検索キーワード： 著者 "Hugh Howey" すべてのカテゴリー

It wasn't easy for Molly being the only girl in Flight Academy, but getting expelled was even worse. Abandoned by her family when she was young and now tossed from the only home she's ever known, her future looks bleak.

But then Molly hears that her father's old starship has turned up halfway across the galaxy. Setting off to retrieve the old craft, she hopes it will hold clues to his disappearance. Accompanying her as a chaperone is Cole, her old flight partner from the Academy.

Less than 60 kids awaken on a distant planet. The colony ship they arrived on is aflame. The rest of their contingent is dead. They've only received half their training, and they are being asked to conquer an entire planet. Before they can, however, they must first survive each other.

Adam Griffey is living two lives. By day, he teaches literature. At night, he steals it. Adam is a plagiarist, an expert reader with an eye for great works. He prowls simulated worlds perusing virtual texts, looking for the next big thing. And when he finds it, he memorizes it page by page, line by line, word for word. And then he brings it back to his world, the real world, and he sells it. But what happens when these virtual worlds begin to seem more real than his own? What happens when the people within them mean more to him than flesh and blood?

Die Erde ist unbewohnbar geworden, seit Generationen leben die Menschen in unterirdischen Silos. Was aber, wenn die Verwüstung der Erde nur eine Lüge ist? Als Sheriff Holston sich nach dem Tod seiner Frau entschließt, den Silo zu verlassen, ist das der dramatische Beginn einer neuen Zeitrechnung.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. "The Apocalypse Triptych" will tell their stories.

Die Erde ist unbewohnbar geworden, seit Generationen leben die Menschen in unterirdischen Silos. Was aber, wenn die Verwüstung der Erde nur eine Lüge ist? Als Sheriff Holston sich nach dem Tod seiner Frau entschließt, den Silo zu verlassen, ist das der dramatische Beginn einer neuen Zeitrechnung.

The ocean is dying. The sea is growing warmer and is gradually rising. Seashells have become so rare that collecting them is now a national obsession. Flawless specimens sell like priceless works of art. Families hunt the tideline in the dark of night with flashlights. Crowds gather on beaches at the lowest of tides, hoping to get lucky.

Daniel Stillman's Life: 42 Facebook friends, 18 Cell phone contacts, 6 Twitter followers, 4 blog subscribers. Now a category five storm is about to take this all away. And replace it with a neighbor he's never met.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories. Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.

This book contains foul language and fouler descriptions of life as a zombie. It will offend most anyone, so proceed with caution or not at all. And be forewarned: This is not a zombie book. This is a different sort of tale. It is a story about the unfortunate, about those who did not get away. It is a human story at its rotten heart. It is the reason we can't stop obsessing about these creatures, in whom we see all too much of ourselves.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the end of the world. In science fiction the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.

Was würdest du tun, wenn du wüsstest, dass das Schicksal aller in deinen Händen liegt? Juliette Nichols, die neue Herrin in Silo 18, bricht mit den jahrhundertealten Regeln der unterirdischen Gemeinschaft - und lässt den riesigen Bohrer demontieren, um ihn für einen neuen Zweck einzusetzen. Denn Juliette weiß, dass ihr Freund Lucas und die anderen sterben werden, wenn sie nicht sofort handelt. Doch sie weiß nicht, dass ihr die größte Überraschung noch bevorsteht - ihr größter Gegner heißt noch immer Senator Thurman.

Im Jahr 2049 wird der junge amerikanische Architekt Donald Keene von Senator Thurman mit dem Bau einer riesigen unterirdischen Anlage beauftragt. Noch ahnt er nicht, was dahintersteckt: Ein politischer Konflikt zwischen Iran und den USA steht bevor - und eine Katastrophe, die die Erde unbewohnbar machen wird. In fünfzig unterirdischen Silos sollen die Menschen Zuflucht suchen. Aber das streng reglementierte Leben fordert Opfer.

In part five of this series, we take a step back from examples of the struggles we face and solutions for conquering those struggles and delve deeper into the two levels of thought that are often in conflict. We look at the consciousness and subconsciousness and how the two are in dialog with one another. More importantly, we examine how the consciousness likely formed, and how its adaptation may have been for a different purpose entirely.

When a robot defies his programming, is he broken? Or is he something else?

Unsere Welt ist zerstört, begraben unter mächtigen Sanddünen, die alles verschluckt haben, was die Zivilisation einst ausmachte. Die wenigen Überlebenden an der Oberfläche führen ein einfaches, entbehrungsreiches Dasein. Doch sie haben sich eine besondere Fertigkeit angeeignet: das Sandtauchen. Tief unter den Dünen begeben sie sich auf die Suche nach den wertvollen Artefakten aus vergangener Zeit. Dabei finden sie etwas, das ihnen äußerst gefährlich wird.

In this barren home, siblings Conner, Rob, Palmer and Violet daily carve out a future. They live in the shadow of their father and oldest sister, Vic, two of the greatest sand divers ever to comb the desert’s depths. But these branches of their family tree are long gone, disappeared into the wastes beyond, leaving the younger siblings scratching in the dust, hopeful for a better life. On the other side of No Man’s Land, Anya was born beside the abundant mines knowing her prospects would be to marry, have a family, and work in ore, in service to the Empire of the East.

For centuries, men and women have manned lighthouses to ensure the safe passage of ships. It is a lonely job and a thankless one for the most part. Until something goes wrong. Until a ship is in distress. In the twenty-third century, this job has moved into outer space. A network of beacons allows ships to travel across the Milky Way at many times the speed of light. These beacons are built to be robust. They never break down. They never fail. At least, they aren’t supposed to.

“These are dangerous stories. The kind that warp reality and threaten to change the world” warns guest editor Hugh Howey in his introduction. The Best American Science Fiction and Fantasy 2024 promises a treasure trove of audacious characters, daring worldbuilding, and twisted realties. A sibling duo of supernatural hitmen. A traveling spellbreaker and his trusty alligator mount. Superheroes registering for work. Sentient spaceships with an AI-human interface grow up together with their human pilots.

A batalha pelo Silo já foi vencida. A guerra pela humanidade só está começando. É um tempo em que, para sobreviver, os humanos precisam se manter em cidades subterrâneas, aprisionados, sem ligação com o mundo lá fora. Juliette, uma operária nascida nos subterrâneos, é a heroína da trama apocalíptica. Em Legado, ela se torna prefeita do Silo 18, que está se recuperando de uma rebelião.