検索キーワード： ナレーター "Ghizela Rowe" すべてのカテゴリー

James Weldon Johnson was born in Jacksonville, Florida, on 17th June 1871. His mother, Helen, a musician and a public school teacher, initially home-schooled him, giving him a love of both English literature and European music. At 16, his education moved to Atlanta University, and he graduated with a degree in 1894. In 1904 Johnson helped in Theodore Roosevelt's presidential bid. On winning, Roosevelt appointed him as US consul at Puerto Cabello, Venezuela, in 1906 and then Nicaragua from 1909.

Today perhaps we all agree that youth is spoilt, ill-disciplined and in search of constant and instant gratification. No matter how much we love them, our children, as they mature from child to youth, are pampered. A century ago, and even further back, even the most privileged of youth was rarely indulged. In this volume we look at those years of youth through the eyes and pens of classic poets. They reveal times of hardship, of fear, of love and loss.

Herman Melville was born in New York City on August 1st 1819, the third of eight children. At the age of seven, Melville contracted scarlet fever which was to permanently diminish his eyesight. At this time Melville was described as being 'very backwards in speech and somewhat slow in comprehension.' His father died when he was 12, leaving the family in very straitened times. Just 14, Melville took a job in a bank paying $150 a year that he obtained via his uncle Peter Gansevoort, who was one of the directors of the New York State Bank.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call, the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

Cop shows have been a staple of the media almost from the beginning. These fictional accounts created the easy-to-understand formula of ‘diabolical crime plus brilliant detective equals the sometimes not-so-obvious solution'. But in the early years of the 1950s something radically different came along. 21st Precinct was a very dramatic police drama and based on the workings of a true life police department.

Cop shows have been a staple of the media almost from the beginning. These fictional accounts created the easy-to-understand formula of 'diabolical crime plus brilliant detective equals the sometimes not-so-obvious solution'. But in the early years of the 1950s something radically different came along. 21st Precinct was a very dramatic police drama and based on the workings of a true life police department.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call, the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call, the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department, described in the programme as 'just lines on a map of the city of New York, most of the 173,000 people wedged into the nine-tenths of a square mile between 5th Ave and the East River wouldn't know if you ask them they lived or worked in the 21st. Whether they know it or not, the security of their persons, their homes, and their property is the job of the men of the 21st'.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call, the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

The Caroline era was dominated by the growing religious, political and social conflict between the King and his supporters; the Royalists and it's Puritan opposition; the Roundheads. In contrast to the wars raging across Europe at the time, the Caroline period in Britain was an uneasy peace, as a dark shadow of civil conflict between the King and Parliament worsened toward the latter part of Charles’ reign. Whilst theatre unquestionably fell from its glittering peak achievements of William Shakespeare and Ben Jonson, in poetry the standard was perhaps only just shy of this bar.

The ships of Europe explore the globe. The Age of Mercantilism sets the stage for centuries to come. The Reformation is underway, and scientific thinking begins to challenge the Church even as nation falls upon nation. In the Americas and Asia, ancient empires clash. Cultures resonate and express themselves with the fruit of the Ottoman, Safavid, Moghul and Chinese expansion. In England, the Elizabethan age of Shakespeare, Marlowe, Donne, Jonson and Spenser dawns.

The Elizabethan age had almost departed, and the world had seen the rise of great European empires that continued to hunt with mischief between themselves as they traversed the globe in search of more spoils and territories. In England, the Civil War had brought about the will of Parliament and the replacement of the Crown as the governing body. But with these Puritan times, and the subsequent Restoration, poetry had entered a golden age. John Milton, John Dryden and Ben Jonson are but a few of the luminaries whose great verse followed in the wake of the immortal William Shakespeare.

The Elizabethan age had almost departed, and the world had seen the rise of great European empires that continued to hunt with mischief between themselves as they traversed the globe in search of more spoils and territories. In England the Civil War had brought about the will of Parliament and the replacement of the Crown as the governing body. But with these Puritan times, and the subsequent Restoration, poetry had entered a golden age. John Milton, John Dryden and Ben Jonson are but a few of the luminaries whose great verse followed in the wake of the immortal William Shakespeare.

William Pett Ridge was born at Chartham, near Canterbury, Kent, on 22 April 1859. His family’s resources were certainly limited. His father was a Railway Porter, and the young Pett Ridge, after schooling in Marden, Kent became a Clerk in a railway clearing-house. The hours were long and arduous, but self-improvement was Pett Ridge’s goal. After working from nine until seven o’clock he would attend evening classes at Birkbeck Literary and Scientific Institute to follow his passion: the ambition to write.