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Joan Morgan offers a provocative and powerful look into the life of the modern Black woman: a complex world in which feminists often have not-so-clandestine affairs with the most sexist of men, where women who treasure their independence frequently prefer men who pick up the tab, and where the deluge of babymothers and babyfathers reminds Black women who long for marriage that traditional nuclear families are a reality for less than 40 percent of the population.

Building from his acclaimed anthology Tales of Two Americas, beloved writer and editor John Freeman draws together a group of our greatest writers from around the world to help us see how the environmental crisis is hitting some of the most vulnerable communities where they live. In the past five years, John Freeman, previously editor of Granta, has launched a celebrated international literary magazine, Freeman's, and compiled two acclaimed anthologies that deal with income inequality as it is experienced.

Natasha: I’m a girl who believes in science and facts. Not fate. Not destiny. Or dreams that will never come true. I’m definitely not the kind of girl who meets a cute boy on a crowded New York City street and falls in love with him. Not when my family is 12 hours away from being deported to Jamaica. Falling in love with him won’t be my story. Daniel: I’ve always been the good son, the good student, living up to my parents’ high expectations. Never the poet. Or the dreamer. But when I see her, I forget about all that.

Zélie remembers when the soil of Orïsha hummed with magic. When different clans ruled - Burners igniting flames, Tiders beckoning waves, and Zélie’s Reaper mother summoning forth souls. But everything changed the night magic disappeared. Under the orders of a ruthless king, anyone with powers was targeted and killed, leaving Zélie without a mother and her people without hope. Only a few people remain with the power to use magic, and they must remain hidden.

Meet our heroine, Mo. She’s every dyke’s dream—or so she’s been told by her kind and supportive friends. She’s shy but passionate, politically aware, as committed to her egalitarian all-womyn’s softball team as she is to her volunteer work at the Gay and Lesbian Community Center. So why can’t she find a girlfriend? Could it possibly be because she’s more judgmental than Gertrude Stein and more self-sabotaging than Bojack Horseman?

In 2008, a serial killer known as the Cajun Cannibal brutally murders and consumes the flesh of eight people in a small Louisiana parish. With law enforcement closing in on him, he takes his own life before he can face the inside of a courtroom.

Two decades have passed since Callie Kingman begrudgingly followed her husband, Thomas, across the country in pursuit of his career at the expense of her own. Today, Callie is an empty nester with no job prospects, a declining mother, and a spouse who announces his intention to leave her—in Sacramento, the dullest city in America. His parting potshot: “It’s not me, it’s you.”

Before she became a multifaceted warrior and the confident leader of the Dora Milaje, Okoye was adjusting to her new life and attempting to find her place in Wakanda's royal guard. Initially excited to receive an assignment for her very first mission and trip outside Wakanda, Okoye discovers that her status as a Dora Milaje means nothing to New Yorkers.

A debut of extraordinary distinction: through the trials of one unforgettable family, Ayana Mathis tells the story of the children of the Great Migration, a story of love and bitterness and the promise of a new America. In 1923, 15-year-old Hattie Shepherd flees Georgia and settles in Philadelphia, hoping for a chance at a better life. Instead, she marries a man who will bring her nothing but disappointment and watches helplessly as her firstborn twins succumb to an illness a few pennies could have prevented.

It is the evening of 16-year-old Melody's coming of age ceremony in her grandparents' brownstone. Watched lovingly by her relatives and friends, making her entrance to the music of Prince, she wears a special custom-made dress - the very same dress that was sewn for a different wearer, Melody's mother, for a celebration that ultimately never took place. Unfurling the history of Melody's parents and grandparents - from the 1921 Tulsa massacre to post-9/11 New York....

Claire, rakish Hero, angel Rami, and muse-turned-librarian Brevity have accomplished the impossible by discovering the true nature of unwritten books. But now that the secret is out, in its quest for power Hell will be coming for every wing of the Library. To protect the Unwritten Wing and stave off the insidious reach of Malphas, one of Hell’s most bloodthirsty generals, Claire and her friends will have to decide how much they’re willing to sacrifice to keep their vulnerable corner of the afterlife.

