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An on-stage attack left Honor Blackwood with more scars than just the one on her face. It’s been 10 years since she left her spot as Nashville’s brightest country music star. Is now the time to return? And is she brave enough to do it? Country rebel and rock star Jared ‘Jed’ Marshall is hot property on the Tennessee music scene in more ways than one. But when he sets his sights on Honor, is it pure attraction or just distraction on his mind?

Kicked out of her American boarding school, Evan is sent to live with her estranged father, the King of England. Her existence as his illegitimate daughter is top secret - until someone leaks it to the press. Suddenly she's the focus of a thousand lurid headlines, plus the hatred of her stepmother the Queen and half-sister Princess Maisie.

Julie White's once-sweet son has morphed into a teenage terror. She hoped it was normal growing pains but a glimpse into his private messages shatters that illusion. Now she wonders if her moody teen is actually a ticking time bomb. Varvara Perlman's researcher job is hard, but caring for her emotionally-complex daughter is harder. After dismissing the latest call from the school counselor as another ploy for attention, she can only hope it's not too late when she finally understands. This latest crisis may not only be real, but deadly.

You never know when you'll suddenly meet The One! In "The One," Margaret Gordon, a once-prominent surgeon, finds herself back in her hometown after a tragic accident, seeking solace with only her horse as company. Unexpectedly, widowed Joe Wilde arrives one morning with a teenage boy and a horse that needs help, reigniting memories of their past. As they work together to tame the temperamental horse, sparks fly between them, despite Joe's belief that Margaret has always despised him.

Sarah Langan's A Better World is gleefully ruthless in its dissection of wealth, power, and privilege, timely in its depiction of a self-destructing world—and it is a prescient warning to us all.

Secrets lurk in these hallowed halls… Jess and Hannah Ballard’s time in Edinburgh has revealed a formidable new enemy in the form of Alasdair MacLeod, the vicious spirit of a former Caomhnóir whose deranged and dangerous experiments on other ghosts have led to chaos in the spirit world. While Hannah works to reverse the terrible and mysterious Collection Alasdair left behind in the city’s underground closes, Jess and Finn track Alasdair to Kingshurst University, where they suspect Alasdair first encountered the Necromancers.

Five years later, Lincoln Beckett and I are still finding ways to stretch and bend the rules, breaking those that threaten to hinder us. To an outsider, everything looks perfect. But with each day apart, and with each new obligation, I'm learning that even strengths have their weaknesses and perfections have their flaws.

Ten years ago, in the pine-shaded town of Savage Ridge, Nick, Emmy, and Pete murder their high school classmate, Sammy Saint John. His body is never found, and no arrests are made. The three friends make a pact to leave Savage Ridge and never return. Now, each is drawn home, seemingly by chance or fate. But it's neither: Private Investigator Sloane Yo has brought them back to finally answer for their crime.

Louisa May Alcott's short story "The Brothers" is set during the Civil War. Narrated by a wartime nurse, the story tells of one white brother and the other, who is half black, who meet in a hospital. Due to a previous grudge between them, the black brother tries to kill the white brother. Preaching the religion of humanity and kindness, she draws from her personal experiences to create this amazing work. This piece first appeared in The Atlantic Monthly in November 1863.

It's been more than a year since Jess and Hannah Ballard fought to return the power of the Gateways where it rightfully belongs, and the Durupinen world is slowly adjusting to its altered relationship with the spirit world.

The extraordinary powers of a female CIA agent lead her into the dangerous heart of the collapsing Soviet Union—and the path of a killer that shouldn't exist. Minsk, 1990. The Soviet Union is crumbling. The scavengers and predators are gathering, eager to pick the meat off the bones of a dying empire.

In this ordinary North Carolina suburb, family secrets are always in bloom. Samantha Montgomery pulls into the driveway of her family home to find a massive black vulture perched on the mailbox, staring at the house. Inside, everything has changed. Gone is the eclectic warmth Sam expects; instead the walls are a sterile white. Now, it's very important to say grace before dinner, and her mother won't hear a word against Sam's long-dead and little-missed grandmother, who was the first to put down roots in this small Southern town.

The Romans have a famous saying: "The stars incline us; they do not bind us." The words hold so much weight and importance they're stained on my skin—just like she is. The ink may not be visible, but the binds are indisputable, pulling me back to her like a rough tide. Impossible to leave. However, time has proven, free will or not, it will take more than bending the rules to be with her. It will require breaking them.

The notion of “housewife” evokes strong reactions. For some, it’s nostalgia for a bygone era, simpler and better times when men were breadwinners and women remained home with the kids. For others, it’s a sexist, oppressive stereotype of women’s work. Either way, housewife is a long outdated concept—or is it?

It started with a crush. The best stories always do. Our story sounds predictable, short-lived, and destined for failure. Lincoln Beckett is the star wide receiver at Brighton University—smart, funny, and, like many would guess, heartbreak shines in his dark eyes and is etched across his jaw. He's popular, a guaranteed draft pick, and, worst of all, my brother's best friend. I tried not to like him. I have an entire list of reasons. Reasons that have become my rules for dating. Rules that Lincoln continues bending.

Anabelle Crisp is fourteen when the Silence arrives, severing all communication between Earth and her new home on Mars. One evening, while she and her father are closing their diner in the colony of New Galveston, they are robbed at gunpoint. Among the stolen items is a recording of her absent mother's voice. Driven by righteous fury and desperation to lift her father's broken spirits, Anabelle sets out to confront the thieves and bring back the sole vestige of her mother.

Thirteen-year-old Evan Hanson is always the last in her family to know what's going on. Her father, Gene, who's been meaner since he began serving in Vietnam, isn't around much, and she likes it better that way. But then her brother, Adam, gets drafted and her anti-war mother, Endura, takes him across the border to Canada, leaving Evan alone with Gene and her younger, special needs brother, Teddy. When he realizes Endura isn't returning, Gene takes Evan and Teddy to Eat and Get Gas, his mother's cafe and gas station.

Carrot has moved into the Wonder Museum—an eclectic collection of taxidermy, shrunken heads, and Mystery Junk owned by her Uncle Earl. For Carrot, it's not creepy at all: she grew up with it. What's creepy is the corridor behind one of the museum walls. There's just no space for a corridor there—or the concrete bunker, or the strange islands beyond the bunker’s doors, or the unseen things in the willow trees. Carrot has stumbled into a horrifying world, and They are watching her. Strewn among the islands are the remains of Their meals—and Their experiments.

Time: 2047. Place: Washington DC. A loner. A teacher. A killer. A preacher. On the streets of the capital city, four lives may be about to collide. And if they do, a nation once regarded as “the greatest country in the world” will begin to self destruct. President Sally W. Campbell can see the danger coming. But can her plan to end America's misery come to fruition before it's too late? The power, of course, is not in her hands. The power lies in the hands of those who control the narrative to the American people: the media.

A Modern Cinderella is a collection of four short stories by Louisa May Alcott, the author of Little Women. Like her more famous novels, Alcott tells stories of young women interacting with people and events from the late 1800s. Louisa May Alcott bestows a truly amusing and thoroughly modern retelling of The Brothers Grimm's Cinderella. Alcott pokes fun throughout, describing a "cool blonde" as "having many cares those happy little housewives never know."