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Fort Laramie is an adult-oriented Western radio series that aired Sunday afternoons on the CBS radio network from January 22 to October 28, 1956. Produced and directed by Gunsmoke's Norman Macdonnell, this realistic Western drama depicted life at Fort Laramie, an important stop on the Oregon, California, and Mormon trails as well as a staging point for various military excursions during the 19th century. In 1849 the Fort was taken over by the United States Army to protect the many wagon trains of migrant travelers on the trail. The series starred Raymond Burr as Lee Quince, captain of the cavalry.

Author Jack Boyle created the modern Robin Hood-like character, Horatio Black, known to friend and foe as Boston Blackie. Blackie was a reformed jewel thief and safecracker, constantly suspected of crimes he did not commit. Forced to defend himself against the accusations of New York Police Inspector Faraday, Blackie always managed to stay one step ahead of the cops in solving a crime. The wisecracks exchanged between Blackie and Faraday made the program an enjoyable mix of comedy and mystery. Enjoy 12 of the finest detective adventures of Boston Blackie in this thrilling collection!

The Lux Radio Theatre was one of the most prestigious and longest-running shows from radio's Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood's best films from the mid-1930s through the mid-1950s. The stars of the movie usually appeared in their audio counterparts. The productions were broadcast live, with a full orchestra, in front of a large studio audience.

Created by S. S. Van Dine, Philo Vance was quite popular in books, movies, and on radio. He was portrayed as a stylish, very intelligent, and cultured private detective - an Americanized Sherlock Holmes - working out of New York. Not that Vance needed any help solving a crime, he did work closely with his secretary and right-hand woman Ellen Deering, and his pal John Markham, New York County District Attorney. First heard on NBC radio in 1945, Philo Vance, Detective enjoyed success in syndication beginning in 1948 starring Jackson Beck. This volume includes 16 episodes.

The CBS Radio Workshop aired from January 27, 1956, through September 22, 1957, and was a revival of the prestigious Columbia Workshop from the 1930s and 1940s. Creator William Froug launched the series with this powerhouse two-part adaptation of Brave New World and booked author Aldous Huxley to narrate his famous novel. The CBS Workshop regularly featured the works of the world's greatest writers, including Ray Bradbury, Archibald MacLeish, William Saroyan, Aldous Huxley, Lord Dunsany, and Ambrose Bierce.

Fibber McGee & Molly had a long and successful run on radio (1935-1959). The program showcased terrific comic and musical talent, headlined by its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern town of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife Molly. Life in Wistful Vista followed a well-developed formula but was always fresh. Fibber's weekly schemes would be interrupted, inspired by, and often played upon the people of Wistful Vista.

The Stan Freberg Show ran on CBS radio for only 15 episodes in 1957. Despite its short run, the show developed running gags and stock jokes that are still remembered today. Much of the show took deadly satiric aim at the advertising business, making it difficult for CBS to find a sponsor. By week 13 it was apparent that a sponsor would not be signing on, so CBS cancelled the show. This collection features all 15 episodes of The Stan Freberg Show plus a bonus episode of The CBS Radio Workshop where Stan explains the art of satire to a skeptical censor.

Throckmorton P. Gildersleeve was a popular character appearing regularly on The Fibber McGee & Molly Show. On August 31, 1941, the character landed his own situation comedy show, The Great Gildersleeve, becoming radio’s first spin-off. Gildy moved from the town of Wistful Vista to Summerfield, where he raised his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy (Walter Tetley). The household also included a cook named Birdie (Lillian Randolph).

The golden age of radio had incredible comedy shows that kept Americans in stitches for decades. Families gathered around their living room radios to be entertained by the greatest names in Hollywood each and every day. This collection includes Bud Abbott and Lou Costello, Eve Arden as Connie Brooks on Our Miss Brooks, Jim & Marian Jordan in Fibber McGee & Molly, William Bendix as Chester A. Riley on The Life of Riley, Jack Benny, Bob Hope, Fred Allen, Bing Crosby, Groucho Marx, Ann Sothern as Maisie, and many more!

The golden age of radio had incredible Western shows that kept Americans glued to their sets. Families gathered around their living room radios to hear Western heroes catch the bad guys and save ladies in distress. This collection includes Gregory Peck in an hour-long episode of The Gunfighter on the Screen Director's Playhouse; James Stewart as Brit Ponset, a.k.a. "the Six-Shooter"; William Holden in The Virginian on General Electric Theater; William Boyd as Hopalong Cassidy; William Conrad as US Marshal Matt Dillon on Gunsmoke; and many more!

