.