検索キーワード： 歴史・批評

In One Last Song, Ayers invites thirty musicians to consider what song they would each want to accompany them to those pearly white gates. Weaving together their explanations with evocative illustrations and poignant interludes-what your song to die to says about you, what songs famous people have died to, and more. The book offers insight into the minds of famous artists and provides an entry point for considering how integral music is to our own personal narratives.

Was haben so unterschiedliche Künstler wie Alexandra, GG Allin und Michael Hutchence gemeinsam? Sie sind alle tot. Und niemand von ihnen starb an Altersschwäche. Was die Menschheit bei einem selbst – in hoffentlich erst vielen Jahren – achselzuckend zur Kenntnis nehmen wird, erschüttert im Falle der Popstars Millionen: Der Tod. Ehrliche Trauer mischt sich mit Sensationslust, der Kontrast zwischen der (mehr oder weniger) fröhlichen, lebensbejahenden, glamourösen Welt der Popmusik und dem unwiderruflichen Ende könnte größer nicht sein.

In the 1930s, composers and musicians began to flee Hitler's Germany to make new lives across the globe. The process of exile was complex: although some of their works were celebrated, these composers had lost their familiar cultures and were forced to navigate xenophobia as well as entirely different creative terrain. Others, far less fortunate, were in a kind of internal exile-composing under a ruthless dictatorship or in concentration camps and ghettos.

What does it mean to be a "diva"? A shifting, increasingly loaded term, it has been used to both deride and celebrate charismatic and unapologetically fierce performers like Aretha Franklin, Divine, and the women of Labelle. In this brilliant, powerful blend of incisive criticism and electric memoir, Deborah Paredez-scholar, cultural critic, and lifelong diva devotee-unravels our enduring fascination with these icons and explores how divas have challenged American ideas about feminism, performance, and freedom.

Many people will recognise the famous zebra crossing. Some visitors may have graffitied their name on its hallowed outer walls. Others might even have managed to penetrate the iron gates. But what draws in these thousands of fans here, year after year? What is it that really happens behind the doors of the most celebrated recording studio in the world? It may have begun life as an affluent suburban house, but it soon became a creative hub renowned around the world as a place where great music, ground-breaking sounds and unforgettable tunes were forged.

De parecido modo a como refiere Homero en la odisea al dar noticia del irreprimible deseo que apodérase de Ulises —embriagarse con los cantos de las sirenas—, no es menos cierto que pocos son los que se resisten al embrujador encanto del acervo musical de Cuba; trasunto "afrocañí" de la isla de las sirenas por cuyas entrañas fluyen y concluyen tantas tradiciones musicales de Ultramar.

Un aspecto poco conocido en la historia del rock nacional es el vertiginoso avance técnico que ocurrió durante la década del 80 a la par del alcance masivo de las canciones más emblemáticas, la exportación de artistas hacia otros rincones de Latinoamérica y la llegada al país de figuras internacionales de primera línea. Detrás de escena hubo un puñado de actores que acompañaron el crecimiento del rock local con pasión, entusiasmo desbordante, amor por su profesión y ganas de trascender las fronteras.

Arianna Warsaw-Fan Rauch’s life-long fascination with classical music has taken her through Juilliard and into the shiny world of symphony halls and international concert tours. She’s loved classical music her whole life. But she’s also hated classical music her whole life. After all, if you can like Beyoncé without liking Bieber, you can certainly like Brahms without liking Bach—especially since they were born 148 years apart and the thing we call “classical music” is really just centuries of compositions shoved into one hodge-podge of a genre.

The members of Led Zeppelin are major deities in the pantheon of rock gods. The first and heaviest of the heavy metal monsters, they violently shook the foundations of rock music and took no prisoners on the road. Their tours were legendary, their lives were exalted, and their music transcendent. No band ever flew as high as Led Zeppelin or suffered so disastrous a fall. And only some of them lived to tell the tale. Originally published in 1985, and last updated in 2008, Hammer of the Gods is considered the ultimate word on Led Zeppelin.

