検索キーワード： ナレーター "Andi Arndt" すべてのカテゴリー

Camilla dreams of the day she can leave her life behind. Saying good-bye to the mother she's never been good enough for, to the bottles there's always money for, to the bills there's never money for - and most of all, to being the help in someone else's dream home. But the scholarship to her new private school that gives her a real chance at a future comes with one big catch: Hunter Beck.

The first time I met Hudson Rothschild was at a wedding. I’d received an unexpected invitation to one of the swankiest venues in the city. Hudson was a groomsman and quite possibly the most gorgeous man I’d ever laid eyes on. He asked me to dance, and our chemistry was off the charts. I knew it wasn’t a good idea to get involved with him, considering the wedding I was at. But our connection was intense, and I was having a great time. Though the fun came to a screeching halt when Hudson figured out I wasn’t who I’d said I was.

Unemployed. Check. Zero prospects. Check. An eviction notice in hand. Check. Life in shambles? Check. Check. Check. Desperate to avoid living on my sister’s couch, I took a job in the one place I shouldn’t. That's where I first saw him. Drew Lawson. Elusive bad boy. Owner of the hottest club in the city. And apparently my new boss.

He’s my brother’s best friend, the hot single dad next door. And one accidental sext later, my massive crush on him is no longer a secret. It’s my own damn fault. I’m 30 years old, for heaven’s sake. I’m a kindergarten teacher and a (reasonably) responsible adult. I should know better than to get tipsy and draft a fake text listing all the dirty things I wish Officer Cole Mitchell would do to me. I wasn’t supposed to hit send. And he wasn’t supposed to see it.

There are a few things you should know about my brother’s roommate. Wolfie Cox is complicated, and incredibly sexy. Unfortunately, he has an impressive stick lodged so far up his ass, he’s about as emotionally available as a chinchilla. Actually, that might be an insult to the chinchilla community. So, naturally, I want to ride him like a bicycle.

Best known for her internationally, multi-million-copy bestselling novel Flowers in the Attic, Cleo Virginia Andrews lived a fascinating life. Born to modest means, she came of age in the American South during the Great Depression and faced a series of increasingly challenging health issues. Yet, once she rose to international literary fame, she prided herself on her intense privacy.

Ten-year-old Grace is in search of a subject for her fifth-grade history project when she learns that her four times-great grandfather once stabbed his lover to death. His grisly act was memorialized in a murder ballad, her aunt tells her, so it must be true. But the lessons of that revelation—to be careful of men and desire—are not just Grace’s to learn. Her family’s tangled past is part of a dark legacy in which the lives of generations of women are affected by the violence immortalized in folk songs like “Knoxville Girl” and “Pretty Polly” reminding them always to know their place.

Welcome to New York’s legendary hotel for women, the Barbizon. Liberated after WWI from home and hearth, women flocked to New York City during the Roaring Twenties. But even as women’s residential hotels became the fashion, the Barbizon stood out; it was designed for young women with artistic aspirations, and included soaring art studios and soundproofed practice rooms. More importantly still, with no men allowed beyond the lobby, the Barbizon signaled respectability, a place where a young woman of a certain class could feel at home.

Marjolijn van Heemstra has heard about her great-uncle's heroism for as long as she can remember. As a resistance fighter, he was the mastermind of a bombing operation that killed a Dutch man who collaborated with the Nazis and later became a hero to everyone in the family. So, when Marjolijn's grandmother bestows her with her great-uncle's signet ring requesting that she name her future son after him, Marjolijn can't say no. Now pregnant with her firstborn, she embarks on a quest to uncover the true story behind the myth of her late relative.

After a wild and tumultuous beginning to their relationship, Evelyn Thomas and her rock star husband David Ferris have been happily married for years. Nothing needs to change, their life together is perfect. Which means that change in the shape of an unexpected pregnancy is bound to shake things up some. But could it be for the better?

The new darling of rock n’ roll, Adam Dillon, is ready to show his ex-girlfriend, Jill Schwartz, what a mistake she made kicking him to the curb. So maybe he wasn’t the best of boyfriends. Writing great songs and climbing to the top of the charts isn’t easy. Only problem is, he's fast finding out that success isn't everything.

