検索キーワード： 著者 "Leonid Andreyev" すべてのカテゴリー

Material dlja izuchenija russkoj literatury v 11 klasse. 30 hudozhestvennyh proizvedenij dany v kratkom izlozhenii v audioforme.

Leonid Nikolaevich Andreev (9 [21] avgusta 1871, Orjol, Rossijskaja Imperija - 12 sentjabrja 1919, Nejvola, Finljandija) - russkij pisatel'. Predstavitel' Serebrjanogo veka russkoj literatury. Schitaetsja rodonachal'nikom russkogo jekspressionizma.

The Seven Who Were Hanged is one of the most famous novels by celebrated Russian writer Leonid Nikolayevich Andreyev (1871-1919). The story, recounting the final hours of seven people sentenced to death by hanging following a secret trial, shocked Russian society. Andreyev presents his characters - five would-be terrorists and two common criminals - with great pathos and human sympathy, forcing the listener to confront the uncomfortable moral realities of capital punishment.

"Judas Iscaroit" is one of the most well-known stories written by the celebrated Russian writer Leonid Nikolaievich Andreyev (1871-1919). The work, which is based on the biblical story, highlights the issue of the disciple's betrayal of his teacher.

Centering on the picaresque realism of Nikolai Gogol’s (1809-1852) mid-19th-century visions of the extraordinary in everyday life, this collection mines the ambiance and mind of pre-Revolutionary Russia. These seven stories take us from the Miracle Mile of St. Petersburg’s Nevsky Prospekt, and a summer night in a Ukrainian village, to the fantastical psychological geographies of fathers, sons, and madmen. Augmenting Gogol’s visions are two disturbing tales by the foremost storyteller of Russia’s “Silver Age”.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Tercer volumen de esta recopilación de cuentos poco tranquilizadores de grandes autores. Conversaciones con fantasmas, resucitados, momias , doppelgangers o incluso...el mismísimo diablo. Dickens, Poe y Maupassant vuelven a la carga con algunos de los mejores relatos del género, pero los autores invitados en esta edición: la polifacética doña Emilia Pardo Bazan y el perturbador Leonid Andreyev se encargarán de ampliar nuestros horizontes y seguir crispando nuestro descanso e imaginación.

The best collection of Russian short stories includes: Fyodor Dostoevsky: Notes from the Underground, The Dream of a Ridiculous Man, The Beggar Boy at Christ's Christmas Tree. Leo Tolstoy: The Death of Ivan Ilyich, Kholstomer, the Story of a Horse, Alyosha the Pot, A Letter to a Hindu, A Confession, God Sees the Truth, but Waits, A Russian Christmas Party. Anton Chekhov: Kashtanka, Gusev, The Darling, The Lady with the Dog, A Slander, The Horse-Stealers, The Petchenyeg, A Dead Body, A Happy Ending, The Looking-GlassOld Age, Darkness, The Beggar, In Trouble, Frost, Minds in Ferment, Gone Astray.

In this volume our classic authors turn their words to the religion of Christianity. It’s a fascinating subject for our authors who can explore faith and belief in ways that we rarely subject ourselves to. Whatever your faith these stories raise questions and that are of interest to us all.

In the ancient lands of Judea, where the boundary between life and death is both sacred and feared, one man crosses that divide and returns irrevocably changed. Lazarus, raised from the grave by the hand of Christ, emerges not as the man he once was but as a shadow of his former self, haunted by the specter of death. The miracle of Lazarus's resurrection reverberates across the land, drawing pilgrims and skeptics alike. Yet, as Lazarus walks among the living, he carries with him an unsettling aura that instills dread and despair in all who encounter him.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. The Russian Literary Tradition has justly earned a magnificent reputation. The Russian Empire of the Czars was a huge and disparate patchwork of peoples ruled by an overbearing elite that employed a middle-class bureaucracy to keep the working class firmly underfoot. Within its vaulted ranks are a role call of many of the greatest literary talents of the ages.

Leonid Nikolaievich Andreyev was born on 21st August in Oryol, Russia, to a middle-class family of Polish, Ukranian and Finnish ancestry. In 1898 his first short story ‘Bargamot and Garaska’, published in the ‘Kurier’ newspaper, caught the attention and friendship of Maxim Gorky. His first collection of short stories appeared in 1901 and sold over a quarter of a million copies. He was a sensation. His classic story ‘Silence’ is a haunting and a desperately sad account of a family broken by death and unable to reconcile their feelings.

Leonid Nikolaievich Andreyev was born on 21st August in Oryol, Russia, to a middle-class family of Polish, Ukranian and Finnish ancestry. In 1898 his first short story ‘Bargamot and Garaska’, published in the ‘Kurier’ newspaper, caught the attention and friendship of Maxim Gorky. Andreyev now discarded any other career path apart from that of author. His classic story ‘Lazarus’ brilliantly tells the story of Christ’s disciple, forced to wander the earth for all time; it is both chilling and heart-breaking in its Russian setting.

This audiobook includes 10 Great Russian Short Stories: The Mantle by Nikolai Gogol, Mumu by Ivan Turgenev, First love by Ivan Turgenev, An Avenger by Anton Chekhov, Darkness by Anton Chekhov, The Death of Ivan Illyich by Leo Tolstoy, Notes from the Underground by Fyodor Dostoevsky, The Little Angel by Leonid Andreyev, The Dream of a Ridiculous Man by Fyodor Dostoyevsky, A Troublesome Visitor by Anton Chekhov.

Rusya’da 1905’de patlak veren ve ancak 1907’de bastınlabilen ilk devrimden sonra, o karanlık, karışık yıllarda (19071917) idamlar, intiharlar salgın şeklini almıştı. Rusya’nın dört bir yanında darağaçları kuruldu. Cellatlar gece gündüz, durmadan çalışıyor, cellat yetişmiyordu.O mahut Schlüsselburg kalesi ve çoğunluğu kale şeklinde olan diğer hapishaneler, mahpuslarla dolup dolup taşıyordu. Çar mahkemeleri ara vermeden çalışıyordu. Ve bir gece geçmiyordu ki şafak vakti bir kaç genç insan asılmasın.

Whilst faith can be practiced anywhere religious faith is usually at a church or temple. The stories in this volume are centered both in houses of worship and with those with a strong association to its calling. Of course, short story authors have a determined belief in their undoubted talents to make us look at this subject from different angles. In this volume they take us on literary journeys that are revealing and challenging yet always entertaining.

The story The Little Angel (1899) about a teenager - half-hungry, offended by the whole world "wolf cub". Once on a holiday in a rich house, he saw an angel on a Christmas tree. A toy becomes for him a sign of the "wonderful world where he once lived." She must belong to him! And the boy, who endured a lot, defending his pride, falls to his knees in front of the "unpleasant aunt."

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.