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R. A. Salvatore’s New York Times best-selling saga continues as dark elf Drizzt Do’Urden returns to Gauntlgrym with old friends by his side once again, as they seek to rescue Bruenor’s loyal shield dwarf-turned-vampire. But not only do Drizzt and his allies face a perilous journey through the Underdark and the dangers of the undead that lie within, but they must cross through a colony of drow, who would like nothing better than to see Drizzt Do’Urden dead.

With the last of his trusted companions having fallen, Drizzt is alone - and free - for the first time in almost a hundred years. Guilt mingles with relief, leaving Drizzt uniquely vulnerable to the persuasions of his newest companion: Dahlia, a darkly alluring elf and the only other member of their party to survive the cataclysm at Mount Hotenow. But traveling with Dahlia is challenging in more ways than one.

Why evolution is more than just a theory: it is a fact. In all the current highly publicized debates about creationism and its descendant "intelligent design", there is an element of the controversy that is rarely mentioned: the evidence, the empirical truth of evolution by natural selection.

In the evolving world of the Forgotten Realms setting, the Sundering has given way to months of cloud-cloaked darkness, and war rages under that oppressive sky. The orcs have broken a hard-fought treaty that's held, however tentatively, for a hundred years, and the time to settle old scores has devolved into an all-out brawl for control of the ancient realms of the North.

Split between time and two worlds, Zaknafein had always been conflicted. That inner turmoil was magnified by his inferior position as a male dark elf in the matriarchal drow society. Only his status as one of the greatest warriors - as well as his friendship with the mercenary Jarlaxle - kept him sane. When he finally perished, he was content knowing he left behind a legacy as substantial as his son, Drizzt. Except...someone isn’t ready for Zaknafein to be dead. And now he’s back, hundreds of years later, in a world he doesn’t recognize.

R. A. Salvatore reveals the Underdark anew through the eyes of of this unlikely pair - offering a fresh take on the intrigue and opportunities to be found in the shadows, and providing a fascinating prelude to the journeys that have shaped the modern-day Forgotten Realms. There, a Zaknafein and Drizzt are joined together in a series of trials that parallel those of centuries long past, even though their paths no longer seem to be aligned.

Drizzt Do’Urden has settled in the windswept towns of Icewind Dale. There, he encounters a young barbarian named Wulfgar, captured in a raid and made the ward of a grizzled dwarf name Bruenor. With Drizzt’s help, Wulfgar will grow from a feral child to a man with the heart of a dwarf, the instincts of a savage, and the soul of a hero. But it will take even more than that to defeat the demonic power of Crenshininbon, the fabled Crystal Shard.

Human assassin Artemis Entreri and his dark elf companion Jarlaxle have come to the demon-haunted wastelands of the frozen north at the request of their dragon patron. It doesn’t take long for them to find themselves caught in the middle of a struggle between powerful forces that would like nothing more than to see them both dead...or worse. But Entreri and Jarlaxle aren’t just any wandering sellswords, and the ancient evils and bitter blood-feuds of the wild Bloodstone Lands may have finally met their match.

Novela policial e histórica, thriller que emana del resultado de una investigación minuciosa en el Archivo General de la Nación, esta obra no está hecha de la tensión entre un asesino y un detective en busca de las huellas para encarcelarlo. Zigzagueando entre el pasado y el presente, La región crepuscular urde la historia de una periodista que quiere explicar las causas del machismo en México con el conjunto de discursos, muchos ya olvidados, que provocó la ola de feminicidios de los años cuarenta.

A MAYOR GRACIA DE DIOS (The Grace). Es uno de los 15 relatos que componen la novela Dublineses. Este relato está marcado por la religión. Aquí se ven los trapicheos de un cierto proselitismo católico, ya que este relato trata de cómo los amigos y la esposa del protagonista, que ha tenido un accidente estando borracho, intentan reconducirle a la senda católica.

