On this year-end episode of Broadcast Dialogue - The Podcast, we sit down with our publisher Shawn Smith, the president of Momentum Media, to reflect on 2024 and his thoughts on the challenges and opportunities that lay ahead for the broadcast industry in 2025.

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2024 Canadian Radio Awards Winners - Connie Thiessen and Matt Cundill host the 2024 Canadian Radio Awards livestream.

Thanks to our 2024 Category Sponsors - David Kaye, Kayeman Productions | leanStream | Community Radio Fund of Canada | Benztown | MusicMaster | Validate | Burli | vcreative | Broadcast Dialogue | Momentum Media

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Radio is still a cornerstone of many national media buys in Canada, but let’s be frank - it doesn’t deliver metrics that digital-first marketers are asking for.

We gathered a group of heavy hitters from Canada’s biggest agencies to talk about the state of national radio ad sales and the challenges and opportunities for clients and broadcasters alike.

Joining our publisher Shawn Smith on this episode of Broadcast Dialogue - The Podcast are Canadian Broadcast Sales President Gerry MacKrell; Omnicom Media Group Chief Strategy Officer Shane Cameron; GroupM Chief Investment Officer Lindsey Talbot and Glassroom General Manager Scott Stewart.

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Arshy Mann and Jordan Cornish are among the Canadian journalists betting on themselves in the current media climate. Best known as the producers behind Canadaland’s COMMONS for the last six years and 13 seasons, Cornish and Mann are striking out on their own with new project, The Hatchet, a weekly podcast and newsletter launched on Substack, dedicated to exposing power and money in Canada.

Arshy Mann joins this episode of Broadcast Dialogue - The Podcast to talk about going independent, his unvarnished thoughts on the state of Canadian media, and choosing to make a graceful exit from Canadaland.

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The radio industry has a measurement and attribution problem. Hundreds of millions of dollars have left broadcast for platforms owned by digital giants like Meta, Google, and Amazon, among others. Our publisher Shawn Smith hosts this special episode of Broadcast Dialogue - The Podcast featuring Warren Kurtzman, President of Coleman Insights, the new licensee of the Pattison Media-created Validate Audio Attribution software platform being used by Canadian, and now U.S. broadcasters.

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Creative professionals, including those of us in media, have become accustomed to hearing that our jobs may soon be replaced by artificial intelligence.

Ronit Novak's new podcast The Grain is encouraging honest conversations in the creative community - from filmmakers to those in advertising, design and photography - about the impact of AI on their careers.

She joins this episode of Broadcast Dialogue - The Podcast from Made Human Studios in Toronto's Little Jamaica to talk about why creatives need to start talking openly about AI and the future of creativity.

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$20 million dollars. That's how much in annual funding the Community Radio Fund of Canada (CRFC) is lobbying for, making the case that in the wake of so much misinformation and under-resourced commercial stations, there's never been a better time to prop up the community radio sector.

Executive Director Alex Freedman joins this episode of Broadcast Dialogue - The Podcast to talk about the surge in interest in community radio licences, how the sector is meeting a need in news deserts, and the importance of community connection.

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On Nov. 2, 1954, a 250-watt radio station signed on in Alberta, destined to become Canada's first full-time country music station. The C and the W in CFCW stood for Camrose-Wetaskiwin, which were encompassed in its 25-mile broadcasting radius. Now associated with Edmonton, as much as its rural listening stronghold, Alberta's Country Legend is celebrating 70 years, defying those that would assert that AM radio's best days are behind it.

Longtime program director Jackie Rae Greening and creative writer Jo-Anne Christensen, the author of a new book documenting the station's history, join this episode of Broadcast Dialogue - The Podcast, coming off a win for Station of the Year (Large Market) at the Canadian Country Music Association (CCMA) Awards.

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