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Many of the greatest Russian authors, including Dostoevsky, Tolstoy, Chekhov, and Pushkin, produced crime and mystery fiction, a type of literature that was largely suppressed during the Soviet era because it did not glorify the state, but rather, gave significance to individual characters. With the fall of the Soviet Union, mystery writers have become some of the most successful novelists in Russia, and there is a renewed interest in, and appreciation of, the great crime classics of an earlier era. This volume is the first collection ever devoted entirely to Russian crime fiction.

The story is an absurd, comic, surreal, and sometimes grotesque send up of Major Kovalyov, who wakes up one morning to find his nose missing. The story has three parts. In part one, Kovalyov's barber finds his client's nose in his breakfast and is nabbed by the police when he tries to throw it off a bridge. In part two, Kovalyov awakes to find his nose gone.

Anna Karenina is one of the most nuanced characters in world literature, and we return to her and the novel she propels again and again. Remarkably, there has not yet been an examination of Leo Tolstoy specifically through the lens of this novel. Critic and Professor Bob Blaisdell unravels Tolstoy’s family, literary, and day-to-day life during the period that he conceived, drafted, abandoned, and revised Anna Karenina. In the process, we see where Tolstoy’s life and his art intersect in obvious and unobvious ways.

"Hadjí Murat" es una novela histórica escrita de primera mano, ya que Tolstói conoció a algunos de sus protagonistas durante su permanencia en el Cáucaso. La acción transcurre en torno a 1850, bajo el reinado del zar Nicolás I, que se caracterizó por llevar a cabo una política expansionista y de absolutismo represivo. De hecho, el retrato que del zar se hace en la obra nos le describe como un hombre arbitrario, poco justo y demasiado orgulloso.

Yuri Bezmenov (1939-January 5, 1993) was a Soviet journalist for RIA Novosti and a former KGB informant who defected to Canada in 1971. After being assigned to a station in India, Bezmenov eventually grew to love the people and the culture of India. At the same time, he began to resent the KGB-sanctioned repression of intellectuals who dissented from Moscow's policies and he decided to defect to the West. Bezmenov is best remembered for his anti-communist lectures and books published in the 1980s under the alias of Tomas David Schuman.

Dostoevsky's life was marked by brilliance and brutality. Sentenced to death as a young revolutionary, he survived mock execution and Siberian exile to live through a time of seismic change in Russia, eventually being accepted into the Tsar's inner circle. He had three great love affairs, each overshadowed by debilitating epilepsy and addiction to gambling. Somehow, amidst all this, he found time to write short stories, journalism and novels such as Crime and Punishment, The Idiot and The Brothers Karamazov, works now recognised as among the finest ever written.

Volume 2 of the Nobel Prize-winner’s towering masterpiece: the story of Solzhenitsyn's entrance into the Soviet prison camps, where he would remain for nearly a decade. Features a new foreword by Anne Applebaum.

Roman o tragedii "polozhitelno prekrasnogo cheloveka". Vynuzhdennaia emigratsiya avtora i geroya. Knyaz’-Hristos kak ob’ekt kritiki. Chelovek iz drugogo mira. Prototipy knyazya Myshkina.

Biograficheskiy i politicheskiy podtexty povesti I.S. Turgeneva "Pervaya lyubov". Drama Gertsena. Dacha naprotiv Neskuchnogo sada. Varen'ka Bogdanovich. Na zare detektivnogo zhanra. Politichesky podtekst povesti.

Osobennosti predstavlenia natsionalnyh harakterov i tipazhey v proze I.S. Turgeneva. Analiz krovi personazha. Vysshaya forma narodnogo samosoznaniya. Natura i vospitanie. Tri printsipa natsionalnoi kharakterologii Turgeneva.

Proekt avtorskoy zhurnalistiki F.M. Dostoevskogo. Vsevremennye razmyshleniya. Poyavlenie avtorskoy zhurnalistiki. Proektirovanie deystvitelnosti. Neretsepturnaya publitsistika. Motiv zhalosti. Temy otvetstvennosti i stradaniya. Melodiya vysshei istiny.

Dokumentalnye istoki, personazhi, temy i vazhneyshiy itog romana o russkih nigilistah. Nechaevskoe delo. Satira s polozhitelnoy podoplekoy. "Novye" lyudi i Stavrogin. "Samaya glavnaya sila". Systema Shigaleva. Metafizika samodostatochnoy vlasti.

Dostoevsky pishet svoyu versiyu romana "Ottsy i deti". Roman-haosmos. Kompozitsiya i svyasuyushiy geroi. Deti i otsy. Dvoynichestvo porozhdaet tragediyu. Pushkinskiy sled. Shekspirovsky sled. Spasitelny moment very.

Kak raskryvayutsya klyuchevye idei romana v ego syuzhete i personazhah. Krov' po sovesti. Golos realnosti i golos sovesti. Kak prigovorennyi k kazni. V zerkale "razumnogo egoizma". Otverzhenie milosti. Sledovatel novogo tipa. Vechnost' Svidrigailova. Beskonechnye istochniki zhizni.

Stunning new poetry collection sculpted or (better yet) hammered out of the inmost recesses of a first time published poet against a back story of an American in Moscow slowly but surely transforming from a wide-eyed investor lawyer/banker searching for his roots to drinking vodka, smoking cigarettes, and reading and writing poetry - in other words toward becoming thoroughly Russian despite his deep American roots.

Николай Семёнович Лесков (1831-1895) - выдающийся русский писатель, великолепный мастер слова, живописавший быт, нравы и настроения всех сословий России второй половины XIX века. Слушателям предлагается спектакль по его знаменитой повести "Леди Макбет Мценского уезда".

Владимир Алексеевич Гиляровский (1855 - 1935) сменил за свою долгую жизнь множество профессий - был бурлаком, крючником, актером, работал в цирке, принимал участие в боевых действиях русско-турецкой войны. Но известен он, прежде всего, как писатель, журналист, "король репортажа", большой знаток России и Москвы.

Zhanrovyi perevorot v pyese "Groza" kak vyhod iz beskonechnogo konflikta plohogo s hudshim. Borba vokrug krasoty. Prostranstvo i vremya kalinovskogo mira. Samodurstvo intensivnoe i ekstensivnoe. Tragedia kak vyhod. Mistichesky odarennyi personazh. Poeticheskim skladom i ladom. Sila tragicheskoy geroini.

Logika motivov dramaticheskoy trilogii A.V. Suhovo-Kobylina. Filosof, pomeshik, teatral. Glavnyi podozrevaemyi. Plody turemnogo dosuga. Vodevil s plohim kontsom. Pustyaki kak orudie katastrofy. Blagorodny negodyai. Ierarhia zla. Triumf Varravina. Apokalipticheskaya tema. Komedia katitsya v tartarary.

El amor paternofilial debe demostrarse siempre, o a veces no...? El malvado brujo duerme con grilletes en la prisión por los horrendos crímenes que ha cometido y al alba será ejecutado.Mientras a través de los barrotes ve a la luz de la luna como una barca se acerca por el río, se da cuenta de que es su hija.Gran conocedor de la naturaleza humana y en especial de los sentimientos de la juventud, la llama con la confianza, más que esperanza de que conseguirá que