検索キーワード： ナレーター "Rebecca Lowman" すべてのカテゴリー

Detroit, 1960. Lila Pereira is two years old when her angry, abusive father has her mother committed to an asylum. Lila never sees her mother again. Three decades later, having mustered everything she has—brains, charm, talent, blond hair—Lila rises to the pinnacle of American media as the powerful, brilliant executive editor of The Washington Globe. Lila unapologetically prioritizes her career, leaving the rearing of her daughters to her generous husband, Joe. He doesn’t mind—until he does.

Every living being throughout history, across time and geography, has gazed up at the same moon. From the first prehistoric life that crawled onto land guided by the power of the tides, to the division of time into months and seasons for the first humans, the moon has driven the expansion and development of our world. Our Moon tells the dazzling story of how the Moon has shaped life as we know it, fuelled dramatic change across the globe and could be the key to humanity's future.

In her late thirties, Jane Louise Parker has just married a man whose native decency leaves her almost breathless at her good fortune. After the wedding, she returns to work at a small and tony publishing house whose finances are in disarray. Alongside her best friend, Edie, Jane Louise patiently waits to become pregnant, wondering if a baby will provide a sense of rootedness that still seems to elude her. When that longed-for child arrives, it transforms the Parkers’ lives in a way that is as unexpected as it is rapturous.

Lucky readers in the 1970s and ’80s discovered Laurie Colwin’s urbane, witty fiction in The New Yorker, as well as her warm, engaging food writing in Gourmet magazine columns. More Home Cooking, the second collection of these columns, is an expression of Colwin’s lifelong passion for cuisine and offers a delightful mix of recipes, advice, and personal anecdotes from the kitchen and beyond. She muses over the many charms and challenges of cooking at home in timeless essays including “Desserts That Quiver,” “Real Food for Tots,” and “Catering on One Dollar a Head.”

Venice, 1958. Peggy Guggenheim, heiress and now legendary art collector, sits in the sun at her white marble palazzo on the Grand Canal. She’s in a reflective mood, thinking back on her thrilling, tragic, nearly impossible journey from her sheltered, old-fashioned family in New York to here: iconoclast and independent woman. Rebecca Godfrey’s Peggy is a blazingly fresh interpretation of a woman who defies every expectation to become an original. The daughter of two Jewish dynasties, Peggy finds her cloistered life turned upside down at fourteen, when her beloved father perishes on the Titanic.

For fans of F. Scott Fitzgerald and Truman Capote's Breakfast at Tiffany's, this a witty, elegant fairytale of New York, set in 1938. In a New York City jazz bar on the last night of 1937, watching a quartet because she couldn't afford to see the whole ensemble, there were certain things Katey Kontent knew and things she will have learnt by the end of the year.

The world has fallen. Without warning, a mysterious and omnipotent force has claimed the planet for their own. There are no negotiations, no demands, no reasons given for their actions. All they have is a message: humanity has thirty days to reach the one place on Earth where they will be allowed to exist…Antarctica. Cold People follows the journeys of a handful of those who endure the frantic exodus to the most extreme environment on the planet. But their goal is not merely to survive the present.

The world has fallen. Without warning, a mysterious and omnipotent force has claimed the planet for their own. There are no negotiations, no demands, no reasons given for their actions. All they have is a message: humanity has thirty days to reach the one place on Earth where they will be allowed to exist…Antarctica.

Greta lives with her friend Sabine in an ancient Dutch farmhouse in Hudson, New York. The house is unrenovated, uninsulated, and full of bees. Greta spends her days transcribing therapy sessions for a sex coach who calls himself Om. She becomes infatuated with his newest client, a repressed married woman she affectionately refers to as Big Swiss.

In twelve luminous stories set across three centuries, The History of Sound examines the unexpected ways the past returns to us and how love and loss are entwined and transformed over generations. In Ben Shattuck's ingenious collection, each story has a companion story, which contains a revelation about the previous, paired story. Mysteries and murders are revealed, history is refracted, and deep emotional connections are woven between characters and families.

When Jane, an aspiring writer, meets filmmaker John Bridges, they both want the same things: to be in love, to live a successful, creative life, and to be happy. When they marry, Jane believes she has found everything she was looking for, including—a few years later—all the attendant joys and labors of motherhood. But it’s not long until Jane finds herself subsumed by John’s ambitions, whims, and ego; in short, she becomes a wife.

Ammalie Brinks has just lost the three keys of her life’s purpose—her husband, her job, and her role as a mom, after her son went off to college. She’s also mystified to find herself in middle age: How exactly had that happened? The terrifying idea of becoming irrelevant, invisible, of letting her life slip away Into obscurity, has her driving distracted through Nebraska with a broken plastic fork in her tangled hair.

It's been twenty years since Detective Chelsey Calhoun lost her sister, and she's been searching ever since: for signs, for closure, for other missing girls. Happy endings are rare in Chelsey's line of work. Until one day, local teenager Ellie Black is found in Washington State woods. Two years after her disappearance, she's an echo of herself, but alive. But something's not right about this girl. Where has she been, and who is she protecting? Chelsey has to find out. For herself, for her sister, and before the next girl is taken.