検索キーワード： 著者 "F. Scott Fitzgerald" すべてのカテゴリー

Un racconto tenero e malinconico che parla d'amore e di amicizia, messi alla prova da una lunga malattia. Cornice musicale: "Rapsodia in blu" di George Gershwin.

Questo racconto, pubblicato nel 1922 , fu ispirato da un’osservazione di Mark Twain: che era un peccato che la parte migliore della nostra vita venisse all’inizio e la peggiore alla fine. Dice Francis Scott Fitzgerald: “Io ho cercato di dimostrare la sua tesi, facendo un esperimento con un uomo inserito in un ambiente perfettamente normale.”. Dal racconto, surreale ma niente affatto superficiale, è stato tratto un film nel 2008.

Ein Morgen im Jahr 1920: Zelda, das blonde Mädchen aus den Südstaaten, erwacht mit unbändigem Appetit auf Biscuits und Pfirsiche, wie es sie nur in ihrer Heimat gibt. Und so macht sich Fitzgerald zusammen mit seiner Frau und dem eigenwilligen Marmon 34, genannt "die rollende Rostlaube", auf den Weg nach Alabama. Wir reisen mit dem frischvermählten glamourösen Paar quer durch die USA - und finden uns in einer abenteuerlichen Road Novel wieder, die die Goldenen Zwanziger ebenso anklingen lässt wie die vielschichtige Beziehung von Zelda und Scott.

Sie waren das wohl glamouröseste Paar ihrer Zeit, Ikonen der Lost Generation, skandalumwittert und skandalträchtig. Er, Scott, berühmter Autor des "Großen Gatsby", aber fest in einer Schaffenskrise und zutiefst verunsichert. Sie, Zelda, mittelmäßige Malerin und Tänzerin, begabte, aber heimlich schreibende Autorin. Beide alkohol- und streitsüchtig. Ihre Ehe mündet nach mehreren Jahren in einer zermürbenden Hassliebe, in der sich heftige Liebesbekundungen mit derben Verbalattacken abwechseln, immer begleitet von schweren gegenseitigen Vorwürfen.

Ein seltsames Baby ist zur Welt gekommen: kein süßer kleiner Fratz, der seine Eltern beglückt, sondern ein alter Mann mit Bart. Sein Name: Benjamin Button. Ein schweres Schicksal ist ihm vorherbestimmt, er durchläuft das Leben rückwärts, wird von Tag zu Tag jünger. Als Benjamin schließlich im Alter von fünfzig Jahren die zwanzig Jahre jüngere Hildegarde kennenlernt, steht für ihn, der sein Leben lang nie geliebt wurde, alles auf dem Spiel.

Amory Blaine ist begabt und privilegiert. Von der Mutter hat er die Überzeugung, zu Höherem geboren zu sein. Er studiert in Princeton, und nach etlichen Flirts begegnet er Rosalind, seiner ersten großen Liebe. Als sie ihn für einen anderen verlässt, zerschellen Amorys jugendliche Ideale. Was bleibt, ist der Alkohol - aber trotz aller Trauer und Enttäuschung auch die Erkenntnis, dass das Leben, so pathetisch und lächerlich es oft scheint, doch lebenswert ist: nicht jenseits, sondern diesseits vom Paradies.

Cuando F. Scott Fitzgerald escribió El Gran Gatsby al principio de los años veinte, el sueño americano ya estaba en decadencia. Originalmente estaba basado en la idea de que la búsqueda de la felicidad no solo involucraba el éxito material sino también el crecimiento moral y espiritual. Para el tiempo de Fitzgerald el sueño se había enfocado increíblemente en el dinero y el placer - un fenómeno que le era muy familiar al rico escritor.

The debut novel of F. Scott Fitzgerald, This Side of Paradise takes its title from a line of the Rupert Brooke poem 'Tiare Tahiti'. The book examines the lives and morality of post-World War I youth. Its protagonist, Amory Blaine, is an attractive Princeton University student who dabbles in literature and conveys the book's theme of love warped by greed and status-seeking.

