検索キーワード： 著者 "Guy De Maupassant" すべてのカテゴリー

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

This is a collection of stories about interesting, unusual, bright human characters and destinies. Contents: Gusev by Anton Chekhov ; Boule de Suif by Guy De Maupassant ; Alyosha the Pot by Leo Tolstoy ; Mateo Falcone by Prosper Mérimée ; Little Brother by Mary E. Mann ; Bartleby, The Scrivener by Herman Melville ; The Lightning-Rod Man by Herman Melville ; The Ambitious Guest by Nathaniel Hawthorne ; The Darling by Anton Chekhov ; A Simple Heart by Gustave Flaubert

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Selección de cuentos cortos clásicos de la literatura universal pensada para todo público.

El personaje de esta historia vive en una apacible casa de campo, a orillas del río Sena, en una ciudad de Francia. Sus días son tranquilos y dedica su tiempo a descansar en el jardín, observar los barcos que surcan en el río y viajar a París para distraerse. Un día, y de manera inexplicable, empieza a padecer eventos y sensaciones extrañas durante las noches, los cuales lo empujarán hacia la locura y la desesperación. Este relato fantástico clásico representa una huida hacia un mundo misterioso y desconocido que el autor francés Guy de Maupassant escribió con excelencia.

Parfois des scènes de la vie de tous les jours ou des faits divers, de petits tableaux saisis dans le vif où s’agitent des personnages ordinaires ou extraordinaires, tendres ou sordides, mesquins ou généreux, cruels ou malheureux, victimes ou bourreaux... Parricides, ivrognes, enfants pervers, maris aveugles, ravissantes idiotes, bourgeois lâches et mesquins, paysans cruels et cupides...

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.

"Милый друг" — роман французского писателя Ги де Мопассана, написанный в 1885 году, рассказывает об авантюристе, который мечтает сделать блестящую карьеру. У него нет каких-либо талантов, разве что своей внешностью он может покорить сердце любой дамы, а совесть прощает ему любую подлость. И… этого хватает для того, чтобы стать сильным мира сего.

Guy de Maupassant, Victor Hugo, Alexandre Dumas, and Fyodor Dostoevsky, are just some of the famous writers whose wit and wisdom are included in this audiobook, "700 Quotations from the Great Writers of the 19th Century". Between them, these authors are responsible for some of the most famous stories ever written, including "Crime and Punishment", "The Three Musketeers" and "Madame Bovary". This carefully crafted collection is guaranteed to inspire, amuse, and entertain. These literary giants are considered among the greatest writers of the 19th Century.

"1100 Quotations from the Great French Writers of the 19th Century" is a wonderful collection of wit and wisdom from some of the greatest French writers ever. From Guy de Maupassant and Honoré de Balzac to Victor Hugo and Alexandre Dumas, this carefully crafted collection is guaranteed to inspire and entertain. Ideal for those needing a dose of encouragement. These French literary giants are responsible for some of the worlds most famous works, including "The Three Musketeers", "Les Misérables", "Madame Bovary" and "The Hunchback of Notre-Dame".

Er blieb ein paar Sekunden stehen, um seine Frau zu betrachten und ward ein wenig bleich. Sie war sehr schön, schlank und sah vornehm aus in ihrem länglichen, feinen Gesicht, ihrem goldigen Elfenbeinteint, den großen grauen Augen und dem schwarzem Haar. Ohne ihn anzublicken, stieg sie ein. Sie schien ihn nicht einmal bemerkt zu haben bei ihrem so ausgesprochen hochmütigen Wesen, dass ihm die fürchterliche Eifersucht, die ihm lange schon quälte, von neuem das Herz zerriss.

Bondels führten eine gute Ehe, nur ab und zu gab es Krieg. Aus irgendeinem vorübergehenden Grunde zankten sie sich dann, aber sie versöhnten sich wieder. Bondel war Kaufmann und hatte sich von den Geschäften zurückgezogen, nachdem er eine genügende Summe erworben, um bescheiden leben zu können. Er hatte in Saint Germain ein kleines Häuschen gemietet und wohnte dort mit seiner Frau.

Ein junger, sehr reicher Mann, vornehm, idealen Geistes, hochherzig dazu, verliebt sich in ein schönes Mädchen, ja mehr als schön, anbetungswürdig, liebreizend und graziös, so gut, so zärtlich als schön. Und er heiratet sie. Eine Zeitlang ist er gegen sie voll Rücksicht und Zärtlichkeit; dann kümmert er sich weniger um sie, wird hart gegen sie und scheint eine unwiderstehliche Abneigung, einen unwiderstehlichen Ekel vor ihr zu empfinden. Eines Tages schlägt er sie sogar, nicht nur ohne Grund, sondern auch ohne Vorwand.

Ich wartete lange Zeit, konnte keinen Entschluss fassen, sah ganz klar, aber war ängstlich bis zur Tollheit. Ich wartete stehend, lauschte immer auf den stets wechselnden Lärm, der in einzelnen Augenblicken zum Getöse wuchs, das einem ungeduldigen Toben von Wut, von seltsamer Empörung glich. Dann nahm ich plötzlich, in Scham vor mir selbst wegen meiner Feigheit, meinen Schlüsselbund, suchte den Schlüssel heraus, den ich brauchte, steckt ihn ins Schlüsselloch, schloss zweimal herum, öffnete die Tür mit aller Kraft, dass der Flügel gegen die Wand flog.

Anton Chekhov, Guy de Maupassant, Kate Chopin. These three names thrill the literary world as well as our own. They have gravitas, they have knowledge, experience and they have the literary style and panache to seduce our imagined world. Each has written a short story on pleasured lips placed on another’s flesh. For Chekhov it was a kiss in a darkened room that happened by mistake. Who was she? For Chopin it was a kiss that almost derailed a hoped-for marriage proposal. Why did he do that? For de Maupassant it was a niece seeking advice from her Aunt on when to kiss and whom. And did she?