検索キーワード： ナレーター "Hannah Curtis" すべてのカテゴリー

In an innovative and engaging narrative of everyday life in Shakespeare’s England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-sixteenth century into the private lives of four women writers working at a time when women were legally the property of men.

Michael just wants a little sleep. The last few days has been a bit of a learning overload after coming back a hundred and fifty years after he was blown apart by a backpack nuke. The world destroyed itself, there are anti-gravity cars and ships, and his love is in the stars... somewhere. Plus, there is a Vampire trying to make Europe his personal fiefdom. Akio and Yuko are trying to find him, and he has a young female Wechselbalg and male Vampire to keep on the straight and narrow.

I know I’m lucky. I have a stunning Cheltenham apartment and a charming weekend cottage in Devon. Chris, my partner, is kind and supportive. He loves me in spite of my scars—the result of a childhood incident I don’t talk about. Most of all, I love my job, helping young women with eating disorders. But I can’t help everyone, as I tell Kyle Stannard. Kyle was once a top male model—before he was left horrifically scarred in a random attack. Kyle thinks we’re the same, but I can’t help him with his problems. It’s not my field. Then creepy things start to happen.

Lauren Wade hates Jem Carter, and Jem hates her. So when Lauren gets a message from Jem asking for help, she suspects it’s some sort of attention-seeking stunt by the woman she caught in bed with her husband. Lauren decides to simply alert her ex, Daniel, who thinks Lauren is the one trying to cause trouble. However, when Jem’s car is found abandoned on a bridge, the police become involved...and Lauren finds herself panicking. She is sure they will find out about a secret she's been hiding.

We spend an average of 33 years of our lives asleep. But what really happens, and what are we capable of, when we sleep? Anna Ogilvy was a budding twenty-five-year-old writer with a bright future. Then, one night, she stabbed two people to death with no apparent motive—and hasn’t woken up since. Dubbed “Sleeping Beauty” by the tabloids, Anna’s condition is a rare psychosomatic disorder known to neurologists as “resignation syndrome.”

Anna Ogilvy hasn’t opened her eyes for four years. Not since that night at The Farm when she was found asleep with a kitchen knife in her hand, her clothes bloodstained, the bodies of her two best friends lying close. She’d committed the crime of the century – but nothing and no-one could wake her from the nightmare. Believers in her innocence call her Anna O. Believers in her guilt call her Sleeping Beauty.

After escaping a bad relationship, Jess Cavendish is running and leaving it all behind, carrying just a few treasured belongings in her knapsack. She needs to start over, but that means sleeping where she can and making the most of her slim savings. Luckily, she comes across a recently sold, unoccupied house. It couldn’t hurt to stay there while she saves up enough to get her own place, right?

The period from 1933 to 1943 was one of the darkest and most chaotic in human history, as the Second World War unfolded with unthinkable cruelty. It was also a crucial decade in the dramatic, intersecting lives of some of history’s greatest philosophers. There were four women, in particular, whose parallel ideas would come to dominate the twentieth century—at once in necessary dialogue and in striking contrast with one another.

In her second collection from Trepidatio Publishing, award-winning author Gemma Files takes her listeners on journeys out beyond safe borders—from the trackless depths of the sea, to the empty desert frontiers of the Weird West, even to the edges of cracks between worlds. Here, in these narrow spaces between the known and the unknown, behind the paper-thin curtains of reality, lurk monsters both human and ancient: selkies and avenging revenants, voodoo priestesses and pirate sorcerers, ghosts and vampires, and the most famous murderer of all time.

Eleanor did not come to London to be proper and boring. After the death of her husband and a year of mourning, the seventeen-year-old wants nothing more than her independence and to have a little fun. She’s hardly looking to remarry, despite pressures from her late husband’s nephew, who is keen on obtaining her inheritance. Eleanor quickly devises a plan that includes a fake engagement. What’s not a part of the plan? Falling for a dashing, quiet man outside of her social circle—a man who is not her betrothed. Can she survive the Season with her heart and her fortune intact?

Tourists have sought out the landmarks, streets, and alleys of Charles Dickens's London ever since the death of the world-renowned author. Late Victorians and Edwardians were obsessed with tracking down the locations—dubbed "Dickensland"—that famously featured in his novels. But his fans were faced with a city that was undergoing rapid redevelopment, where literary shrines were far from sacred. Over the following century, sites connected with Dickens were demolished, relocated, and reimagined.

The German occupation is over. The Channel Islands, the only captured territory within the British Isles, are finally liberated. But the people of Jersey are left as scarred as the landscape. No longer a “summerland” holiday paradise, the island now boils with tension as locals seek revenge on anyone suspected of collaborating with the enemy during the war. Nineteen-year-old Jean Parris, still adjusting to this fractious peace, is shocked to learn that Hazel, a teacher who lives over her dad’s shop, may be responsible for her father’s wartime arrest.

The two oldest Dashwood sisters approach romance differently. One impulsively jumps into love while the other is far more prudent. When tragedy strikes they find themselves searching for suitable husbands. Elinor feels ill-equipped to compete with the self-centred, fortune-driven society she finds herself in, whilst Marianne's unshakeable belief in her own feelings makes her susceptible to the designs of unscrupulous men. Can they find true love?

My husband’s dead. They say my best friend did it. I can’t believe it. Not Lisa. There’s no way she could have done something so terrible. I look around at her shaken family, her two devastated children and her shocked husband, as they watch the most important woman in their lives being arrested for murder… I always thought Lisa was the perfect wife and mother. We’ve been best friends ever since I moved to Dragonfly Close. But then I remember the day I saw her at the coffee shop with Russell.

A few years into her marriage and under pressure to surrender to domesticity, Joanna Biggs found herself longing for a different kind of existence. The relationship was calm and her husband was a good man, but was this all there was? She divorced without knowing what would come next. Newly untethered, Joanna returned to the free-spirited writers of her youth and was soon reading in a fever - desperately searching for evidence of lives that looked more like her own, for the messiness and freedom, for a possible blueprint for intellectual fulfilment.

Verity finds out her mother is secretly dating a man she met online. After five long years of widowhood, Eleanor is finally happy—and back to her old self. Verity thinks he's after her money and her smart Cirencester townhouse. Her mother thinks that Verity just can't let her move on.

Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history.

A few years into her marriage and feeling societal pressure to surrender to domesticity, Joanna Biggs found herself longing for a different kind of existence. Was this all there was? She divorced without knowing what would come next. Newly untethered, Joanna returned to the free-spirited writers of her youth and was soon reading in a fever—desperately searching for evidence of lives that looked more like her own, for the messiness and freedom, for a possible blueprint for intellectual fulfillment.

When her best friend dies under mysterious circumstances, Sophie sets off to stay with her cousins on the remote Isle of Skye. It's been years since she last saw them—brooding Cameron with his scarred hand; Piper, who seems too perfect to be real; and peculiar little Lilias with her fear of bones. Still, Sophie never expected the strange new rules the family now lives by: Make no mention of Cameron's accident. Never leave the front gate unlocked. Above all, don't speak of the girl who's no longer there, the sister whose death might have closer ties to Sophie's past.

The ridiculous music. The excessive presents. The stupid Christmas sweaters. Felicity wants nothing more than to escape it all, and she pounces on the chance to work shifts over the holiday season at an animal rescue center. After all, it’s the only place that brings her true happiness. But one day, her evening is disturbed by a stranger named James—dressed as a penguin and cradling a weak kitten. As Felicity and James work together to nurse the sick feline back to health, it gives them the perfect excuse to bond over their mutual dislike of all things festive. And soon, sparks fly.