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Theatre journalist Eddie Shapiro sits down for intimate, career-encompassing conversations with 19 of Broadway's most prolific and fascinating leading men. Full of detailed stories and reflections, his conversations with such luminaries as Joel Grey, Ben Vareen, Norm Lewis, Gavin Creel, Cheyenne Jackson, Jonathan Groff, and a host of others dig deep into each actor's career; together, these chapters tell the story of what it means to be a leading man on Broadway over the past 50 years.

Putting It Together chronicles the two-year odyssey of creating the iconic Broadway musical Sunday in the Park with George. Through conversations between Lapine and Sondheim, as well as most of the production team, and with a treasure trove of personal photographs, sketches, script notes, and sheet music, the two Broadway icons lift the curtain on their beloved musical. Putting It Together is a deeply personal remembrance of their collaboration and friendship and the highs and lows of that journey, one that resulted in the beloved Pulitzer Prize-winning classic.

The idea of American musical theater often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theaters, after-school programs, summer camps, and dinner theaters. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theater in US culture and examines it as a social practice - a live, visceral experience of creating, watching, and listening.

In this one-man tour-de-force based on Picasso's writings, writer/performer Herbert Sigüenza (Culture Clash) takes on the role of the legendary artist, inviting the listener into Picasso's private studio for an intimate and revealing weekend as he prepares to deliver six new works to a buyer on Monday morning.

After 18 years of marriage, Della Doucet decides she’s had enough of life on a South Carolina military base and reinvents herself in the New York art world while reveling in a series of shallow romantic affairs. Her new life seems to be going well until she finds herself in the arms of a charming younger man.

The quiet porch of a rest home for the aged explodes with emotion when prim Fonsia Dorsey sits down to play gin rummy with the cynical Weller Martin. Fonsia is drawn to Weller, but she just can't stop winning at cards, while Weller bemoans the bad luck that is ruining his game and has dogged him throughout his life. Tragic yet uproariously funny, this Pulitzer Prize-winning drama examines themes of individual responsibility and society's mistreatment of the aged. A co-production with The Smithsonian Associates and Voice of America.

"There is something at work in my soul which I do not understand." Pushing the limits of science and morality in his search for acceptance and purpose, Victor Frankenstein unleashes on the world a creation that he cannot control. To celebrate the 200th anniversary of Mary Shelley's Gothic novel, A. S. Peterson (The Battle of Franklin) adapts the tale for the stage and creates an experience that will leave you pondering your own sense of belonging long after the curtain has fallen. Produced with a multi-voice cast in a radio theater style.

From Golda to Ginsburg, Yentl to Mama Rose, Tallulah to the Queen of Mean, Tovah Feldshuh has always played powerful women who aren't afraid to sit at the table with the big boys and rule their world. But offstage, Tovah struggled to fulfill the one role she never auditioned for: Lily Feldshuh's only daughter. Tovah shares the highs and lows of a remarkable career that has spanned five decades, and shares the lessons that she has learned, often the hard way, about how to live a life in the spotlight, strive for excellence, and still get along with your mother.

The official behind-the-scenes look at the powerful new musical based on Alanis Morissette's cult-classic album Jagged Little Pill.

A work of gripping nonfiction, North by Shakespeare presents the twinning narratives of rogue scholar Dennis McCarthy, called "the Steve Jobs of the Shakespeare community", and Sir Thomas North, an Elizabethan courtier whom McCarthy believes to be the undiscovered source for Shakespeare's plays.

This striking new collection exemplifies the way in which Mendelsohn - a classicist by training - uses the classics as a lens to think about urgent contemporary debates. There is much to surprise here. Mendelsohn invokes the automatons featured in Homer’s epics to help explain the AI films Ex Machina and Her and perceives how Ted Hughes sought redemption by translating a play of Euripides (the ‘bad boy of Athens’) about a wayward husband whose wife returns from the dead.

Following up his perennially best-selling writers' guide Story and his inspiring exploration of the art of verbal action in Dialogue, the most sought-after expert in the storytelling brings his insights to the creation of compelling characters and the design of their casts. Character explores the design of a character universe: The dimensionality, complexity and arcing of a protagonist, the invention of orbiting major characters, all encircled by a cast of service and supporting roles.

In 2008, In the Heights, a new musical from up-and-coming young artists, electrified Broadway. The show's vibrant mix of Latin music and hip-hop captured life in Washington Heights, the Latino neighbourhood in upper Manhattan. It won four Tony Awards and became an international hit, delighting audiences around the world. For the film version, director Jon M. Chu (Crazy Rich Asians) brought the story home, filming its spectacular dance numbers on location in Washington Heights.

This Is Not My Memoir tells the life story of André Gregory, iconic theatre director, writer, and actor. For the first time, Gregory shares memories from a life lived for art, including stories from the making of My Dinner with André. Taking on the dizzying, wondrous nature of a fever dream, This Is Not My Memoir includes fantastic and fantastical stories that take the listener from wartime Paris to golden-age Hollywood, from avant-garde theaters to monasteries in India.

This is the story of amateur dramatics in Britain. In a triumphant mix of memoir, social history, interviews and manifesto, Jenny Landreth opens our eyes to am-dram and shows us a vibrant world that is a crucial part of our culture. Starting with the Mystery Plays of the Middle Ages, we move, via Shakespeare, to the Georgian aristocrats who built opulent private theatres in their own homes, then to the halcyon days of radical lefties taking political theatre to the streets and on to the present day.

This book describes a technique developed and refined by the authors, all of them young actors, in their work with Pulitzer Prize-winning playwright David Mamet, actor W. H. Macy, and director Gregory Mosher. A Practical Handbook for the Actor is written for any actor who has ever experienced the frustrations of acting classes that lacked clarity and objectivity, and that failed to provide a dependable set of tools.

Harvey Fierstein’s legendary career has transported him from community theater in Brooklyn, to the lights of Broadway, to the absurd excesses of Hollywood and back. He’s received accolades and awards for acting in and/or writing an incredible string of hit plays, films, and TV shows.

Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations - Rosencrantz and Guildenstern Are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love - remain as fresh and moving as when they entranced their first audiences.

In 2008, In the Heights, a new musical from up-and-coming young artists, electrified Broadway. The show’s vibrant mix of Latin music and hip-hop captured life in Washington Heights, the Latino neighborhood in upper Manhattan. It won four Tony Awards and became an international hit, delighting audiences around the world. For the film version, director Jon M. Chu (Crazy Rich Asians) brought the story home, filming its spectacular dance numbers on location in Washington Heights.

On Broadway, this fresh take on the Greek myth of Orpheus and Eurydice has become a modern classic. Heralded as “The best new musical of the season” by The Wall Street Journal and “Sumptuous. Gorgeous. As good as it gets” by The New York Times, the show was a breakout hit, with its poignant social commentary and spellbinding music and lyrics. In this audiobook, Anaïs Mitchell takes listeners inside her more than decades-long process of building the musical from the ground up.