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A Bridge Too Far is Cornelius Ryan’s masterly chronicle of the Battle of Arnhem, which marshaled the greatest armada of troop-carrying aircraft ever assembled and cost the Allies nearly twice as many casualties as D-day. In this compelling work of history, Ryan narrates the Allied effort to end the war in Europe in 1944 by dropping the combined airborne forces of the American and British armies behind German lines to capture the crucial bridge across the Rhine at Arnhem. Focusing on a vast cast of characters, Ryan brings to life one of the most ill-fated operations of the war.

Beethoven imbibed Enlightenment and revolutionary ideas in his hometown of Bonn, where they were fervently discussed in cafes and at the university. Moving to Vienna at the age of 21 to study with Haydn, he gained renown as a brilliant pianist and innovative composer. In that conservative city, capital of the Hapsburg empire, authorities were ever watchful to curtail and punish overt displays of radical political views. Nevertheless, Beethoven avidly followed the meteoric rise of Napoleon.

In The War on the West, Douglas Murray shows how many well-meaning people have been fooled by hypocritical and inconsistent anti-West rhetoric. After all, if we must discard the ideas of Kant, Hume, and Mill for their opinions on race, shouldn’t we discard Marx, whose work is peppered with racial slurs and anti-Semitism? Embers of racism remain to be stamped out in America, but what about the raging racist inferno in the Middle East and Asia?

De l'émergence d'homo sapiens à nos jours, cette brève histoire de l'humanité est délibérément tournée vers l'intelligence du monde tel qu'il se recompose sous nos yeux. Or, c'est dans les profondeurs les moins conscientes de la vie sociale, celles auxquelles Emmanuel Todd a consacré sa vie de chercheur, que gît l'explication de ce qui nous apparaît aujourd'hui comme le grand désordre du monde.

What is fascism? By focusing on the concrete, what the fascists did rather than what they said, the esteemed historian Robert O. Paxton answers this question for the first time. From the first violent uniformed bands beating up "enemies of the state", through Mussolini's rise to power, to Germany's fascist radicalization in World War II, Paxton shows clearly why fascists came to power in some countries and not others.

In this monumental history of the First World War, Germany's leading historian of the 20th century's first great catastrophe explains the war's origins, course, and consequences. With an unrivaled combination of depth and global reach, Pandora's Box reveals how profoundly the war shaped the world to come. Jörn Leonhard treats the clash of arms with a sure feel for grand strategy, the everyday tactics of dynamic movement and slow attrition, the race for ever more destructive technologies, and the grim experiences of frontline soldiers.

In this magnificent synthesis of military, technological, and social history, William H. McNeill explores a whole millennium of human upheaval and traces the path by which we have arrived at the frightening dilemmas that now confront us. McNeill moves with equal mastery from the crossbow - banned by the Church in 1139 as too lethal for Christians to use against one another - to the nuclear missile, from the sociological consequences of drill in the 17th century to the emergence of the military-industrial complex in the 20th.

After the long period of cultural decline known as the Dark Ages, Europe experienced a rebirth of scholarship, art, literature, philosophy, and science, and began to develop a vision of Western society that remains at the heart of Western civilization today.

In Volume VI (Chapters LVII - LXXI), Gibbon ends his masterful history by charting the rise of the Turkish nation and the birth of the Ottoman Empire, which becomes an unstoppable force as it eventually captures the remains of the Eastern Empire. Weakened under the continuing schism of the Greek and Latin Christians, the strategically important site of Constantinople becomes an easy target for Sultan Mohammed II much to the consternation and apathy of the West.

In this classic of social history, the author describes the lives of six obscure men and women of the Middle Ages. She draws on account books, records, letters, diaries, and wills to make the life of those times as concrete and comprehensible as our own.

London in April, 1940, was a place of great fear and conflict. Everyone was on edge; civilization itself seemed imperiled. The Germans are marching. They have taken Poland, France, Holland, Belgium, and Czechoslovakia. They now menace Britain. Should Britain negotiate with Germany? The members of the War Cabinet bicker, yell, lose their control, and are divided. Churchill, leading the faction to fight, and Lord Halifax, cautioning that prudence is the way to survive, attempt to usurp one another by any means possible.

In the great wars of modern history, maritime powers have always prevailed over land-based empires, whether Habsburg, Napoleonic, Nazi, or Soviet. In contrast to the rigid hierarchies and centralization of land-based empires, those nations attaining mastery at sea have been distinguished by liberty, flexibility, and enterprise. The 17th-century Dutch were the first to achieve naval and trading dominance.

Simon Schama explores the mysterious contradictions of the Dutch nation that invented itself from the ground up, attained an unprecedented level of affluence, and lived in constant dread of being corrupted by happiness. Drawing on a vast array of period documents and sumptuously reproduced art, Schama recreates in precise detail a nation's mental state. He tells of bloody uprisings and beached whales, of the cult of hygiene and the plague of tobacco, of thrifty housewives and profligate tulip-speculators.

The 14th century reflects two contradictory images: on the one hand, a glittering time of crusades and castles, cathedrals and chivalry, and the exquisitely decorated Books of Hours; and on the other, a time of ferocity and spiritual agony, a world of chaos and the plague.

This book was originally planned to be about people, places and events in beautiful Kintyre but, like Topsy, “it just growed”—northwards and southwards—eventually including tales from Norway and the entire west coast of Scotland, down as far as the Irish Sea. Events in time vary from the reality of the present-day, sweeping back into history, and including Myth and Legend from our ancient Celtic heritage. There is humour and, inevitably, pathos as well as the happenings of every-day life—naturally occurring ingredients from the comedy and tragedy of every nation’s story.

From the best-selling and award-winning author of Paris 1919 comes a masterpiece of narrative nonfiction, a fascinating portrait of Europe from 1900 up to the outbreak of World War I.

In this major and wholly original contribution to military history, John Keegan reverses the usual convention of writing about war in terms of generals and nations in conflict, which tends to leave the common soldier as cipher. Instead, he focuses on what a set battle is like for the man in the thick of it.

Laurence Rees, in his magnum opus, combines largely unpublished testimony with the latest academic research to create the first accessible and authoritative account of the Holocaust in over three decades. Rees argues that whilst hatred of the Jews was always at the epicentre of Nazi thinking - and the Holocaust was the most appalling crime in history - what happened cannot be fully understood without considering the murder of the Jews alongside other Nazi plans to kill millions of non-Jews as well.

Mary Fulbrook's encompassing book explores the lives of individuals across a full spectrum of suffering and guilt, each one capturing one small part of the greater story. Using "reckoning" in the widest possible sense to evoke how the consequences of violence have expanded almost infinitely through time. Fulbrook exposes the disjuncture between official myths about "dealing with the past" and the extent to which the vast majority of Nazi perpetrators evaded responsibility.

How did "the West" come to be used as a collective self-designation signaling political and cultural commonality? Was the idea handed down from the ancient Greeks, or coined by nineteenth-century imperialists? Neither, writes Georgios Varouxakis in The West, his ambitious and fascinating genealogy of the idea. "The West" was not used by Plato, Cicero, Locke, Mill, or other canonized figures of what we today call the Western tradition. It was not first wielded by empire-builders.