After the success of This Side of Paradise, it was F. Scott Fitzgerald’s popular short fiction that helped maintain the luxury and celebrity to which he and his wife, Zelda, had grown accustomed. Reflections of that blithe and glittering lifestyle, these eleven stories reveal a man both beguiled by and critical of the American postwar generation he defined. Fitzgerald’s tales capture the inauguration of the age in all its hysteria, revelry, and tragedy - the same world he would later revisit in his renowned The Great Gatsby.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels and first-class acting alongside high production values.

"The Jelly Bean", "The Camel's Back", "The Curious Case of Benjamin Button", "Mayday", and "The Diamond as Big as the Ritz" comprise this collection of humorous, strange, and sometimes terrifying tales.

F. Scott Fitzgerald makes antebellum Baltimore his setting for The Curious Case of Benjamin Button, a fantastical tale with some Poe-like overtones about a baby born at age 70 who then lives life in reverse, his hair turning "in the dozen years of his life from white to iron-gray, the network of wrinkles on his face becoming less pronounced". What ramifications that creates for Benjamin's relationship with his father first and then later with his wife and his own son makes for some fantastical situations.

"The Curious Case of Benjamin Button" is a short story by F. Scott Fitzgerald, originally published in Colliers Magazine on May 27, 1922. The story follows Benjamin's life from his birth in 1860. However he is no ordinary child, as he has the appearance of a 70-year-old man, already capable of speech. His family soon realizes that Benjamin is aging in reverse, becoming younger as the years go by. The fascinating story looks at his triumphs and struggles as he slowly gains his youth.

Amory Blaine has been brought up by a wealthy, idiosyncratic, and alcoholic mother. Snobbish because he knows no better, he is uncomfortable with others and must learn the proper social etiquette and values embraced by his peers. As he progresses to Princeton University from the Midwest, he flirts with some predatory young women and chances friendship with some intellectual young men. Will he find happiness, or will his life be forever burdened by his ineptitude this side of paradise?

Published in 1922, Fitzgerald's second novel chronicles the relationship of Anthony Patch, Harvard-educated, aspiring aesthete, and his beautiful wife, Gloria, as they await to inherit his grandfather's fortune. A devastating satire of the nouveaux rich and New York's nightlife, of reckless ambition and squandered talent, it is also a shattering portrait of a marriage fueled by alcohol and wasted by wealth. The Beautiful and Damned, Fitzgerald wrote to Zelda in 1930, "was all true."

Amory Blaine, a handsome, wealthy, spoiled and snobbish young man from the Midwest, attends Princeton University and acquires a refined sense of the proper "social" values. Lacking all sense of purpose, he interests himself in literary cults, vaguely "liberal" student activities, and a series of flirtations with some rather predatory young ladies. Perhaps This Side of Paradise - F. Scott Fitzgerald's first novel - succeeds because of its vibrant quality of youthfulness.

First published in 1920, Flappers and Philosophers marked F. Scott Fitzgerald's entry into the realm of the short story, in which he adroitly proved himself "a master of the mechanism of short story technique" ( Boston Transcript).

John T. Unger is a young southerner who goes to Montana for summer vacation with a wealthy college classmate. But the classmate's family proves to be much more than simply wealthy - they own a mountain made entirely of one solid diamond. And they've gone to dreadful lengths to conceal their secret, which means that John could be in danger.

One of F. Scott Fitzgerald's earliest short stories, "The Ice Palace" is about Sally Carrol Happer, a young Southern woman who is bored with her conventional life. She's engaged to Harry Bellamy, a young man from the North. Despite concern from her family and friends, Sally travels to Harry's hometown to meet his family. Hoping for an exciting adventure, she instead finds herself in a cold, unfamiliar place. There, in the dead of winter, she begins to question everything.

A collection of stories about unscrupulous film writer Pat Hobby, a relic from the early days of Hollywood, looking for success in the changing world of the movies. F. Scott Fitzgerald’s collection paints a comic portrait of a man unwilling to accept his fate as a thing of the past. Entertainingly artless and insensitive; by turns lazy and scheming, Hobby keeps his head just above water as the decades leave silent film behind.