The golden age of radio had incredible detective shows that kept Americans glued to their sets. Families gathered around their living room radios to hear their favorite Hollywood stars voicing fiction's most famous gumshoes. This collection includes Dick Powell as suave detective Richard Diamond, Vincent Price as the Saint, Jack Webb as Sergeant Joe Friday on Dragnet, Richard Kollmar as "enemy to those who make him an enemy, friend to those who have no friend" on Boston Blackie, and much more!

This collection contains 16 of the greatest shows ever broadcast during the golden age of radio - including episodes of The Jack Benny Program, The Abbott & Costello Show, Burns & Allen, Gunsmoke, The Amos 'n' Andy Show, Philip Marlowe, Gang Busters, Suspense, X Minus One, Our Miss Brooks, Sherlock Holmes, and many others. Relive the best radio shows from yesterday and the legendary stars that made them amazing in this incredible collection.

Created by S.S. Van Dine, Philo Vance was quite popular in books, movies, and on radio. He was portrayed as a stylish, very intelligent, and cultured private detective - an Americanized Sherlock Holmes - working out of New York. Not that Vance needed any help solving a crime, he did work closely with his secretary and right-hand woman Ellen Deering and his pal John Markham, New York County District Attorney. First heard for a brief time on NBC radio in 1945-46, it enjoyed success in syndication beginning in 1948 starring Jackson Beck.

Our Miss Brooks was a situation comedy show heard on radio and seen on television and films. It starred Hollywood film and New York stage veteran Eve Arden, who had specialized in playing the wisecracking friend to the heroine. The series centered on Connie Brooks, a smart, sharp-witted, lovable English teacher at fictional Madison High School. Between gentle wisecracks, Miss Brooks doted on nerdish student Walter Denton (Richard Crenna) and frequently locked horns with crusty, cranky Principal Osgood Conklin (Gale Gordon).

Lucille Ball was an accomplished actress, comedian, model, entertainment studio executive and producer. She was the star of the self-produced TV sitcoms I Love Lucy, The Lucy Show, Here's Lucy and Life with Lucy, as well as television specials aired under the title The Lucy-Desi Comedy Hour. This collection contains 10 of her popular radio performances, and we hope you will Love Lucy all over again.

The Lux Radio Theatre was one of the most prestigious and longest running shows from Radio's Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood's best films from the mid -1930s through the mid -1950s. The stars of the movie usually appeared in their audio counterparts, although sometimes contracts or schedules meant that another actor took the part.

Have Gun-Will Travel followed the adventures of Paladin, a soldier of fortune-turned-hired gunfighter, played by John Dehner. Paladin preferred to settle problems without violence, yet, when forced to fight, excelled. He lived at the swanky Carlton Hotel in San Francisco, where he dressed in formal wear, ate gourmet food, attended the opera and enjoyed the company of beautiful women. When working as a gun-for-hire, he dressed in all black, used calling cards and wore a holster, decorated by a characteristic chess knight emblem.

The CBS Radio Workshop aired from January 27, 1956 through September 22, 1957 and was a revival of the prestigious Columbia Workshop which aired from 1936 to 1943. Creator William Froug launched the series with the powerhouse two-part adaptation of "Brave New World" and booked author Aldous Huxley to narrate his famous novel. "We'll never get a sponsor anyway…," CBS vice president Howard Barnes explained to Time, "…so we might as well try anything."

The character of Jack "Flashgun" Casey was first penned by former newspaper and advertising executive George Harmon Coxe, Jr. in the March 1934 issue of Black Mask, the legendary Pulp Magazine. Casey was a cameraman who took photographs that accompanied reporter's newspaper stories. His keen eye for detailed served him well at solving the crimes he was assigned to photograph. "Flashgun" Casey was an instant success with the Black Mask readers and soon made the leap to the silver screen and to radio.

The Lux Radio Theatre was one of the most prestigious and longest running shows from Radio’s Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood’s best films from the mid-1930s through the mid-1950s. The stars of the movie usually appeared in their audio counterparts, although sometimes contracts or schedules meant that another actor took the part.