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Bulgakov was a Soviet playwright, novelist, and short story writer best known for his humor and penetrating satire. Because of their realism and humor, Bulgakov's works enjoyed great popularity, but their trenchant criticism of Soviet mores was increasingly unacceptable to the authorities. Bulgakov's short stories are a world unto themselves—sharp, witty, and often unsettling. In these pages, the absurdity of Soviet life collides with the supernatural, the grotesque meets the comic, and reality is always just a step away from slipping into nightmare.

She lived in the shadow of others—quietly, dutifully, without question. Her world was small: a kitchen hearth, the rhythm of chores, a parrot who would outlive most dreams. But in that stillness, something vast took root. A devotion so complete, it blurred the line between the sacred and the simple. This story doesn't shout. It listens. It watches. It waits. And by the time it's done, you'll understand how the softest hearts carry the heaviest truths.

Soren Kierkegaard was a Danish philosopher, theologian, and religious author interested in human psychology. He is regarded as a leading pioneer of existentialism and one of the greatest philosophers of the 19th Century.

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In "Notes from Underground" by Fyodor Dostoyevsky, we are not talking about revolutionary personalities, a secret struggle for some ideas or about a curtain of secrets and mysteries. The hero of the "underground", the author of the notes, is a collegiate assessor who retired after receiving a small inheritance. He lives poorly, in a wretched room on the outskirts of Petersburg. And the "underground" is psychological.

"The Torrents of Spring" is a novella by Ernest Hemingway, first published in 1926. It serves as a satirical commentary on the literary world and the nature of artistic creation. Set against the backdrop of post-World War I America, the story follows the journey of two main characters, the aspiring writer and the disillusioned author, as they navigate their personal and professional lives.

John W. Campbell Jr.’s Who Goes There? is a chilling and masterfully crafted science fiction classic that delves into themes of paranoia, survival, and the unknown. Set in the frozen isolation of Antarctica, the story follows a group of scientists who uncover a mysterious alien organism buried in the ice. What begins as a groundbreaking discovery quickly spirals into terror when the creature reveals its horrifying ability to mimic any living being perfectly.

A snowbound coach. Ten strangers. One woman who doesn't fit in—and never tries to. In Boule de Suif, Guy de Maupassant doesn't just tell a story—he dissects society with a scalpel dipped in irony. The setting is wartime France, the passengers are a cross-section of "respectable" society, and the tension isn't just political, it's personal. Class, hypocrisy, and the polite savagery of moral convenience bubble just beneath the surface. She's not like them. And that's the problem. Or maybe the solution. She feeds them when they're hungry.

The Hesiod Collection presents an essential anthology of ancient Greek literature, showcasing the profound impact of Hesiod's works on the literary and philosophical traditions of the Western world. This collection features three of his most significant texts: "The Works and Days," "The Theogony," and "The Shield of Heracles." In "The Works and Days," Hesiod offers a unique blend of practical advice and moral instruction, addressing the challenges of rural life and the importance of hard work, justice, and piety.

A man sits at his hearth as thunder shakes the mountains. Then—a knock. A stranger steps in, soaked and shivering, armed not with warmth or need, but with polished copper and an urgent offer. He doesn't sell comfort. He sells protection—against the very sky. The Lightning-Rod Man is Herman Melville at his most compact and cunning. This sharply drawn tale uses one room, one storm, and two voices to stage a quiet war between reason and fear, independence and submission, belief and the glittering promise of safety. It's a sales pitch wrapped in a sermon, disguised as a fable.

The Shield of Heracles is an archaic Greek epic poem that was attributed to Hesiod during antiquity. The subject of the poem is the expedition of Heracles and Iolaus against Cycnus, the son of Ares, who challenged Heracles to combat as Heracles was passing through Thessaly. It has been suggested that this epic may reflect anti-Thessalian feeling after the First Sacred War (595–585 BCE): in the epic, a Thessalian hero interfering with the Phocian sanctuary is killed by a Boeotian hero (Heracles), whose mortal father Amphitryon had for allies Locrians and Phocians.

