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Graham Swift’s first collection of short stories confirms his power to bring an edge of the extraordinary, the dangerous or the subversive into otherwise familiar, safe, even comforting settings. On a holiday beach, a mismatched couple wage a sexually charged war for the devotion of their literally floundering son. A family doctor, oppressed by his own domestic insecurities, intimidates an apparent time-wasting patient. A zookeeper becomes the keeper of a bizarre fixation.

Meet Dr Shah, who has never been to India, and Mrs Kaminski, on her way to Poland via A&E. Meet Holly and Polly, who have come to their own Anglo-Irish understanding. Charlie and Don, who have seen the docks turn into Docklands. Daisy Baker, terrified of Yorkshire and Johnny Dewhurst, stranded on Exmoor. Binding these stories together is Graham Swift's affectionate but unflinching instinct for the story of us all.

In Making an Elephant, Graham Swift brings together a richly varied selection of essays, portraits, poetry and reflections on his life in writing. Full of insights into his passions and motivations, and wise about the friends, family and other writers who have mattered to him over the years, this is a revealing and intimate collection. Kazuo Ishiguro advises on how to choose a guitar, Salman Rushdie arrives for Christmas under guard and Ted Hughes shares the secrets of a Devon river. There are private moments, too, with long-dead writers.

One summer morning in 1943, lock-keeper Henry Crick finds the drowned body of a 16-year-old boy. Nearly 40 years later, his son Tom, a history teacher, is driven by a bizarre marital crisis and the provocation of one of his students to forsake the formal teaching of history - and tell stories.

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In 1972, Robert Beech, First World War veteran and prominent figure in the arms industry, is killed by a car bomb. The event cuts short the career of his son Harry, a news photographer, and comes close to destroying his granddaughter Sophie. Ten years later, Harry, now working in aerial photography, and Sophie, visiting an analyst in New York, remain scarred and divided by the event. Around their broken relationship and Harry’s memories of his truncated career and his father, the novel builds a story that is acutely private, yet sweepingly public.

On a June night, Paula, a successful art dealer, lies awake. Mike, her husband of 25 years, is asleep beside her. In nearby rooms, their twin teenage children, Nick and Kate, sleep, too. The next day, Paula knows, will define all their lives. As dawn approaches, Paula recalls the years before and after her children were born. Her story is both a celebration of love possessed and a moving acknowledgement of the fear of loss, of the fragility on which even our most inward sense of who we are can rest.

Prentis, employed in the police archives, is becoming confused. His obsession with the plight of his father, a wartime hero, now the mute inmate of a mental hospital, is alienating him from his wife and children, while at work, he feels under scrutiny from his intimidating boss, Quinn. Gradually, Prentis suspects that his father’s breakdown and Quinn’s menacing behaviour are related and that the connection is to be found in his father’s memoir: 'Shuttlecock'.

Bill Unwin, an academic of dubious status, has never recovered from the death of his famous actress wife and is now convalescing from a recent brush with his own mortality. He has two tales to tell. One, spanning postwar Paris, 1950s Soho and contemporary sexual and scholarly entanglements, surveys the muddle of his own life. The other, drawn from the notebooks of a Victorian ancestor, is the very different story of Matthew Pearce, a serious-minded man whose happiness is destroyed by his compulsive search for truth.

On a cold but dazzling November morning, George Webb, a former policeman turned private detective, prepares to visit Sarah, a prisoner and the woman he loves. As he goes about the business of the day he relives the catastrophic events of two years ago that have both bound them together and kept them apart. Making atmospheric use of its suburban setting and shot through with a plain man’s unwitting poetry and rueful humour, The Light of Day is a powerful and moving tale of murder, redemption and the discovery, for better or worse, of the hidden forces inside us.

On an autumn day in 2006, on the Isle of Wight, Jack Luxton—former Devon farmer, now proprietor of a seaside caravan park—receives the news that his brother, Tom, not seen for years, has been killed in Iraq. For Jack and his wife Ellie, this will have a potentially catastrophic impact and compel Jack to make a crucial journey: to receive his brother’s remains, but also to return to the land of his past and confront his most secret, troubling memories.

