検索キーワード： 著者 "Virginia Woolf" すべてのカテゴリー

In the aftermath of World War I, Clarissa Dalloway is an upper-class politician’s wife, who longs for the carefree, impassioned days of her youth. Her marriage to a sensible man gives her many opportunities to socialize and progress in society, but this practicality also prevented her from following other romantic and personal passions. These old regrets come to new light as Clarissa is reintroduced to Peter Walsh, a man she loved—and who had proposed to her—in her younger days.

The principal theme of this ambitious book is time, threading together three generations of the Pargiter family. The story begins on a day in 1880 in the household of Colonel Abel Pargiter, his dying wife, and their seven children, and it ends in the 1930s with a brilliantly depicted party at which the Pargiters, young and old, pass in review. Important events - births, deaths, marriages, wars - occur in the wings; it is the commonplace moments that are captured here in a sequence of perfectly drawn scenes.

The Ramsey family, with house guests, visit the Isle of Skye at least twice. The plot is not at all the point though, as this is a book about how people think and feel and relate. There’s insight into the world of childhood thought and emotion, and a variety of views of adult care and perceptions. I hope this doesn’t make it sound ‘difficult’, it doesn’t need to be–just let the sentences flow and make your own sense of the words. It’s perhaps as close as a novel can come to the highly individual experience of looking at a painting.

Between the Acts is often an overlooked work in her oeuvre because she did express her intention to revise it before publication, though in the event this never happened. So it comes as a surprise to find that, while it probably would have benefited from revision, it is something of an unpolished gem, at times sparkling and actually very engaging. The writing is subtle, varied in tone and purpose; at times serious and complex and at others lighthearted and even downright funny. And unpredictable.

Unabridged readings of four fictional masterpieces. Contained in this collection are four more enduring classics, read in full by some of the very best audiobook narrators. With over 32 hours of irresistible storytelling, tracked by chapter for ease of navigation, this is the perfect way to immerse yourself in these iconic works.

A Room of One's Own, based on a lecture given at Girton College Cambridge, is one of the great feminist polemics. Woolf's blazing writing on female creativity, the role of the writer, and the silent fate of Shakespeare's imaginary sister remains a powerful reminder of a woman's need for financial independence and intellectual freedom.

Back by popular demand, novelists Siri Hustvedt ( The Blazing World), Jennifer Egan (Pulitzer Prize-winner for A Visit from the Goon Squad), and Margot Livesey ( The Flight of Gemma Hardy), the trio that has brought Middlemarch, Pride & Prejudice, Anna Karenina, and The Portrait of a Lady to life at past events in this series, revisit Virginia Woolf's classic.

Partant de l'analyse des interdits misogynes, solides remparts d'une supériorité masculine dont la réalité paraît sérieusement ébranlée, Virginia Woolf définit les conditions d'existence et la spécificité de la création pour les femmes. Il faut d'abord "une chambre à soi", dont la portée va bien au-delà du matériel. Il suffit d'entrer dans n'importe quelle chambre de n'importe quelle rue pour que se jette à votre face toute cette force extrêmement complexe de la féminité.

Written for Virginia Woolf's friend, the charismatic writer Vita Sackville-West, Orlando is a playful mock 'biography' of a chameleonic historical figure, immortal and ageless, who changes sex and identity on a whim. First masculine, then feminine, Orlando begins life as a young 16th-century nobleman, then gallops through three centuries to end up as a woman writer in Virginia Woolf's own time. A wry commentary on gender roles and modes of history, Orlando is also, in Woolf's own words, a light-hearted 'writer's holiday' which delights in ambiguity and capriciousness.

A treasure chest of timeless short stories by some of the world's greatest authors.

Virginia Woolf (January 25, 1882 - March 28, 1941) was an English writer from Kensington, London, who pioneered a narrative mode called "stream of consciousness" to describe the thoughts and feelings of the narrator. Regarded as one of the most prominent modernist 20th-century writers, Woolf's works have gained much attention for inspiring feminism, as well as, numerous films, novels, and plays. The following recording is from a radio broadcast on April 29th, 1937.

Virginia Woolf nos revela en esta obra, básicamente, la evolución de su pensamiento feminista en relación con la literatura. El libro empieza planteándonos una pregunta: ¿Qué necesitan las mujeres para escribir buenas novelas? La respuesta la irá plasmando y argumentando a través de la exposición de situaciones diferentes, en ocasiones inventadas o supuestas, donde predominarán las mujeres. La conclusión final es que para que las mujeres escriban buenas novelas necesitan independencia económica y personal, es decir, una habitación propia.

La duquesa y el joyero de Virginia Woolf es un cuento que explora las complejidades de las relaciones humanas y las expectativas sociales. La historia sigue a Oliver Bacon, un joyero modesto, que se enamora perdidamente de la duquesa de Lambourne, una mujer de alta alcurnia. A pesar de las diferencias sociales abismales entre ellos, Bacon cree que puede conquistar el corazón de la duquesa con un regalo extraordinario: un collar de esmeraldas. Sin embargo, la duquesa no muestra ningún interés en el collar ni en Bacon, lo que lo sumerge en una espiral de desesperación y obsesión.

Entre el cuaderno de viajes, el ensayo literario, el diario personal y la crónica urbana, el autor nos muestra su fascinación por el turbulento y espléndido pasado de Budapest. De la barbarie a la civilización, de la sabiduría de Marco Aurelio a la gran narrativa magiar contemporánea, este recorrido por las huellas de la memoria atiende también a la belleza del presente y lo cotidiano. Así, con una mirada genuina, el texto nos conduce por los puentes, las calles y los patios de una ciudad que revela su naturaleza tras la experiencia del viaje y la lectura.

Mabel, una mujer separada, es invitada a una fiesta de la señora Dalloway. Sin embargo al llegar al lugar, y tras mirarse en el espejo con su vestido amarillo, se obsesiona con su apariencia, lo que ha sido su vida, y con lo que los demás podrían estar pensando de ella.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Virginia Woolf: The Essays contains the most important and impactful of Woolf's non-fiction writing, including five essay collections and her most renowned essay: A Room of One's Own. Virginia Woolf (1882-1941) was an English novelist and essayist regarded as one of the foremost modernist literary figures of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a member of the famous Bloomsbury Group.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.