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Si alguna vez sentiste que no podías más, si te rompieron el corazón, si confiaste a ciegas y te apuñalaron por la espalda, si creíste que después del dolor no había nada más, este libro es para ti. En Valentía II encontramos el reflejo de alguien que supo abrazar el dolor y convertirlo en vuelo, como un colibrí renaciendo después de una noche fría de invierno. Kelbin Torres, una vez más, abre las puertas de su alma para mostrarnos que cada caída no es más que un impulso para ser valientes y continuar.

Este no es un libro de esos que dejas olvidados en un rincón, sino uno al que vuelves cada vez que lo necesitas. Es de esos que logran derrumbarte, pero también hacerte brillar. Te hará llorar y reír, te acercará más a la vida. Aquí encontrarás verdades, de esas sin filtro, que te hacen reflexionar. No encontrarás utopías, pues cada palabra nace de una experiencia. Valentía es un camino, tiene sus obstáculos, sus dolores y tristezas, pero también está lleno de esperanza, de fe.

Après Les hommes ont peur de la lumière et Et c'est ainsi que nous vivrons, Douglas Kennedy continue son exploration d'une Amérique plus désunie que jamais avec une œuvre palpitante, pleine de souffle et de panache, pour raconter la richesse et les contradictions de son pays. Lors d'un salon littéraire en France, alors qu'il déjeune avec quelques écrivains locaux, Douglas Kennedy est apostrophé par l'une des convives qui lui lance qu'elle le trouve " plutôt raffiné pour un Américain ".

Enka meets Mathilde in art school. Mathilde is a dizzyingly talented yet tortured artist whose star is on the rise—and Enka, struggling to make art that feels original, is immediately drawn to her. The two strike up an intense bond that soon turns codependent. But when Mathilde’s fame reaches new heights, Enka becomes desperate to keep her best friend close—no matter the cost.

Bo knows she should go. Years of rain have drowned the city and almost everyone else has fled. Her mother was carried away in a storm surge and ever since, Bo has been alone. She is stalled: an artist unable to make art, a daughter unable to give up the hope that her mother may still be alive. Half-heartedly, she allows her cousin to plan for her escape—but as the departure day approaches, she finds a note slipped under her door from Mia, an elderly woman who lives in her building and wants to hire Bo to be her caregiver. Suddenly, Bo has a reason to stay.

In San Francisco in 1866, an Irish nun, abandoned following a torrid relationship with a Chilean aristocrat, gives birth to a daughter named Emilia del Valle. Raised by a loving stepfather, Emilia grows into an independent thinker and a self-sufficient young woman. To pursue her passion for writing, she is willing to defy societal norms. At the age of seventeen, she begins to publish pulp fiction using a man’s pen name. When these fictional worlds can no longer satisfy her sense of adventure, she turns to journalism, convincing an editor at The Daily Examiner to hire her.

Cassie O'Malley is on the run. In a few months, her inheritance will kick in. Until then, she just needs a job and a place to stay under the radar. But when Cassie gets off the bus in north Texas and runs smack into the town sheriff, she quickly does the first thing she can think of—approach the handsome stranger in the café and pretend to be a couple. Luckily, the sheriff believes it, and the man surprisingly plays along—all the way up to the courthouse, where the officer insists on escorting them to get married.

From the award-winning, bestselling author of All the Quiet Places, comes Brian Thomas Isaac's highly anticipated, haunting and tender return to the Okanagan Indian Reserve and a teenager's struggle to become a man in a world of racism and hardship.

¿México? Podría ser. Pero también podría ser su revés. Así como el tiempo podría ser éste o cualquiera y los personajesquienes son, además de quienes fueron y serán. En estas páginas, llenas de asombro y belleza, pérdidas y hallazgos, la realidad es un eterno deshacerse y rehacerse. Vestigia, cuyo pasado parece impenetrable, necesita recordar para entender su dolor; Hincapié desea cambiar su relación con los otros, pues no tolera vivir con el temor a que dejen de estar

Jia Song has always been destined for greatness. As the daughter of Korean bodega owners, she promised herself that she would have every Fifth Avenue luxury when she grew up, and it is all finally within reach. She has just made junior partner at her prestigious Manhattan law firm, she can count on her two best friends to have her back, and she is about to score the ultraluxe gold-on-gold Birkin bag of her dreams. So when her boss asks her to sit in on the hush-hush family implosion of a high-level client, she accepts without hesitation.

