検索キーワード： ナレーター "Denis Daly" すべてのカテゴリー

European tourists travel languidly along the Nile River to Abousir, at the southern frontier of Egypt, aboard “a turtle-bottomed, round-bowed stern-wheeler,” the Korosko. But Dervish warriors threaten danger and then attack and kidnap the tourists. In this novel, Doyle explores themes of British Imperialism and a defensive European perspective on North Africa; racial paternalism; and debates on interference with other countries’ politics and religions. This wonderful novel was first published in 1898, long before Agatha Christie’s Death on the Nile.

This collection contains miscellaneous notes and fragments found after the death of Baudelaire. They reveal in miniature the many and varied aspects of the moral and intellectual life of the author. Included are reflections not only on poetry, but also on painting and music, displaying Baudelaire’s finely honed critical instincts.

Emma is a vivacious twenty-year-old, who has spent her life in the pleasant seclusion of a village community and who lives with her widowed valetudinarian father. Most of the neighbors admire and approve of her, except for George Knightley, a local landowner, who often expresses his disapproval of Emma’s highhanded and controlling tendencies, in particular her assumption of the unofficial role of matchmaker.

Baudelaire’s most famous collection of poems is The Flowers of Evil, which was published in 1857 and which was widely condemned as being unwholesome and decadent. The publication actually led to Baudelaire being prosecuted on a charge of offending public morals. There have been numerous translations of Baudelaire’s work into English, but many of them have been judged as not being particularly successful. Strum’s version of The Flowers of Evil is unusual and notable for its accuracy in capturing the elusive appeal of the originals.

Although he refused to ally himself with a specific denomination, religious scholar Paul Carus had a particular reverence for Buddhism, and in 1896, published this succinct guide to the basic doctrines of the religion.

The plot follows the usual trajectory of a young girl falling in love and the relationship becoming compromised by unforeseen circumstances. In this case, Austen’s heroine is a naïve country girl, Catherine Morland, who has an addiction to reading the Gothic horror novels which were so popular in the Regency period. When she is invited to stay at the family seat of her love interest and discovers it to be a vast and ancient castle, her romantic imagination runs riot. What secrets lie hidden in this vast pile over which the widowed head of the house exercises an iron control?

The Castle of Indolence was published early in the summer of 1748, four months after the poet’s death. The work was a slow and leisurely composition, which took nearly fifteen years to complete. The poem consists of 158 stanzas, divided into two cantos. It is presented as an allegory and was professedly written in imitation of The Faerie Queene. The origin of the poem appears to be the frequent remonstrances of Thomson’s friends about the poet’s well-known indolence, regarding both life and composition.

Neither the date nor the authorship of the Dhammapada is known, but there is conclusive evidence that this monument of the Buddhist canon existed well before the Christian era. Many scholars agree in ascribing its utterances to Buddha himself, while others are of the opinion that it is a compilation made by Buddhist monks from various sources. This classic religious text focuses on practical morality, which, if practiced earnestly and diligently, will lead the practitioner to Nirvana, the state of unconditioned eternal bliss.

This enigmatic scripture is attributed to the mysterious sage Lao Tze, who is believed to have lived in the sixth century BCE. In the present translation by religious scholar Paul Carus, the title is presented as The Canon of Reason and Virtue, and in the body of the text Carus renders the word usually translated as “Tao” as “reason.” This book is an extract from the author’s larger work, Lao-Tze’s Tao Teh King. The latter contained an historical introduction, the Chinese text, a transliteration, explanatory notes and an index, including the Chinese terms.

Rio Grande's Last Race and Other Verses was Paterson's second collection of poems and was published in 1902. Among the 46 poems are some of Paterson's best-known pieces of verse, including "Rio Grande's Last Race" and "Mulga Bill's Bicycle"

This anthology of twenty poems was Yeats's first major collection after he received the Nobel Prize for literature in 1923.

Caliban is a major character in The Tempest by Shakespeare. He is a deformed monster, the offspring of Sycrorax, a witch. Prospero, a magician who presides over the island where Caliban dwells, has made him a servant. This galls Caliban's spirit, as he believes himself to be the rightful ruler of the island. Setebos is the deity who was worshipped by Sycorax and is mentioned by Caliban in two scenes.

E. Clerihew Bentley is credited with the invention of the ‘clerihew’, or humorous verse aphorism, on biographical subjects. This collection, which was illustrated by G. K Chesterton, contains thirty-nine irregular quatrains on historical and contemporary celebrities, starting with Sir Christopher Wren and concluding with the publisher, T. Werner Laurie.

Thomas Troward (1847-1916) was the founder of a syncretic metaphysical system, which he called Mental Science. He claimed that his philosophy was supported by the Bible, which he quoted copiously in his various books. In this pamphlet, published while the First World War was raging, Troward sought to demonstrate that the prophetic utterances in the Bible indicated that his readers were living in the End Times. However, Troward claimed that this apocalyptic period was not the end of the world, but the end of an age.

First published in 1813, Pride and Prejudice is the most polished of Jane Austen’s novels, with a humorous and upbeat mood. It was written at a time when the author’s narrative powers were fully developed and the story flows with an ease that conceals the skill of its construction. The plot line follows the sequence of a love relationship apprehended, misunderstood, and finally realized, which has since become a standard format of the romcom genre. However, Austen complicates the action by involving not one but four romantic relationships in the plot.

Persuasion was the last novel completed by Jane Austen and was first published posthumously in December, 1817. The story represents an interesting configuration of Austen’s characteristic narrative patterns. The heroine, Anne Eliot, is something of an old maid—she is twenty-seven years old, still single and is considered by family and friends to have lost her youthful beauty. Several years earlier, her engagement to Captain Frederick Wentworth had been broken off, due to the insistence of her family that the Captain lacked the wealth and status needed for a suitable husband.

Amongst all the figures in the history of Western art forms, Beethoven is one of the most radical and influential. Not only did he produce some of the most celebrated and recognizable music of all time, but his influence dramatically accelerated the development of musical composition. He was instrumental in raising the status of the composer from that of a court servant to one of an independent artist.

First published in the Bulletin in the nineties, Paterson's verse has enjoyed enduring success throughout Australian literary history. Paterson had an intimate knowledge of life in the outback: he knew bushmen and he knew horses. His boundary riders and shearers, his buckjumpers and station hands, are real characters—the first realistic portraits of Australians in the bush at work and play to appear in verse. Many of the characters he created have so imprinted themselves on the public imagination that they have become part of Australian folklore.

Andrea Del Sarto (1836 - 1530) was a Florentine painter whose career flourished during the High Renaissance. In this dramatic monologue, "the faultless painter" (Andrea Senza Errori, as he was surnamed by the Italians) is the speaker. He addresses his unsympathetic wife, Lucrezia, upon whom he dotes, and for whom he has broken faith with his royal patron, Francis I of France so that he can meet the expenses of her indulgent lifestyle. He laments that he has not realized the possibilities of his genius, partly blaming and partly excusing the woman who has failed to support his high ideals.

This poem, rich in its palette of human emotions, is couched in simple narrative language. Some critics have sought to interpret the poem as an allegory and find a specific meaning for every phrase and picture, but the richness of its symbolism is not favorable to this kind of treatment. In some ways, it resembles a piece of music. Each mind can draw from it a personal, and, to the individual, satisfactory interpretation.