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Michael B. Druxman’s Rathbone joins the actor near the end of his life while, because of his troubled financial condition, he is working on still another less than memorable film. The play delves into Rathbone’s dark side, exploring his relationships with his first wife, the son he virtually abandoned, and Ouida, the divisive woman to whom he was married for over 40 years, yet perhaps never really knew.

This is a book for the thinking actor, and the finest actors I've known are just that. The best actors bring it all together: body, heart, spirit, and mind. A theory of acting, if true, shows us to ourselves. Jeff Zinn knows this. He knows it as an actor, director, teacher, and thinker. His theory of everything is simple and revelatory.

As Captain Blood, Robin Hood, and the Sea Hawk, he was the "King of the Swashbucklers". As Errol Flynn, he was Hollywood's number one rogue. He was married three times, and also was the defendant in three rape trials. Indeed, it's fitting that his last major swashbuckling film cast him in the role of Don Juan. The play joins Flynn a few weeks before his premature death. Knowing that the end is near, he is in a New York airport, waiting to fly west to see his children for the last time.

When rumors about an illicit union resurface for him, Ahmed, a psychiatrist, tries to kill the woman he loves and once treated as a patient. Selena is a Christian mystic, who will sacrifice true love for a more noble, virtuous, and spiritual ideal. What proceeds is an unconventional relationship eclipsed in time by the sacred. When Ahmed becomes aware of it, a tragic outcome is transcended. Both are forever changed by the experience.

Micky has become one of the hottest new comics to break through to national fame.

No one does glamour, severity, girlish charm, or tight-lipped witticism better than Dame Maggie Smith. Michael Coveney's biography shines a light on the life and career of a truly remarkable performer, one whose stage and screen career spans six decades.

The Jew of Malta, by Christopher Marlowe, starring David Serero as Barrabas. Cast album recording of 2017 off-Broadway production. Directed and adapted by David Serero.

In Take You Wherever You Go, Kenny Leon reflects on the pillars of wisdom he learned every step of the way from the most important people in his life - from his grandmother's sagacious and encouraging motivations to the steady hand of his mother to the deep artistic and social influence of iconic American playwright August Wilson. Take You Wherever You Go is a poignant, ruminative, and inspirational memoir that empowers you to be true to yourself as you navigate your own path.

In Shakespeare's most controversial play, the opposing values of justice and mercy must be resolved. Antonio promises money to help his friend Bassanio woo Portia. He borrows the sum needed from the cruel Shylock, but there will be a dreadful penalty if the loan is not repaid. The golden world of Portia's Belmont calls forth some of Shakespeare's most lyrical love poetry. But the dark shadow of Shylock is never far from the heart of this brilliant comedy as it moves toward its courtroom climax.

Esta obra corta de Cervantes se denomina un entremés.En ella se trata de las desavenencias conyugales de tres matrimonios distintos. Esos tres matrimonios, para poder solventar sus diferencias, acuden al juez, a ver si éste considera que sus disputas son suficientemente importantes como para concederles el divorcio.Cada uno de ellos tiene motivos diferentes... alguno de ellos, completamente disparatado. También va a intervenir un procurador que intenta mediar entre ellos y el juez.Al final, la aparición de unos músicos pone un final feliz a las disputas, dejando entrever las ventajas y desventajas del matrimonio.

First biography of the great actress in a brilliant interpretation of Danuta Stenka. One-hundred-two years of fascinating life, turbulent career, and dramatic turns in history. Gabriel Michalik paints a subtle portrait of the legend of the theatre and cinema, the people she met, and the era through which she lived with natural elegance, grace, and unusual cheerfulness, in spite of dramatic obstacles.

Dans un livre audio à la fois recueil d'aphorismes, anthologie poétique et méditation théorique, Olivier Py nous offre ses "Mille et Une Définitions du théâtre". Métaphores, allégories ou anecdotes historiques nous font voyager à travers tous les théâtres, des Grecs à nos jours. Avec des accents lyriques et jubilatoires, il fait de cet art la forme de pensée la plus urgente de son temps, un art d'etre au monde.

The Art of Is contains breath-of-fresh-air thinking about how to cultivate the kind of game-changing creativity everyone seeks. Stephen Nachmanovitch shows exactly how the passion and immediacy of improvisation can be cultivated and how, in fact, we all improvise all the time - whether we are driving or deep in conversation.

For more than 50 years Michael Green's The Art of Coarse Acting has been essential reading for anyone with a passion for theatre, both amateurs and professionals alike. This acerbic yet affectionate work remains one of the funniest books about acting ever written. It's a "[W]ickedly irreverent" (The Stage) exposé which ridicules pretentiousness, pokes fun at incompetence and disaster and generally lays bare life backstage. Even after all this time it remains true that however much the theatre may change, coarse actors don't.

Much loved broadcaster, comedian and Grumpy Old Man Arthur Smith sets the world to rights in this hilarious recording of his one-man show. From the little annoyances to the slightly larger ones and everything inbetween, this is the perfect comedy audio for anyone who has ever been grumpy - or knows someone who is.

Joanne Taylor - former TV Diva - is on the verge of her 50-something birthday, seriously single, 'hot-flushing' and about to make some drastic changes in her life. Pulling Faces is an acerbic, topical comedy about society’s obsession with youth, beauty and transformation.

All Brexit's a stage, and all the men and women merely players.... Written by the Bard himself, with a little help from novelist Boris Starling, this wonderful comedy of errors retells the tragic story of the UK's acrimonious break from the EU, written in wonderful iambic pentameter. From Cameron and Osborne, through May and Gove, to Cummings and Boris, this is a story of cynical electioneering and poisoned political scheming, and a most original take on the defining event of our time.

In this fascinating 10-part series, Lenny Henry traces the long and painful road that black Britons have travelled on stage and screen, from the overt racial discrimination of the 19th century, via the thinly veiled slurs that persisted through the first 70 years of the 20th, to today's more equal society. Interviewing playwrights, actors, directors and filmmakers - including Mustapha Matura, Roy Williams, Lolita Chakrabarti, Michael Buffong, Horace Ové and Steve McQueen - he tells the story of black drama and the influential artists who have shaped it over the past hundred years.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.