検索キーワード： ナレーター "Dani Martineck" すべてのカテゴリー

With his father’s mysterious disappearance and his brother Ronnie enlisting in the Vietnam War, 13-year-old TJ Crowley is left alone with his racist, unstable mother, Kate. The newly enforced Fair Housing Act results in the unthinkable for the Crowleys when a Black family, headed by the eminent Dr. Washington, crosses the racial red line and moves in next door. Kate is quick to warn TJ that their new neighbors are strictly off-limits and makes a panicked call to beg Ray, her old flame, to travel to their home in Wichita Kansas to help deal with “the problem next door.”

Star point guard Mack Morris’s senior year of high school begins with twin cataclysms: the death of Mack’s father and the arrival of transfer student Liv Cooper. Playing side by side for their high school basketball team, Mack and Liv discover an electrifying, game-winning chemistry on the court. Off the court, they fall into an equally intoxicating more-than-friendship—one that feels out-of-bounds in their small Pennsylvania town. Mack teeters on the precipice of adulthood as desire and grief collide with drugs, sex, and the looming college signing deadline.

Yael Clauneck is more interested in drinking and flirting than joining their powerful family’s business. They’re on the precipice of a predetermined life when they flee their own graduation party, galloping away in search of . . . well, they’re not sure, but maybe the chance to feel like life can still be a grand adventure. Margot Greenwillow—talented plant witch, tea lover, and greenhouse owner—has never felt further from adventure in her life. She’s been desperately trying to keep what remains of her family’s magic remedies business afloat.

In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick. The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot.

Welcome to Affinity, the hottest battle royale video game around! The Weird Ones—Josh, Hannah, Larkin, and Wheatley—have become four of the biggest stars in gaming. But a surprising twist to their first professional Affinity tournament leaves Wheatley in huge trouble . . . with Hurricane Games, the company that made the game they all love.

It’s springtime in Oklahoma, and Ernie, an outcast in a group of outcasts, feels uneasy. Nerves at the abandoned summer camp where he and his fellow oddballs are crashing have been on edge since the arrival of a teenager named Coral, unceremoniously dropped off from her family’s minivan one afternoon. Adding to her aura of mystery, Coral doesn’t say a word. Ever.

Logan Gray is Hollywood's bad boy—a talented but troubled actor who the public loves to hate. Mattie Cole is an up‑and‑coming golden boy, adored by all but plagued by insecurities. When Logan and Mattie are cast as leads in a new romantic film, Logan claims that Matt has “zero talent,” sending the film’s publicity into a nosedive. To create positive buzz, the two are persuaded into a fake‑dating scheme—but as the two actors get to know their new characters, real feelings start to develop.

Thanks to Callie and their friends, Helston seems to be changing for the better: Boys are allowed to explore their magic, and girls are permitted to train as warriors. Callie is an official Helston page, Willow in on track to become king, and Elowen and Edwyn are finally safe and free of their father. Everything is…perfect. Except it isn’t. Not in Helston, where every step forward is accompanied by a storm of opposition. Even Queen Ewella and Sir Nick are struggling against the wave of fear and anti-magical sentiment growing daily, while the encroaching threat from across the bridge looms.

When Byron Kidd’s twelve-year-old daughter vanishes, the only clue is a note claiming that she’s taken off to explore the Hidden World, a magical land from a series of popular novels. She is not the only child to seek out this imaginary realm in recent years, and Byron—a cynical and hard-nosed reporter—is determined to discover the whereabouts of dozens of missing kids.

Zeus, Athena, Apollo, Aphrodite, and the other denizens of Mount Olympus feel almost as present and larger than life today as they did when they were worshipped as gods. Humanity has been telling and retelling stories about the characters from Greek and Roman myth for centuries—heck, the Romans liked the Hellenic originals so much, they remade them faster than Marvel remakes Spider-Man movies. And from Virgil's Aeneid to Xena: Warrior Princess to Percy Jackson to The Song of Achilles, the obsession has never waned.

Lourna Dee is not a villain. She’s not a hero. She’s a survivor. The former Tempest Runner, wanted by both her Nihil allies and the Republic, has evaded imprisonment and death from both groups more times than she can count. But even Lourna cannot outrun the mysterious blight that devours everything wherever it appears. And Marchion Ro, the Eye of the Nihil, has announced that only he knows the secret to stopping it.

Being a hero is nothing like the ballads promised it would be. Scattered across the realm, Callie, Willow, Elowen and Edwyn have learned that when the fate of their world is at stake, choices are hard and the consequences are harder, even when striving for good. Hunted by both Helston and Dumoor, Callie and Willow flee to the walled city of Fairkeep in a last ditch effort to find allies.

A young boy and his older sisters find themselves suddenly and utterly alone, orphaned in an abandoned fishing village. Their food supplies dwindling, they set out across a breathtaking yet treacherous wilderness in search of the last of their people. Down the coast, raiders deliver the children's mother, along with the rest of their human cargo, to the last port city of a waning empire. Determined to reunite with her family, she plots her escape—while her fellow captives plan open revolt.

Among a crop of fresh filmmakers including Steven Spielberg, George Lucas, Martin Scorsese, and Francis Ford Coppola revolutionizing Hollywood in the ’70s, Brian De Palma—a director from Philadelphia with a few social satires under his belt—charted a cinematic path unlike any of his peers. At times he was unfairly dismissed as a Hitchcock copycat; other times he was misunderstood for his peculiar mix of sexuality, humor, music, and violence. But, over the course of ten years, he created a new cinematic language.

Lourna Dee is not a villain. She’s not a hero. She’s a survivor. The former Tempest Runner, wanted by both her Nihil allies and the Republic, has evaded imprisonment and death from both groups more times than she can count. But even Lourna cannot outrun the mysterious blight that devours everything wherever it appears. And Marchion Ro, the Eye of the Nihil, has announced that only he knows the secret to stopping it.