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Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's A Man's Castle starring Spencer Tracy and Ingrid Bergman.

You’ve heard of an Essex Girl or even a Chelsea Girl, but what about a Hounslow Girl? Definition of a Hounslow Girl: a young Muslim woman who wears hooped earrings with her headscarf and grapples with traditional values while hustling her way through urban London. The Diary of a Hounslow Girl is a bold and provocative one-person play, written and performed by Ambreen Razia. From the joys of traditional Pakistani weddings to fights on the night bus, this is a comic story of dreams, aspirations and coming of age, told through the eyes of a 16-year-old British Muslim girl.

A humanities professor at a liberal arts college is terrified of what she feels is an inevitable act of violence, fearing that one day, she will be the victim of a disgruntled student’s aggression. As a single mother, no one matters more than her little boy. So when a senseless act of violence changes her life forever, she finds herself inexplicably drawn to the very weapon used to perpetrate the crime—and to the irresistible feeling of power that comes from holding life and death in her hands.

The Boys in the Band's debut was revolutionary for its fictional but frank presentation of a male homosexual subculture in Manhattan. Based on Mart Crowley's hit Off-Broadway play from 1968, the film's two-hour running time approximates real time, unfolding at a birthday party attended by nine men whose language, clothing, and behavior evoke a range of urban gay "types." Although various popular critics, historians, and film scholars over the years have offered cursory acknowledgment of the film's importance, more substantive research and analysis have been woefully lacking. The film's neglect among academics belies a rich and rewarding object of study. The Boys in the Band merits not only the close reading that should accompany such a well-made text but also recognition as a landmark almost ideally situated to orient us amid the highly complex, shifting cultural terrain it occupied upon its release-and has occupied since.

Aphorismen, Sketche und Szenen von Egon Friedell, gelesen von Heinz Marecek...

Écrit en plusieurs étapes, à partir de 1773, "Le paradoxe sur le comédien" ne sera publié qu'en 1830. Sous la forme d'un dialogue, dissymétrique, entre deux interlocuteurs censés défendre une thèse opposée, Diderot développe une véritable réflexion sur l'art du comédien et, plus largement, sur la création artistique. "Mais quoi ? dira-t-on, ces accents si plaintifs, si douloureux, que cette mère arrache du fond de ses entrailles, et dont les miennes sont si violemment secouées."

Sheridan Morley writes: "When my father died at eighty-four on the morning of Derby Day 1992 (one of the few he ever missed), he and I had been together for just over fifty years. In the immediate aftermath of his sudden death, I knew two things; how much I would always miss the sheer joy of his company, and how much I wanted to write about him, if only to explain to myself and my children the life and career of the last great Boulevardier of his or any other time."

James Sheldon was directing the radio show We, The People when it became the first commercial CBS network program to telecast nationally on June 1, 1948. Since then he has experienced the technological changes from live to electronic tape to film, from black and white to color, and from a few hundred thousand to the multimillions of television sets in use today.

In the most important theatrical audiobook of this or any other decade, twitter sensation @tips4actors gives you all the advice you need to take your acting to the next level. How to upstage your fellow cast members, what to wear on the first day of rehearsals, where to go for a poo in London's glamorous West End - it's all covered in here!

Spanning centuries and continents, Mamet uses war and its players to explore, among other themes, redemption and forgiveness as they unfold in the context of conflict in the form of three novellas. Finely wrought, Mamet eloquently depicts the psychological brutality conflict raises in the landscape of the mind.

Carey Perloff, Artistic Director of San Francisco's legendary American Conservatory Theater, pens a lively and revealing memoir of her 20-plus years at the helm and delivers a provocative and impassioned manifesto for the role of live theater in today's technology-infused world. Perloff's personal and professional journey - her life as a woman in a male-dominated profession, as a wife and mother, a playwright, director, producer, arts advocate, and citizen in a city erupting with enormous change.

The Partnership is the first book to tell the full story of Brecht and Weill's impulsive, combustible partnership, the compelling psychological drama of one of the most important creative collaborations of the past century. It is also the first book to give full credit where it is richly due to the three women whose creative gifts contributed enormously to their masterworks.

Why Shakespeare? What explains our continued fascination with his poems and plays? In Living with Shakespeare, Susannah Carson invites 40 actors, directors, scholars, and writers to reflect on why his work is still such a vital part of our culture.

The theater is in the midst of a digital revolution! This audiobook provides listeners with an easy-to-understand overview of the digital technology currently available for the stage. In clear language, Digital Technical Theater Simplified explains digital technology in the fields of lighting, audio, video, and show control. All chapters contain do-it-yourself examples of how anyone can use these advanced technologies, as well as case studies of "how the pros do it".

Before "Fred and Ginger" there was "Fred and Adele", a show-business partnership and cultural sensation like no other. In our celebrity-saturated era, it's hard to comprehend what a genuine phenomenon these two siblings from Omaha were. At the height of their success in the mid-1920s, the Astaires seemed to define the Jazz Age. They were Gershwin's music in motion, a fascinating pair who wove spellbinding rhythms in song and dance. In this book, the first comprehensive study of their theatrical career together, Kathleen Riley traces the Astaires' rise to fame from humble midwestern origins.

In Wendy and the Lost Boys best-selling author Julie Salamon explores the life of playwright Wendy Wasserstein's most expertly crafted character: herself. The first woman playwright to win a Tony Award, Wendy Wasserstein was a Broadway titan. But with her high- pitched giggle and unkempt curls, she projected an image of warmth and familiarity. Everyone knew Wendy Wasserstein. Or thought they did.

A once-aspiring actress who never quite got over her dreams of Broadway stardom, Shukert lovingly sunk her teeth into analyzing (and often, inventing) every detail of NBC's embattled little-musical-that-couldn't, and before long, found herself at the center of the backstage drama behind the backstage drama that captivated America (or at least, the part of it that spends a lot of time handing out their head shots in Times Square).

Broadway’s most esteemed visionaries tell all - how they got started in the business, how they chose projects, how they raise money, why some of their shows were huge hits and others flopped, and much more. From Flo Ziegfeld and David Merrick, from Joseph Papp, from Cameron Mackintosh, from today’s up-and-coming new generation of producers - here are priceless words of wisdom.

The second edition of Building the Successful Theater Company takes listeners even deeper into the world of theatrical production, examining in great depth the financial realities of establishing - and maintaining - a successful organization. This indispensable reference is updated to include more theater company profiles with expert advice to better reveal the pitfalls, passions, and practicalities of the theater industry.

In 1959, the year Terry Galloway turned nine, the voices of everyone she loved began to disappear. No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed "child freak," she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children