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The town of Midnight sits on a veil between the living and hell and this supernatural thriller takes a journey into that remote Texas town where nothing is what it seems. There is no such thing as bad publicity, except in Midnight, where the residents like to keep to themselves. When psychic Manfred Bernardo finds himself embroiled in a scandal and hounded by the press after one of his regular clients dies during a reading, he turns to enigmatic, beautiful, and dangerous Olivia Charity for help.

Lerris has settled into being a woodworker and building a life with Krystal. But this newfound peace is endangered when both Candar and Recluce come under the threat of invasion from the Empire of Hamor. Despite the imminent possibility of destruction, the lands of Candar will not unite and Recluce will not heed the peril. Lerris is faced with the challenge of becoming the greatest wizard of all time-or seeing his whole world destroyed.

Jon-Tom and Mudge are bored. Their adventuring days long behind them, the spellsinger and his once-thieving otter sidekick have settled into a life of tepid domesticity, and they are sick of it. They hunger for an old-fashioned adventure, but there are no more great evils to combat. And so they decide to follow the music. Literally.

Jon-Tom and his friends have seen better days. After his motley crew moved heaven and Earth to save civilization at the battle of Jo-Troom Gate, his merry band went its separate ways. Mudge, the foul-mouthed otter, eagerly returned to thieving, drinking, and whoring, while Talea, the girl of Jon-Tom’s dreams, embarked on her own adventures, leaving him to study magic with Clothahump, the irascible wizard whose inept spell trapped him in this weird otherworld in the first place.

The deadly White Wizards of Fairhaven, wielding the forces of chaos, threaten the ancient matriarchy of Sarronnyn, the last bastion of order in Candar. When Sarronnyn falls despite the assistance of the Black Order mages, Justen, a young Black Engineer, must escape the city and master forbidden technology that harness chaos itself. Even so, it may not be enough to halt conquest of the White Wizards.

Rather than accepting a marriage arranged by his mother, the powerful military matriarch of Westwind, Creslin chooses exile, setting out to find his own identity and developing his magical talents through conflict with the enigmatic white wizards of Candar. What Creslin doesn't know is he stands in the way of their plot to subjugate the world.

The Hunter from the Woods marks the much-anticipated return of Michael Gallatin, the lycanthropic hero of Robert McCammon's classic, The Wolf's Hour. These all-new, interlinked stories offer a full measure of McCammon's trademark narrative excitement, and comprise a fascinating composite portrait of a unique fictional creation. The volume opens with a pair of brief glimpses into Michael's early life in Russia and his initial recruitment into the British Secret Service. It ends with a haunting vision of the werewolf at twilight.

When sworn protectors of Earth, the Justice Platoon, are all horribly killed, their former arch-enemies come crawling out of the woodwork. Outnumbered, outgunned, and out of options, the US Government has no choice but to activate the Sidekicks Initiative, dragging the Platoon's middle-aged ex-sidekicks out of retirement. Now these three reluctant, out of shape former child-wonders must work together to stop the rising tide of supervillainy, avenge their former mentors' deaths, and bring the world back from the brink of destruction.

As scholars of African American literature and cultural history, Bennett and McCarthy repeatedly find themselves struck by the number of exciting poets they come across in long-out-of-print collections and forgotten journals, whose work has been neglected and, in some cases, entirely ignored, even by those academic circles devoted to the study of Black poetry. Minor Notes is an excavation initiative that addresses this problem by recovering archival materials from these understudied, though supremely gifted, African American poets of the 19th and 20th centuries.

In 2020, heartsick from constant assaults on Black life, Tracy K. Smith found herself soul-searching and digging into the historical archive for help navigating the “din of human division and strife.” With lyricism and urgency, Smith draws on several avenues of thinking—personal, documentary, and spiritual—to understand who we are as a nation and what we might hope to mean to one another.