Some things are meant to be said once; other things are meant to be repeated. Most things are too retractable to designate the source. “Don’t quote me on that” is a phrase that implies blame is inevitable. “Don’t quote me on that” is a request not to be held liable for the entirety of an intellectual thought. This commonly used phrase exists because brash perspective needs protecting to allow space for what needs to be spoken while leaving the source out of the outcome.

It's Halloween in New Orleans, and the staff of Bon Vee Culinary House Museum is setting up a fantastic haunted house tour for their visitors. But when flashy movie star Blaine Taggart and his entourage move into the mansion next door, gift shop proprietor Ricki James-Diaz gets a fright of her own.

Welcome to Sullivan’s Island, an idyllic beachside town just outside Charleston, South Carolina. This serene, unspoiled sanctuary offers tourists a picturesque taste of the lush Lowcountry while the locals enjoy a laid-back, small-town lifestyle. Amidst an eclectic mix of newcomers and natives, lifelong resident and social maven Tallulah Wentworth’s legendary monthly dinners have united an unlikely group of women into the very best of friends.

Jake Wilson is something peculiar in the deep-south Bible belt town of Warner Robins, GA. He's a single pastor. In his early thirties, he's built a large, contemporary church with plans for an expansive building project. His nine-year-old goddaughter, Boston, lives on the other side of the country. When her parents are killed in a car accident, she becomes an orphan, and Jake becomes an overnight father.

Few Hollywood films have had the impact of the original version of A Star Is Born. Released in 1937 and starring Janet Gaynor and Fredric March, it was nominated for nine Academy Awards and won two (for best original story and best cinematography). Since then, the movie has been remade three times, attesting to its continued allure. But none have matched the genius and wit of the original.

Lloyd McNeil has served as an officer with the Atlanta Police Department for 20 years while being a devoted father to his teenage son. But then he learns the worst possible news: He has learned he has an inoperable brain tumor, and he has only months left to live. Lloyd begins throwing himself into a series of increasingly dangerous situations, but things don’t go according to plan. Instead of dying, he becomes a civic hero. Meanwhile, a malevolent force from his past shadows Lloyd as he tries to get his affairs in order, teach his son the lessons he needs to be a good person.

Pulsating with menace and narrated with hypnotic lyricism, Girls with Long Shadows is an electrifying literary thriller that captures how female teenage angst can turn lethal when insecurities are weaponized and sibling bonds are severed. Tense, lush, and painfully beautiful, it forces us to consider the lengths to which we will go to claim our own personhood.

Avan Jogia grew up as a teen idol. He stumbled into the spotlight during the birth of the internet, the early days of Instagram and Twitter, before everyone online was a star. He spent his time in that spotlight writing, observing the cult of celebrity, the hilarity, the absurdity, and sometimes sinister side of being idolized before you’ve even had the chance to decide for yourself who you are. Now, in his most revealing and honest work to date, he has assembled a book of poems as an act of self-dissection.

Quill has lived on the Red Pine reservation in Minnesota her whole life. She knows what happens to women who look like her. Just a girl when Jimmy Sky jumped off the railway bridge and she ran for help, Quill realizes now that she’s never stopped running. As she trains for the Boston Marathon early one morning in the woods, she hears a scream. When she returns to search the area, all she finds are tire tracks and a single beaded earring.

Investigating a suspicious double suicide in the Mojave Desert, Zack Tolliver, FBI and Eagle Feather must determine if a crime was committed and solve it under increasing threat from persons unknown. They need clues, but the desert sand leaves no trace. This fifth novel of the Zack Tolliver, FBI series contains all the elements of a suspenseful crime mystery: buried treasure, romance, a western gunfight, lurking danger, and murder—all cloaked within ancient Native American legends.