“El pozo y el péndulo” (título original: The Pit and the Pendulum) es uno de los cuentos más famosos y celebrados de Edgar Allan Poe. Está considerado como uno de los relatos más espeluznantes dentro de la literatura de terror, pues transmite el abandono, la desorientación, el desconcierto y la desesperanza de una persona que sabe que va a morir. En él Poe demuestra su dominio sobre el lenguaje y las técnicas narrativas más efectivas para hacernos sentir partícipes de los agobiantes pensamientos que tiene el torturado.

Injustamente ignorado en vida, fue después de su muerte cuando el empuje de algunos amigos y colegas, empeñados en difundir su obra a cualquier precio, consiguió que se le prestara a su narrativa la atención que merecía. Hoy en día, Lovecraft ocupa un lugar preeminente en la literatura norteamericana, siendo uno de los escritores de horror y ciencia ficción más influyentes del siglo XX.

Hoy en día, Lovecraft ocupa un lugar preeminente en la literatura norteamericana, siendo uno de los escritores de horror y ciencia ficción más influyentes del siglo XX. Sus escritos, particularmente los Mitos de Cthulhu, han influido en los autores de ficción a lo largo y ancho del mundo, y podemos encontrar elementos lovecraftianos en novelas, películas, música, cómics y dibujos animados.

Comienza con la explicación de la muerte de un prominente profesor de la Universidad de Miskatonic y un estudio de sus documentos. Estos incluyen un informe sobre un ataque en un culto satánico. Una investigación sobre los cultistas saca a la luz pistas sobre la horrorosa criatura que veneran, Cthulhu. El relato propició el nacimiento de los llamados “mitos de Cthulhu”, relatos y novelas basados en la idea de las criaturas de otros mundos que desean rehabitar la Tierra.

Escrito en 1927, es considerado uno de los mejores cuentos de horror de todos los tiempos. La historia es contada en primera persona por un ingeniero encargado de hacer un estudio para edificar un embalse en un remoto paraje llamado Arkham. Allí encuentra un área de terreno denominada "landa maldita" que es distinta a todas y que le causa extrañas y poco agradables sensaciones. Un anciano vecino del lugar le explica que el motivo del estado de esa parcela es que un meteorito se estrelló cerca de una granja liberando un ser extraño que se escondió en el fondo del pozo.

The Underdark. A place of brooding darkness, where no shadows exist, and where Drizzt Do'Urden does not wish to go. The noble dark elf must return there, though, he must go back to find his friends in the gnome city of Blingdenstone, and on to Menzoberranzan, the city of drow. Only then can Drizzt discern what perils might reach out from that dark place to threaten his friends in Mithril Hall.

In the third book of the number-four New York Times best-selling Neverwinter saga, Drizzt draws his swords once more to aid his friends. His lover, Dahlia Sin’felle, can speak of nothing but the moment she will face the Netherese lord Herzgo Alegni once again. Drizzt has already followed a trail of vengeance beside Dahlia. Can he justify one more battle to settle a grudge he does not understand?

Hostile in ways that a surface-dweller could never know, the tunnel-mazes of the Underdark challenge all who tread there. Among these souls are Drizzt Do'Urden and his magical cat, Guenhwyvar. Exiled from his drow homeland, Drizzt must fight for a new home in the boundless labyrinth. Meanwhile, he must watch for signs of pursuit - for the dark elves are not a forgiving race.

Assassin Artemis Entreri whisks his kidnapped victim, Regis the halfling, south to Calimport and into Pasha Pook's vengeful hands. If Pook can control the magical panther Guenhwyvar, Regis will die in a real game of cat and mouse. Using an enchanted mask, dark elf Drizzt Do'Urden hides his heritage and races with the barbarian Wulfgar to save their light-fingered friend. An unexpected ally arrives just as Entreri springs a trap. But can Regis survive unscathed?

Drizzt Do'Urden struggles with his own inner voices, voices that call him back to the pitiless depths of the Underdark. But louder still are the voices of his newfound friends, and the dream that drives Bruenor Battlehammer on to reclaim Mithral Hall. Time and again they're told to turn back, that some dreams can never be fulfilled, but on they fight - together.