For 40 years, Willy Chapman has struck a strange but steadfast bargain between the two poles of his life: his beautiful but emotionally damaged wife and the sweet shop he runs on a South London high street. Devoted to each, he has maintained a delicate, precarious balance. Now, on a hot summer’s day, he attempts to settle his final accounts and reach an understanding with a third, disruptive element in his reckoning: his angry, unforgiving daughter.

These 25 new stories mark Graham Swift's return to the short form after seven acclaimed novels and confirm him as a master storyteller. They unite into a richly peopled vision of a country that is both a crucible of history and a maze of contemporary confusions.

Det er 30. marts 1924 i det engelske grevskab Berkshire vest for London. Mors Dag. Hvad skal stuepigen Jane Fairchild få fridagen til at gå med, når hun ikke har nogen mor at besøge? Den overraskende, bevægende og sanselige roman "Helligdag" begynder med et stævnemøde, men udvider sig og rummer flere årtier. For da dagen er gået, er der sket skelsættende begivenheder, der kommer til at præge Janes fremtid.

Jack und Ronnie treten gemeinsam aus dem Schatten des Zweiten Weltkriegs auf die Bretter, die die Welt bedeuten. Jack ist Entertainer, Ronnie Zauberer. Sie kommen beide aus dem berüchtigten Londoner East End und steigen im flirrenden Showgeschäft der Fünfzigerjahre zu Stars auf. Evie, Ronnies Assistentin und Verlobte, beginnt heimlich eine Affäre mit Jack. Aus Freunden werden Rivalen. Wenig später verschwindet Ronnie während eines Auftritts und bleibt unauffindbar - als könnte er wirklich zaubern.

England, 1924: Jane und Paul sind seit Jahren ein Liebespaar, aber im Verborgenen. Denn Paul kommt aus gutem Hause und Jane ist das Dienstmädchen vom Nachbaranwesen. An einem sonnigen Märzsonntag kommt es zu einem letzten Rendezvous. Schon bald wird Paul eine andere heiraten. Es ist Muttertag, Familie und Dienerschaft sind ausgeflogen und sie sind allein. Erstmals darf Jane das Gebäude durch das Hauptportal betreten, darf ihr Fahrrad einfach an die Hausmauer lehnen.

It is Brighton, 1959, and the theatre at the end of the pier is having its best summer season in years. Ronnie, a brilliant young magician, and Evie, his dazzling assistant, are top of the bill, drawing audiences each night. Meanwhile, Jack – Jack Robinson, as in ‘before you can say’ – is everyone’s favourite compère, a born entertainer, holding the whole show together. As the summer progresses, the off-stage drama between the three begins to overshadow their theatrical success, and events unfold which will have lasting consequences for all their futures.

Four men once close to Jack Dodds, a London butcher, meet to carry out his peculiar last wish: to have his ashes scattered into the sea at Margate. For reasons best known to herself, Jack’s widow, Amy, declines to join them. On the surface a simple tale of an increasingly bizarre day’s outing, this Booker Prize-winning, internationally acclaimed novel is a resonant and classic exploration of the complexity and courage of ordinary lives.

In the aftermath of the Second World War Private Caan, a young Jewish soldier stationed in Germany, seeks the truth about lost family members; in the 1960s a father focuses on his daughter’s wedding even as the Cuban Missile Crisis brings the world to the brink of disaster; in 2001, while planes fly into the Twin Towers, a maid working for US Embassy staff in London wonders if her birth on the day of the Kennedy assassination shaped her life...

It is March 30th 1924. It is Mothering Sunday. How will Jane Fairchild, orphan and housemaid, occupy her time when she has no mother to visit? How, shaped by the events of this never to be forgotten day, will her future unfold? Beginning with an intimate assignation and opening to embrace decades, Mothering Sunday has at its heart both the story of a life and the life that stories can magically contain.