The collection includes the best works of famous Russian writers:. Fyodor Dostoevsky. NOTES FROM THE UNDERGROUND. THE DREAM OF A RIDICULOUS MAN. THE BEGGAR BOY AT CHRIST'S CHRISTMAS TREE. Leo Tolstoy. THE DEATH OF IVAN ILYICH. A LETTER TO A HINDU. A CONFESSION. GOD SEES THE TRUTH, BUT WAITS. A RUSSIAN CHRISTMAS PARTY. Anton Chekhov. THE LADY WITH THE DOG. A SLANDER. THE HORSE-STEALERS. THE PETCHENYEG. A DEAD BODY. A HAPPY ENDING. THE LOOKING-GLASS. OLD AGE. DARKNESS. THE BEGGAR. IN TROUBLE. FROST. MINDS IN FERMENT. GONE ASTRAY. AN AVENGER. THE JEUNE PREMIER. A DEFENCELESS CREATURE.

Benjamin Franklin is the only one of America's founding fathers to have signed all three of their foundational documents: The Declaration of Independence, the U.S. Constitution, and the 1783 Treaty of Paris. These documents underpinned the establishment of the United States of America as a sovereign country. In addition to being a prominent politician, Benjamin Franklin was a prolific writer, fervent naturalist, and determined inventor. This collection of writing reflects Franklin's varied activities and manifold talents.

The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. These facts few psychologists will dispute, and their admitted truth must establish for all time the genuineness and dignity of the weirdly horrible tale as a literary form... As may naturally be expected of a form so closely connected with primal emotion, the horror-tale is as old as human thought and speech themselves.

Time does not hold history—people do. Emerson's History is not a chronicle of names and dates, not a reverence for the past, but a revelation: every life is a vessel of all that came before. The individual is not separate from history but its continuation, its living pulse. Emerson does not ask his readers to study history; he asks them to recognize themselves within it. Every triumph, every downfall, every flash of genius from ages past is not distant—it is ours, woven into the mind that thinks, the hand that writes, the heart that dares.

Love, for Emerson, is neither simple nor sweet. It is a force—wild, untamable, and yet profoundly human. In Love, he explores the deep currents that pull us together and push us apart, not with the softness of romance, but with the clarity of a philosopher who sees love as a transformative, even unsettling, experience. It is not just an emotion, but a vital, unpredictable energy that shapes and redefines us. Emerson doesn't idealize love; he insists on its complexity.

Life does not unfold by design. It moves, shifts, adapts—sometimes in harmony, often in chaos. What, then, is the right way to live? With his signature clarity and quiet defiance, Ralph Waldo Emerson steps beyond theory into the pulse of everyday existence. He does not prescribe rigid formulas but instead offers something sharper: a way of seeing. Here, work is not mere labor but an act of self-realization. Power is not control but a force that shapes character. Fate is not an iron law but a current to navigate.

Prudence is not timidity. It is not caution for its own sake. It is the art of knowing when to act and when to wait, when to follow reason and when to trust instinct. In Prudence, Ralph Waldo Emerson reclaims this often-misunderstood virtue, not as mere carefulness but as the wisdom of navigating life with both vision and restraint. For Emerson, prudence is not the enemy of boldness but its quiet architect. It does not stifle ambition but shapes it, guiding passion with clarity and purpose. A mind without prudence rushes blindly; a mind ruled by it never moves at all.

Nothing stands still. The moment we grasp an idea, it expands beyond us. The instant we define a boundary, a wider one emerges. Ralph Waldo Emerson's essay Circles is not about shapes on a page but about the shifting nature of thought, existence, and perception. Each insight is a stepping stone, each conclusion just another starting point. There is no final answer—only an ever-widening ring of understanding. Emerson writes with the quiet confidence of someone who has seen the world rearrange itself countless times. He does not dictate; he invites. He does not confine; he liberates.

A world in perfect balance—so claims Emerson in Compensation, an essay that pulses with quiet defiance and deep assurance. No gain without loss, no misstep without lesson, no fortune without its hidden tax. It is neither fate nor blind justice but a living rhythm, an invisible hand that rights every scale, even when human eyes fail to see. Emerson does not preach; he unfolds. The idea seeps in, settles, challenges. His words are not doctrine but a lens—through which prosperity and misfortune reveal themselves as two faces of the same coin.