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Il 16 giugno 1743 sulla strada per Siena un giovane servitore in fuga d'amore con la sua bella viene raggiunto dagli inseguitori; ferito da un'archibugiata, morirà pochi giorni dopo. Componendone le spoglie, all'ospedale si scopre che quel garzone, già in fama di dongiovanni impenitente, è in realtà una donna. Un medico famoso si appassiona al fatto e lo ricostruisce: Caterina Vizzani, questo il suo nome, per otto anni si era finta uomo per poter seguire, al riparo di un'identità maschile, la sua allora illecita inclinazione per le donne.

After author Harlyn Aizley gave birth to her daughter, she watched in unanticipated horror as her partner scooped up the baby and said, "I'm your new mommy!" While they both had worked to find the perfect sperm donor, Aizley had spent nine months carrying the baby and hours in labor, so how could her partner claim to be their child's mommy? Many diapers later, Aizley began to appreciate the complexity of her partner's new role as the other mother. Together, they searched for stories about families like their own.

The razor-sharp but damaged Valerie Solanas; a doomed lesbian biker gang; recovering alcoholics; and teenagers barely surviving at an ice creamery: these are some of the larger-than-life, yet all-too-human figures populating America’s fringes. Rife with never-ending fights and failures, theirs are the stories we too often try to forget. But in the process of excavating and documenting these queer lives, Michelle Tea also reveals herself in unexpected and heartbreaking ways.

Karla Jay's memoir of an age whose tumultuous social and political movements fundamentally reshaped American culture takes listeners from her early days in the 1968 Columbia University student riots to her post-college involvement in New York radical women's groups and the New York Gay Liberation Front to Southern California in the early '70s, where she continued in the battle for gay civil rights. We see her helping to organize the takeover of The Ladies Home Journal and “ogle-ins” - where women staked out Wall Street and whistled at the men.

Event producer, music director, and community organizer Elaina Martin has over the past three decades become widely known in Eastern Ontario, bolstering queer representation, community sustainability, and the arts. In this soulful narrative, she shares how she grew into these roles and what she learned along the way.

All the Things She Said explores the nature of 21st-century queerness. Lesbian and bi culture is ever-changing and here, journalist Daisy Jones unpicks outdated stereotypes and shows how, over the past few years, the style and shared language of queer women has slowly infiltrated the mainstream. (Think less hemp sandals, IKEA trips and nut milks and more freedom, expression, community. And Cate Blanchett.)

A Two-Spirit Journey is Ma-Nee Chacaby’s extraordinary account of her life as an Ojibwa-Cree lesbian. From her early, often harrowing memories of life and abuse in a remote Ojibwa community riven by poverty and alcoholism, Chacaby’s story is one of enduring and ultimately overcoming the social, economic, and health legacies of colonialism.

Have you ever felt uncomfortable with your own gender? Have you ever thought that you are trapped in the wrong body? Have you contemplated about having sexual reassignment? Gender dysphoria might be a technical term but this would aptly capture your dissatisfaction. There is a growing recognition of gender dysphoria and its effect on mental health. This audiobook was designed to open up the conversation about gender dysphoria. A lot of research has been put in to help listeners understand this condition better.

Teenage suicide rates are rising and a disproportionate number of the victims are homosexual. It is this alarming trend that motivated author Sean Lemson to write It's OK to Be Gay. Lemson knows from experience the challenges that so many gay, lesbian, and bisexual people face while coming of age and becoming comfortable with their own sexuality. So many struggle alone wondering whether friends and loved ones will understand and accept them, or reject them.

In the last three decades of the 20th century, LGBT Latinas/os faced several forms of discrimination. The greater Latino community did not often accept sexual minorities, and the mainstream LGBT movement expected everyone, regardless of their ethnic and racial background, to adhere to a specific set of priorities so as to accommodate a “unified” agenda. To disrupt the cycle of sexism, racism, and homophobia that they experienced, LGBT Latinas/os organized themselves on local, state, and national levels.

A young lesbian girl grows beyond fear to fearlessness as she comes of age in the '60s amid religious, social, and legal barriers. Carol Anderson grows up in a fundamentalist Christian home in the '60s, a time when being gay was in opposition to all social and religious mores and against the law in most states. Fearing the rejection of her parents, she hides the truth about her love orientation, creating emotional distance from them for years, as she desperately struggles to harness her powerful attractions to women while pursuing false efforts to be with men.

It is clear that the author is madly in love, not only with her partner for whom she writes both idiosyncratic and sultry poems, but in love with language, in love with queerness, in love with the therapeutic process of bankrupting the politics of shame. These poems tackle gun violence, toxic masculinity, LGBTQ* struggles, suicidality, and the oppression of women’s bodies, while maintaining a vivid wildness that the tongue aches to speak aloud.

Just a tiny flap of pig tissue, but such an influence in Diana’s life. She began by sewing the tissue into heart valves, moved on to engineering a new concept modifying the orifice of the valve, and finally founded a medical device manufacturing company. Her childhood on a farm, with its exposure to incessant hard work and the pain of childhood sexual abuse, instilled in her the strength and determination necessary to conquer a mystifying and debilitating illness, her husband’s attempt to take over her company, and her desires so forceful they pose threats to her very identity.

One in six women is the victim of sexual assault. Using her own hard-won wisdom, author Jen Cross shows how to heal through journaling and personal writing. Writing Ourselves Whole is a collection of essays and creative writing encouragements for sexual trauma survivors who want to risk writing a different story. Each short chapter offers encouragement, experience, and exercises.

Eine Zusammenstellung der besten (aktualisierten) Texte aus "Susie Sexperts Sexwelt für Lesben" und "Susie Sexperts liederliche Lesbenwelten"...

Helen Eisenbach's hilariously irreverent guide provides a front-row seat to a largely female universe where love, lust, and forbidden laughter are just a fingertip away. Sharing hard-earned truths with sly insight and wit, Eisenbach reveals the fascinating inside story of a growing culture and shows how anyone can acquire the skills and state of mind to be a lesbian.

Public Sex collects the best of Pat Califia's work published over the past 20 years. Providing both a chronicle of the radical sex movement in the United States, as well as the definitive opinions of America's most consistent and trenchant sexual critic, Public Sex is must-listen material for anyone interested in sexual practices, feminism, censorship, or simply the art of the political essay.

Felix Ketay, a 25-year-old Los Angeles dyke, has her foundations shaken when she’s ditched by her pomosexual girlfriend and then gay-bashed on the streets of West Hollywood. Felix’s old-school lesbian aunt, Anna Lisa Hill, ran away from home in 1965 at age 19 and ended up in Lilac Mines, a small town in California’s Sierra Nevada foothills with a small but tight-knit butch/femme community.

By Cecile depicts post-World War II France as it reels from war and recovery. In Paris, an orphan girl, Cecile, finds refuge with an older man. He introduces her to nightclubs, intellectuals, artists (Jean Cocteau, Jean-Paul Sartre, and Eartha Kitt!), and non-monogamy. When she falls for his mistress, she begins to live a life she deems worthy of writing about...but only under the pseudonym of her husband.

Max Wolf Valerio crafts a raw, gripping, and poetic account of life before, during, and after injecting testosterone. Valerio's detailed observations about a lesbian transitioning from female to a heterosexual male highlights the physical and emotional differences between women and men, and alternately challenges and confirms readers' assumptions about gender. The Testosterone Files addresses the most fundamental issues of transitioning, from buying men's underwear to choosing a male name, as well as the profound subjects of male privilege, physical power, and existing as a male who was once distrustful and critical of men's intentions.