Hear Us Now: Racial Equity in the Workplace is a unique blend of entrepreneurship and niche-focused advice on how to successfully create more racially just workplaces. This topic has never been more timely, as individuals and organizations struggle with a growing national effort to eliminate racial equity practices in a range of institutions. This book provides both much needed hope and important practical advice.

Thirty years ago, a young woman was murdered, a family was lynched, and New Orleans saw the greatest magical massacre in its history. In the days that followed, a throne was stolen from a queen. On the anniversary of these brutal events, Clement and Cristina Trudeau - the sixteen-year-old twin heirs to the powerful, magical, dethroned family - are mourning their father and caring for their sick mother. Until, by chance, they discover their mother isn't sick - she's cursed. Cursed by someone on the very magic council their family used to rule. Someone who will come for them next.

Thirty years ago, a young woman was murdered, a family was lynched, and New Orleans saw the greatest magical massacre in its history. In the days that followed, a throne was stolen from a queen. On the anniversary of these brutal events, Clement and Cristina Trudeau—the sixteen-year-old twin heirs to the powerful, magical, dethroned family—are mourning their father and caring for their sick mother. Until, by chance, they discover their mother isn’t sick—she’s cursed. Cursed by someone on the very magic council their family used to rule. Someone who will come for them next.

A mysterious burnt corpse appears one morning in Saraaya, a remote border town between northern and southern Sudan. For five strangers on an NGO compound, the discovery foreshadows trouble to come. South Sudanese translator William connects the corpse to the sudden disappearance of cook Layla, with whom he’s fallen in love. Meanwhile, Sudanese American filmmaker Dena struggles to connect to her unfamiliar homeland, and white midwestern aid worker Alex finds his plans thwarted by a changing climate and looming civil war.

In the still-segregated town of West Mills, North Carolina, in 1976, Marian, Marva, and Lazarus Harmon—three enigmatic siblings—are found shot to death in their home. The people of West Mills— on both sides of the canal that serves as the town’s color line—are in a frenzy of finger-pointing, gossip, and wonder. The crime is the first reported murder in the area in decades, but the white authorities don’t seem to have any interest in solving the case.

In Alexandria, Virginia, in the mid-19th century, a slave-owning family is facing financial trouble. The eldest son, Jason, thinks going to California to mine for gold might be the best way to protect his father’s legacy. He’ll need a cook, a laundress, and a hostler for the journey, and one of them is twelve-year-old Clementine, whose mother calls her Hope. From Independence, Missouri—the “Gateway to the West”—she and the others join a wagon train on the Emigrant Overland Trail.

I Always Knew is an intimate and vivid portrait of Chase-Riboud’s life as told through the letters she wrote to her mother, Vivian Mae, between 1957 and 1991. In candid detail, Chase-Riboud tells her mother about her life in Europe, her work as an artist, her romances, and her journeys around the world, from Western and Eastern Europe to the Middle East, Africa, the Soviet Union, China, and Mongolia.

Gone Like Yesterday follows two Black women—Zahra, a listless college prep coach, and Sammie, a teenage girl and budding activist soon off to college—who are drawn to each other through the songs of gypsy moths. Gypsy moths have been singing the songs of Zahra’s ancestors to her for years, so when Zahra realizes that Sammie might be a moth person too, their paths become intertwined. Then, the unthinkable happens: Zahra’s brother, Derrick, goes missing.

Generations of Montrose women—Augusta, Victoria, Willow—have lived together in their quaint two-story bungalow in California for years. They keep to themselves, never venture far from home, and their collection of tinctures and spells is an unspoken bond between them. But when seventeen-year-old Nickie Montrose brings home a boy for the first time, their quiet lives are thrown into disarray. For the other women have been withholding a secret from Nickie that will end her relationship before it’s even begun: the decades-old family curse that any person they fall in love with dies.