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The Path of Light is a collection of short stories nothing if not a mirror to the phenomenal range of human behavior. Taken from the Upanishads to the Jatakas to South Asian folklore, these simple but contemplative tales reveal how people are capable of both extreme cruelty and inordinate kindness.

Vavachan is a Pulayan who gets the opportunity to play a policeman with an immense moustache in a musical drama. The character appears in only two scenes and has no dialogue. However, Vavachan's performance, and his moustache, terrify the mostly upper-caste audience, reviving in them memories of characters of Dalit power, such as Ravanan. Afterwards, Vavachan, whose people were traditionally banned from growing facial hair, refuses to shave off his moustache. Endless tales invent and reinvent the legend of his magic moustache.

Warrior-prince Rama is about to be crowned Young King, when he hears the devastating news that his father, king of Ayodhya, has been tricked into banishing him to the forest. His devoted wife, Sita, insists on accompanying him in exile, but the evil 10-headed Lord Ravana has fallen deeply in love with the beautiful princess and steals her away. Aided by Hanuman, mighty captain of the monkeys, Rama sets out across the world to find her and destroy Ravana in a deadly battle.

Ajay is fighting demons in his mind after losing his wife, Bhavna. Ten years of togetherness and a harsh twist of fate have thrown him into the pit of depression. With medication and therapy helping him fight his immense grief, there is only one ray of hope for him–he wants to immortalize his wife. Anisha lives life queen size. Making the most of each moment, she loves everything that she is blessed with. She is shocked when she meets Ajay. How can someone hate God so much? More than anything, what will that hatred do to him?

If you're a Tagore fan, this is a feast!

It is a popular belief that the Ramayana is idealistic while the Mahabharata is realistic. Yet these two epics have identical building blocks, identical themes, and identical history. In this groundbreaking book, Devdutt Pattanaik, India’s most popular mythologist, explores the similarities and dissimilarities between the two epics in a ‘playful analaysis’. Whether it is the family structure, forest exile, or war, the comparison between the two epics prove a startling point - the Mahabharata is in fact a reaction to the events in the Ramayana.

Gautam Rajrishi - a name that has emerged as a refreshing change in modern poetry of Hindi literature. Who would have imagined that a serving colonel of Indian army would introduce us to a new style of Ghazals? And that is precisely what he does, with ease and panache...dismantling all the stereotyped images we have harbored in our minds. He picks up his words from our daily life, giving them a sublime bliss that we have never seen before in Ghazals.

Luka-Jhanki, by Darpan Sah, is an anthology of anti-poems! The poet’s works are deeply philosophical and evocatively esoteric in nature, they arouse the listener’s most intense emotions. Darpan Sah’s poetry guides you only halfway to an ontological understanding of his poems. You will find yourself left alone at the right point of time to ponder the bigger questions of life all by yourself and to interpret each piece of his poetry in your own way.

Khair Chhodo is a niche collection of poems written by Vishwa Deepak. In this book, the poet has tried to include poems on various emotions like love, valor, revolution, family relations, etc. The metaphors and similes used in his poems are refreshingly new, and the abstract references used by him in some places enchant you. But the real treat for the listener will be the introduction of a relatively new genre called Triveni.

R.K. Narayan’s reputation as one of the founding figures of Indian writing in English is re-examined in this comprehensive study of his fiction, which offers detailed readings of all his novels. Arguing against views that have seen Narayan as a chronicler of “authentic” Indianness, John Thieme locates his fiction in terms of its specific South Indian contexts and cultural geography and its non-Indian intertexts.

Love marriages around the world are simple: Boy loves girl. Girl loves boy. They get married. In India, there are a few more steps: Boy loves Girl. Girl loves Boy. Girl's family has to love boy. Boy's family has to love girl. Girl's family has to love Boy's family. Boy's family has to love Girl's family. Girl and Boy still love each other. They get married. Welcome to 2 States, a story about Krish and Ananya. They are from two different states of India; they are deeply in love and want to get married. Of course their parents don't agree.

In late 2000, a young boy in Ahmedabad dreams of owning a business. To accommodate his friends' passion, he opens a cricket shop. However, nothing comes easily in a turbulent city. To realise their goals, they will have to face it all - religious politics, calamities, unacceptable love and, above all, their own mistakes. Will they make it? Can an individual's dreams overcome the nightmares of real life? Can we succeed despite mistakes?

From victims to victims to victors, this collection of stories contains intricate details of 13 women who went on to leave their permanent mark on the face of the Mumbai Mafiosi.

Écrits il y a des siècles, "Les Kama Sutra" sont à la fois un traité sur les règles de l’amour, mais aussi un formidable témoignage sur la culture et l'art de vivre de l'Inde.

Le Kâmasûtra est un livre indien écrit entre le IVe siècle et le VIIe siècle de notre ère, attribué à Vâtsyâyana.

The call disconnected. Vijay put his phone down and sat thinking. His mind spun. Who was this mysterious caller? He clearly had an urgent need to meet. So why wait for six months? His explanation didn't make sense. What preparation did he have to do? And what was he going to reveal to Vijay when they did meet? There were too many questions that were unanswered.

The trajectories of Arvind and Arbaaz, both businessmen of a kind whose lives are unwillingly intertwined, ricochet off one another while they play out their sinister and murderous plots of personal and professional one-upmanship, all the while breaking every rule in the book. Both are unaware that what they seek and fight over is the very obstacle in realising an ancient secret that dates back to a time long forgotten. And yet, at the heart of it all, there lies tenderness...and pathos...and blood...and rare moments of an almost exalted happiness.

Shiva, 'the destroyer' among the Hindu trinity (of gods), is depicted in many contradictory manners. The author, Devdutt Pattanaik, introduces listeners to these varied aspects and representations, and then sets about interpreting them. He explains the different anomalies and conflicts in beliefs, as well as the symbolism, rituals and reasons behind Hindu worship.

With direct access to the top Maoist leadership, Rahul Pandita provides an authoritative account of how a handful of men and women, who believed in the idea of revolution, entered Bastar in Central India in 1980 and created a powerful movement that New Delhi now terms India's biggest internal security threat. It traces the circumstances due to which the Maoist movement entrenched itself in about 10 states of India, carrying out deadly attacks against the Indian establishment in the name of the poor and the marginalised.

When the younger players in India's cricket team find out that advertising executive Zoya Singh Solanki was born at the very moment India won the World Cup back in 1983, they are intrigued. When having breakfast with her is followed by victories on the field, they are impressed. And when not eating with her results in defeat, they decide she's a lucky charm. The nation goes a step further. Amazed at the ragtag team's sudden spurt of victories, it declares her a goddess.