In 2006, Mary Turner Thomson’s world shattered when she discovered her husband Will was a bigamist, con man and convicted sex offender. Unbeknownst to her, this would be the start of a bold new chapter in her life, fighting to protect other women from his heartless gaslighting campaigns—and putting a stop to his endless deception. Mary thought her story would end with the revelation that Will in fact had several families—and numerous children. But when she discovered that he had continued to prey on new victims, she vowed to turn his betrayal into a force for good.

For all the Kellings' quirks, no other family in Boston is more adept at throwing a wedding. So when Max Bittersohn's wife, Sarah Kelling, offers to organize his nephew's nuptials, Max is smart enough to stay out of her way. But when the art-fraud investigator stumbles onto a family mystery, he is drawn into something far more serious than the question of who will catch the bouquet. Stolen years earlier, the priceless Kelling jewels were last seen in Amsterdam, so how did they end up among the wedding gifts?

When the doddering patrons of the Wilkins Museum learned that dozens of their priceless masterworks had been stolen and replaced by forgeries, there was no one to turn to but Sarah Kelling and Max Bittersohn - the savviest art detectives of the Boston upper crust. Nabbing the crooks was easy, but finding the missing paintings has proven trickier. Years later, the collection's prized Titian is still lost, and the new director, loudmouthed cattle baron Elwyn Fleesom Turbot, is getting impatient.

If she weren't so fabulous, the Countess Lydia Ouspenska might be considered a gangster's moll. The last time she met Max Bittersohn, Boston's famed art-fraud investigator, she was forging minute Byzantine masterpieces to make ends meet. But when Max bumps into her on the Common, the Countess is back on her feet. She has taken up with Bartolo Arbalest, a master forger currently masquerading as an art restorer. And as Bittersohn knows all too well, even the most genteel fraudster cannot be trusted.

Though a few years past 60, Sarah Kelling's aunt Emma is as vigorous as a girl of 22. She sings, she dances, and when the local fire department needs a fundraising boost, she's happy to jump out a window for charity. This summer, she decamps to Maine, to beat the heat at an island retreat for artists and great thinkers. There are writers, painters, a psychic, and a historian, and their company promises to be great fun - until a few of them go treasure-crazy.

Sarah Kelling and her husband, Max Bittersohn, have made names for themselves tracking down stolen paintings, sculptures, and, when necessary, the occasional murderer. But this is the first time they have been asked to find a missing Rolls Royce. When Bill Billingsgate's prize 1927 New Phantom disappears, they head for his estate on the Massachusetts coast, arriving - to their horror - just in time for Billingsgate's annual Renaissance fair.

Boston and its suburbs are stuffed with Kellings, and the city is about to get one more. Sarah Kelling and her husband, Max Bittersohn - a pair of amateur sleuths equally at home in back alleys as they are at black-tie balls - are about to have a baby. And if the child takes after his parents, he will be one of the cleverest infants in New England. But while Sarah is a month away from giving birth, she cannot let pregnancy slow her down - she has a murder to solve.

Producing a Gilbert & Sullivan opera requires a special kind of madness, and the Kelling family is large enough and peculiar enough to undertake an entire company by themselves. For years now, Sarah Kelling's aunt Emma has supervised these annual productions - from The Pirates of Penzance to The Mikado - and this year she has invited her cast of relatives to rehearse The Sorcerer in her stately mansion. The show is nearly ready when a team of burglars drugs the cast and crew to make off with a priceless portrait.

It has only been a few months since Sarah Kelling's elderly husband passed away, and she is struggling to adapt to life as a penniless young widow. To make ends meet, she converts her stately Boston home into a boardinghouse, a decision that brings something even better than money: the company of art-fraud-investigator Max Bittersohn. The budding couple is standing on a balcony, recovering from a second-rate concert at a third-rate museum, when something plummets past them. The museum has been robbed, and a guard has fallen to his death.