検索キーワード： 著者 "Wilfred Owen" すべてのカテゴリー

This collection of 23 poems contains most of the verse for which Wildred Owen is known today. Few poets have captured more effectively the tragic dichotomy of war, where, for many, survival can be a fate worse than death. The opening poem "Strange Meeting" describes a posthumous encoaunter between a soldier and an enemy combatant who he has killed on the previous day. The penultimate poem, "Disabled", is the private lament of a crippled veteran as he helplessly surveys the daily lives of people unscarred by war.

A collection of the greatest war poetry ever written, read by some of the 20th century’s most renowned actors. Tragedy, war and humanity are played out in these timeless readings of poetry written about, or on, the battlefield.

Wilfred Owen is widely regarded as one of the greatest poets of the First World War. He was tragically killed on patrol on 4 November 1918, a week before the armistice was signed. Owen was to see only five of his poems published during his lifetime. This collection of 23 poems, containing many of his best known works, uses the texts as published in Poems - edited by Wilfred Owen’s friend and mentor Siegfried Sassoon with the assistance of Edith Sitwell and first published in 1920.

Wilfred Owen’s famous poem was written in 1917 during World War I. Dulce et Decorum Est describes the horrors of the front lines and the gruesome effect of a gas attack. It is a rebuke to those that would glorify war. The title, taken from Horace, can be translated as “It is sweet and glorious to die for one’s country”.

Poems was published in 1920. The poems of that work are included here and are as follows: Strange Meeting; Greater Love; Apologia pro Poemate Meo; The Show; Mental Cases; Parable of the Old Man and the Young; Arms and the Boy;

“If music be the food of love, play on" was one of Shakespeare’s finest lines. If music is food then poetry is the wine. In this volume of classic love poetry the flavoured capture of words and rhythms makes us think more carefully of words and their value to us. They also surprise us with their structure and meaning, layering in thoughts and emotions that we might otherwise shy away from. Poems are wonderful ways to express what we feel for a very special someone.

April - the fourth month of the year in the Gregorian calendar heralds spring in earnest and, of course, April showers and perhaps other unsettled weather. For our poets, including Owen, Stevenson, Van Dyke, Hardy, and Shelley, the month provides a rich source for them to muse upon.

Seventeen iconic poems from World War One, including: Wilfred Owen's "Dulce et Deorum Est"; "In Flanders Fields" by John McRae; "Counter Attack" by Siegfried Sassoon; Rupert Brook's "The Soldier"; and many more that bring the horrors of the Great War vividly to life through the eyes of those living them.

This proud nation with its long history - sometimes rough, hewn from bleak landscapes, and sometimes gently soft from its comforting voices - has produced a long succession of artists and poets.

In the latter category, Louis MacNeice most probably stands pre-eminent; his words and phrasing are on a plane few can equal and most are in awe of. But in this volume we do put forward others who have their own words and voice to add to this rich tapestry.

The finest voices reading a wonderful selection of poetry accompanied by selected classical music.

A selection of classic poetry beautifully enhanced by classical music. Poets include Keats, Wordsworth, and Owen.

In World War I, possibly the most horrific modern war, two soldier poets put down their thoughts in poetry telling us much about wars and the people who fight them. This is a wonderful production with a very timely subject.

No poet is more closely identified with the First World War than Wilfred Owen. His striking body of work, grim to the point of brutality yet, at the same time, majestic and awe-inspiring, defines the war for us. It is in each of these famous poems that Owen reflects on the four terrible months that he lived through; he conveys the experience of war, the death, the destruction and the filth, through a unique poetic language and a bold artistic vision.

Here are the extraordinary writings of a generation who fought through a war of unprecedented destructive power, and who had to find new voices to express the horror of what they discovered. The great names - Owen, Sassoon - are fully represented, but there are also many poems by lesser-known or unexpected figures, ranging from serving soldiers like Isaac Rosenberg and Richard Aldington to women such as Edith Nesbit and Vera Brittain.

Here is arguably some of the most powerful poetry ever written: classic works composed during World War I by Wilfred Owen, Siegfried Sassoon, and Rupert Brooke.

Widely regarded as one of the leading war poets, Owen's work is powerful and shocking, illustrating the true horror faced by soldiers during the First World War.

In the war a great volume of poetry was written, produced and published in books, periodicals, newspapers or letters back to home. We often think of war as a necessity. We fight for a more just and better world. We often fail. But in our poets we gain a truth and a morality that shocks us, consoles us and holds our values to the light. In this volume we hear poems from the front, from home, from soldiers, from auxiliaries, from friend and from foe.

Wilfred Owen was born on 18th March 1893 at Plas Wilmot, near Oswestry in Shropshire, the eldest of four children. His mother's strong Anglican views passed through to Wilfred, and the Bible, along with books on the Romantic poets, particularly John Keats, were particular favourites and contributed to his initial devotion to the church. In 1913 Wilfred began work as a private tutor teaching English and French at the Berlitz School of Languages in Bordeaux, France, and later with a family.

Sometimes we just want the best. But that involves choices, judgements, decisions. And that all depends on our feelings, our mood at the time. Even more so with poetry. Would we like a little more pathos, or love, or humour with that? Can we only choose one Keats? And ’If’? Surely Kipling wrote something else? So difficult to decide. This one or that? Is it easier to choose your 50 favourite poets or your 50 favourite poems?

In the midst of bombs and bullets, trenches and trauma, the soldiers of World War I, and those observing the horrors taking place from home, took pen to paper to record their experiences in verse. These poems - considered the greatest written during WWI and some of the greatest poetry of the twentieth century - show the horror of war but also shine a light on the strength of human courage, bravery, and virtue.