検索キーワード： 著者 "William Makepeace Thackeray" すべてのカテゴリー

Set in Regency England, Vanity Fair follows the lives of two young women from drastically different backgrounds. Becky Sharp is the daughter of a lowly art teacher while Amelia Sedley is the daughter of a wealthy investor. Although the two women are worlds apart in personality and background, Becky and Amelia become friends while in finishing school. When Amelia invites Becky to her family home, events are set in motion that result in both tragedy and fortune.

Series of five comic tales by William Makepeace Thackeray, adapted by Stephen Wyatt, recounting the rise and fall of early-19th century footman Charles Yellowplush.

Generally considered to be his masterpiece, Vanity Fair is Thackeray's resplendent social satire that exposes the greed and corruption raging in England during the turmoil of the Napoleonic wars. Subtitled "A Novel Without a Hero", it traces the changing fortunes of two unforgettable women: the scheming opportunist Becky Sharp, one of literature's most resourceful, engaging, and amoral heroines, and her foil, the faithful, naive Amelia Sedley.

This is an essay from the Favorite Essays collection.

Vanity Fair, with its rich cast of characters, takes place on the snakes-and-ladders board of life. Amelia Sedley, daughter of a wealthy merchant, has a loving mother to supervise her courtship. Becky Sharp, an orphan, has to use her wit, charm, and resourcefulness to escape from her destiny as a governess. This she does ruthlessly, musing: "I think I could become a good woman, if I had 5000 pounds a year."

Der Diener Yellowplush lebt zusammen mit seinem Herrn Frederick Altamont zur Untermiete bei der Familie Shum in London. Frederick Altamont hat sich unsterblich in Mary, die jüngste Tochter der Familie, verliebt und Yellowplush hilft den beiden, so dass diese sich ungestört treffen können. Endlich kommt es zu der lang ersehnten Hochzeit, doch Altamont verbirgt ein Geheimnis vor seiner Frau, welches das Glück des jungen Paares zu trüben droht. William Makepeace Thackeray (1811-1863) war ein britischer Schriftsteller. Thackeray wurde als Sohn eines Kolonialbeamten in Indien geboren.

Un libro satirico dell'umorista Thackeray scritto nel 1838. È una satira della colonizzazione britannica dell'India, narrata come il resoconto delle avventure del maggiore Gahagan, un fanfarone, "alfiere irlandese", che combatte "gloriosamente" con l'armata inglese in India.

Qual è davvero il significato della parola snob, che viene introdotta e illustrata da Thackeray nel 1846? Lui stesso sostiene che il significato non è preciso, ma che di fatto gli snobs sono dappertutto, e sono il veleno della “terra della libertà”, l’Inghilterra.Il “Punch”, giornale satirico dell’epoca, pubblicò 17 articoli di Thackeray sul tema, e la loro raccolta formò poi questo libro divertente, acuto, e appassionato.

The History of Henry Esmond tells the story of the early life of Henry Esmond, a colonel in the service of Queen Anne of England. A typical example of Victorian historical novels, Thackeray's work of historical fiction tells its tale against the backdrop of late 17th- and early 18th-century England — specifically, major events surrounding the English Restoration — and utilizes characters both real (but dramatized) and imagined.

Comedian Al Murray plays his great-great-great-grandfather William Makepeace Thackeray as the unreliable narrator in this radical makeover of his ancestor’s celebrated satire on class, sex, money, hypocrisy and snobbery in 19th-century England. As the curtain rises on our ‘story without a hero’, moneyless Becky Sharp leaves school with her upper-class best friend Amelia Sedley. Clever, cunning and ambitious, Becky is determined to make her way in Regency society - and she’ll trample on anyone who gets in her way.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson and Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of the poets and their musings on this remarkable age. Many are world-renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some are almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.

Vanity Fair is a satirical novel of manners which takes place during, and in the decade after, the battle of Waterloo in 1815. The various scenes in the novel range across Europe and England. It was first published in serial form beginning in 1847. The work is by turns witty, scintillating, brutally realistic, tragic, humorous, and always fascinating. The title of the book stems from Bunyan’s “Pilgrim’s Progress”, where Vanity is a town along the pilgrim’s route, and which holds an eternal fair of the vanities. It is a place where people are ensnared by worldly things.

Vanity Fair features two heroines: the faithful, loyal Amelia Sedley, and the beautiful and scheming social climber Becky Sharp. It also engages a huge cast of wonderful supporting characters as the novel spins from Miss Pinkerton's academy for young ladies to affairs of love and war on the Continent to liaisons in the dazzling ballrooms of London.

Best known today for his comic masterpiece, Vanity Fair, W. M. Thackeray was regarded in his time as the only rival to his contemporary, Charles Dickens. This collection includes a selection of his finest satirical fiction, as well as two fascinating programmes exploring his life and writings.

For an atheist it’s a great deal, though it does suggest atheism may have a weak point. For those of faith it’s a matter of jam now and purgatory tomorrow. A bargain many artists feel is something they can live with. For agnostics it’s usually a question of can the afterlife really be that bad, would workplace regulations reach all parts of heaven and hell. However, in this volume the terms are agreed and the Devil pays his fees and the character his dues, each happy to wait a few decades for the eternal payback.

Assembled and edited by Julian Hawthorne and first published in 1907, the Old Time English volume of The Lock and Key Library features ten classic mysteries and ghost stories by Charles Dickens, Edward Bulwer-Lytton, Thomas de Quincey, Charles Robert Maturin, Laurence Sterne, and William Makepeace Thackeray. This volume of The Lock and Key Library is sure to haunt and charm fans of ghost and detective mysteries alike.

Barry Lyndon is a picaresque novel by William Makepeace Thackeray, first published as a serial in Fraser's Magazine in 1844, about a member of the Irish gentry trying to become a member of the English aristocracy. Thackeray, who based the novel on the life and exploits of the Anglo-Irish rake and fortune-hunter Andrew Robinson Stoney, later reissued it under the title The Memoirs of Barry Lyndon, Esq. The novel is narrated by Lyndon himself, who functions as a quintessentially unreliable narrator.

In Pendennis, William Makepeace Thackeray skillfully shows the coming of age of Arthur Pendennis, a young gentleman trying to make his way in the world. Pen's difficulties in finding his place in the difficult maze of social obstacles are created to some extent by his being raised in the country and being from an ancient though impoverished family. We follow his course from the village in which he was raised via Oxbridge to London, meeting the most memorable characters, falling in and out of love, navigating the difficulties of society, and hopefully finally arriving at a happy end.