検索キーワード： ナレーター "Shaheen Khan" すべてのカテゴリー

India, 1855. There are two kinds of magic in Chompa's world. The kind her mother favours: writing-magic, which anyone can do if they take the time. Write a spell in Farsi, and wait. It's calm, controlled, safe, says Ammi. It's slow, frustrating, boring, thinks Chompa. Then there's finger-magic, which only those descended from ancient djinn are born with. Immediate, powerful - and dangerous, for every act of finger-magic leaves a trace, and comes at a price.

Grand Life Apartments is a middle-class apartment block surrounded by lush gardens in the coastal city of Chennai, India. It is the home of Kamala, a pious, soon-to-be retired dentist who spends her days counting down to the annual visits from her daughter who is studying in the UK. Her neighbour, Revathi, is a thirty-two-year-old engineer who is frequently reminded by her mother that she has reached her expiry date in the arranged marriage market. Jason, a British chef, has impulsively moved to India to escape his recent heartbreak in London.

When Ugandan President Idi Amin expelled the country's entire Asian population in 1972, more than 28,000 people from Britain's former colony arrived on airstrips around the country and began building new lives - but their incredible stories remained largely hidden. Fifty years later, first and second-generation testimony uncovers an under-explored period of history, touching on colonialism, immigration, identity and modern multiculturalism through the lens of individual experience.

When Nusrit Mehtab joined the Met Police in the late 80s the organisation was rife with racism and misogyny. Officers refused to patrol with her, or even call her by her name. Her attempts to get promoted were met with hostility and ridicule and she was subject to cruel pranks. As the years passed and her seniority grew, Nusrit was dismayed to find that these problems got worse, not better. After 30 years, she finally had enough and left the MET, initiating an employment tribunal against them in the process.

A superbly nuanced work of fiction, Anindita Ghose's first novel The Illuminated revolves around two women: Shashi and Tara. After the sudden death of her celebrated husband, Shashi is alarmed to realize that overnight, she has lost her life's moorings. Meanwhile, their fiercely independent daughter Tara, a Sanskrit scholar, has been drawn into a passionate involvement with an older man, which threatens to consume her in ways she did not imagine possible.

In this comprehensive anthology, former Poet Laureate Andrew Motion has gathered together exceptional poems from the 14th century through to the present day, creating an extraordinary poetic journey for the listener. From the love poems of Shelley and Keats to the grim war elegies of Owen and Sassoon, there is a poem here for every sentiment, each with something different to offer.

With her thirtieth birthday on the horizon, Anna Kotze has accepted that there are some family secrets she’ll never know. While her mother’s Zimbabwean roots are woven into her life, all her father will say is that he was adopted. But when she finds an engraved necklace hidden among his things, a surprise piece of the puzzle finally falls into place: her father wasn’t just adopted—he was abandoned. The only clue to her grandmother’s identity is the inscription, ‘Indira’, Anna’s own middle name. But who was her namesake and where is she now?

Nazia Sami is a celebrated author, but perhaps her greatest plot twist is yet to be produced. In her final days, she wields a pen one last time as she fills her diary with instructions for her sister, Naureen, and writes six letters to be delivered after her death. There is to be no funeral for Nazia. Instead, only six invitees are asked to attend a party, one of whom is a mystery guest. Over the course of an extraordinary evening, secrets are revealed, pasts reconsidered, and lives are forever changed...

Hana has a perfect job, a perfect home, a perfect marriage. It is her younger sister Mira who is a mess. But Hana wants children and her husband is hesitating, and perhaps her control is slipping. Mira dreams of a creative life but she's stuck working at a local café. She hates her flatmate and Hana's dismissal of her writing but she can't find the right inspiration. One night, a fight between Hana and her husband sparks something in Mira: the words ring in her head and she starts typing. But what can you borrow from your sister? And what can be forgiven?