Sex, Drugs & Rock Stories. Alles, was ein wahrer Rockfan wissen muss. Warum wollte Axl Rose einst David Bowie verhauen? Was verbindet AC/DC mit einem Serienkiller? Und was haben Faith No More mit dem Fall der Berliner Mauer zu tun? Die Musikgeschichte steckt voller Sonderbarkeiten, aberwitzigen Begebenheiten und wilden Geschichten, die der Journalist und ehemalige Metal Hammer-Chefredakteur Christof Leim in diesem lustig-krachenden Anekdotenreigen für die Ewigkeit festgehalten hat.

La nueva música clásica es una exploración personal y profunda sobre el rock: la revolución musical que comenzó en los años cincuenta con el rock ’n’ roll, le dio la vuelta al mundo en los sesenta montada en los hombros de los Beatles y transformó para siempre la música popular con las experimentaciones del movimiento hippie, más los que le siguieron.

Look to the shadowy corridor between chart-topping hits and the cryptic tales that lurk behind them in “Rock & Roll Nightmares: Blood On The Tracks.” This electrifying true crime tome peels back the curtain on the eerie nexus of melody and morbidity, guiding you through a chilling journey where the anthems of the airwaves meet their macabre muses.

Pete Crighton came of age in the early/mid 1980s in the shadow of HIV/AIDS. Growing up in Toronto, he was terrified that his friends and schoolmates would find out that he was “different” at a time when being gay felt like a death sentence. His only comfort was music, the songs a balm to his painful adolescence. Struggling to make sense of his sexuality and fear of the disease stifled Crighton as a sexual being. Instead of exploring sex, he began curating a massive music library.

Cello is a group biography that weaves together four narratives of cellists who suffered various forms of persecution, injury, and misfortune. Interwoven with their remarkable and often moving stories are a series of interludes that offer a foil to the group biographies. These examine the themes explored in the narratives from different perspectives, drawing together essay-like musings, historical research, personal experience, and the author’s many interviews and encounters with contemporary cellists.

When Miranda Sawyer interviewed Liam Gallagher in 1994, his gag wishing Damon Albarn would die of AIDS became front-page news all over the world. This fascinating pop history, exploring the moment British music suddenly meant everything, explains why. Picking out twenty key songs, delving into the surprising stories behind them and their unlikely creators, UNCOMMON PEOPLE takes us back to when Jarvis Cocker became a national hero, films like Trainspotting were international hits, rave became what everybody did - and it felt like the revolution was happening.

From larger-than-life adventures to vivid and poignant tales of the imagination, Highways and Byways is a collection of stories taking readers on an enthralling tour (complete with the odd detour) through the raucous, well-lived life of one of this country's most successful and beloved artists.

Of all the musical developments of rock in the 1960s, one in particular fundamentally changed the music's structure and listening experience: the incorporation of extended improvisation into live performances. While many bands—including Cream, Pink Floyd, and the Velvet Underground—stretched out their songs with improvisations, no band was more identified with the practice than the Grateful Dead. In Get Shown the Light Michael Kaler examines how the Dead's dedication to improvisation stemmed from their belief that playing in this manner enabled them to touch upon transcendence.

Die 80er-Jahre! Was für ein wunderbares musikalisches Jahrzehnt. Die beiden Hosts Falk und Ryll präsentieren im aktuellen Album 13 außergewöhnliche Lieblingssongs der 80er mit den Geschichten ihrer Gäste. Mit "Kayleigh" von Marillion hat Regine Brühl eine wahre Hymne aus den Achtziger-Jahren als ihren Lieblingssong ausgewählt. Dirk Neuß erzählt, was ihn fasziniert an den Tubes und "Don't want to wait anymore". Warum "Hallelujah" von Leonard Cohen für Patricia Küll Veränderung bedeutet hat, das erzählt sie Falk&Ryll.

Discovered at last, the legendary lost manuscript of Grateful Dead co-founder and primary lyricist Robert Hunter, written in the early 1960s—a wry, richly observed, and enlightening remembrance of “the scene” in Palo Alto that gave rise to an incredible partnership of Hunter and Jerry Garcia, and then to the Grateful Dead itself—with a Foreword by John Mayer, an Introduction by Dennis McNally, and an Afterword by Brigid Meier.

Uma viagem no mundo antigo do blues: como nasceu, as suas origens, o seu percurso no mundo. E depois muitas histórias e biografias sobre os seus protagonistas, brancos e negros, que contribuíram para criá-lo e para difundi-lo ao grande público.