検索キーワード： ユーモア・風刺文学・フィクション

"Animal Farm" is Orwell's classic satire of the Russian Revolution - an account of the bold struggle, initiated by the animals, that transforms Mr. Jones's Manor Farm into Animal Farm - a wholly democratic society built on the credo that All Animals Are Created Equal. But are they?

You know those subtle tricks your coworkers are all guilty of? The constant nodding, pretend concentration, useless rhetorical questions? These tricks make them seem like they know what they're doing when in fact they have no clue. This behavior is so ingrained, so subtle, and so often mistaken for true intelligence that identifying it, calling it out, or compiling it into an exhaustive digest has never been attempted. Until now.

Armageddon Day. That is how history will remember the date when two Overlords clashed amidst the war-torn streets of New Whitehall. The disastrous duel its explosive conclusion wreaked heavy casualties on the two armies present, rendering both the Ishigar Republic and the Lodrak Empire unable to continue to fight. And yet, it was no stalemate. With one Hero defeated and another revealed, the balance of power is sure to shift in the elvish nation’s favor.

Finlay Donovan is killing it...except, she’s really not. The new book she promised her literary agent isn’t written, her ex-husband fired the nanny without telling her, and this morning she had to send her four-year-old to school with hair duct-taped to her head.

Molly the maid is all alone in the world. A nobody. She’s used to being invisible in her job at the Regency Grand Hotel, plumping pillows and wiping away the grime, dust and secrets of the guests passing through. She’s just a maid—why should anyone take notice? But Molly is thrown into the spotlight when she discovers an infamous guest, Mr Black, very dead in his bed. This isn’t a mess that can be easily cleaned up.

Meet Ove. He’s a curmudgeon—the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. But behind the cranky exterior there is a story and a sadness. So when one November morning a chatty young couple with two chatty young daughters move in next door and accidentally flatten Ove’s mailbox, it is the lead-in to a comical and heartwarming tale of unkempt cats, unexpected friendship, and the ancient art of backing up a U-Haul.

"I've experienced a whole lot the last few years and I have a lot to share. So I hope that you'll take a moment to sit back, relax and enjoy the words I've put together for you in this book. I think you'll find I've left no stone unturned, no door unopened, no window unbroken, no rug unvacuumed, no ivories untickled. What I'm saying is, let us begin, shall we?" (Ellen DeGeneres)

Jack Gladney is the creator and chairman of Hitler studies at the College-on-the-Hill. This is the story of his absurd life - a life that is going well enough until a chemical spill from a rail car releases an Airborne Toxic Event, and Jack is forced to confront his biggest fear: his own mortality. White Noise is an effortless combination of social satire and metaphysical dilemma in which Don DeLillo exposes our rampant consumerism, media saturation and novelty intellectualism.

What's worse than a child with a magnifying glass, a garden full of ants, and a brilliant mind full of mischief? Try Al, a well-meaning but impish artificial intelligence with the mind of a six-year-old and a penchant for tantrums. Hope Takeda, a lab assistant charged with educating and socializing Al, soon discovers that day care is a lot more difficult when your kid is an evolving and easily frightened A.I.

What happens when the haggling is done and the shops are closed? When the quest has been given, the steeds saddled, and the adventurers are off to their next encounter? They keep the world running, the food cooked, and the horses shoed, yet what adventurer has ever spared a thought or concern for the Non-Player Characters? In the town of Maplebark, four such NPCs settle in for a night of actively ignoring the adventurers drinking in the tavern when things go quickly and fatally awry.

A satiric novel by Evelyn Waugh, published in 1930. Set in England between the wars, the novel examines the frenetic but empty lives of the Bright Young Things, young people who indulge in constant party-going, heavy drinking, and promiscuous sex. At the novel's end, the realities of the world intrude, with Adam Fenwick-Symes, the protagonist, serving on a battlefield at the onset of another world war.

When someone hacks into the systems of eight self-driving cars, their passengers are set on a fatal collision course. The passengers are: a TV star, a pregnant young woman, a disabled war hero, an abused wife fleeing her husband, an illegal immigrant, a husband and wife - and parents of two - who are travelling in separate vehicles and a suicidal man. Now the public have to judge who should survive but are the passengers all that they first seem?

Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather-forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency.

Welcome to the end of the world. One minute, people are going about their lives, and the next—not. In the wake of the inexplicable purge, only a handful of young misfits remains. When it all went down, “Wizard of Odd” Dev Brinkman was seeking shelter from the taunts of his classmates. Goth girl Lucy Abernathy had lost her best friend and had no clue where to turn. And Twinkie-loving quarterback “Marcus” Haddad was learning why you never discuss politics and religion in polite company—or online.

At 27 years old, Emma Banks has big plans for her life. After graduating from the prestigious Culinary Institute of America, she's ready to take her place as head chef at one of her family's resort restaurants. Her first assignment is to serve Pierce Davenport, an infuriatingly arrogant writer with a palate that's about as adventurous as a plain boiled potato. Pierce Davenport's living every author's dream: His critically-acclaimed Clash of Crowns books have been turned into one of the world's most-watched television series. The only problem is, he has no idea how to end the epic tale.

In Jim’s absence, Zorlando has been doing a pretty good job keeping Windfall safe. He doesn’t know - and may not be equipped for - what is heading straight toward Noobtown, though. Will Jim beat the Pirates while he is on Glorious Roberts’ ship? Will he make it back to his beloved city before Maggie, the assassin, gets there? Why are there pirates attempting to sack Windfall? Most importantly, will Shart ever be the opposite of inside out again?

Noah and Kate were meant to be together forever. Married with two gorgeous sons, it looked like they'd got their happy ever after. But marriage isn't easy. And one day, Kate left, taking their two boys with her. These days, Noah is a weekend dad - and it breaks his heart. He misses the chaotic meal-times, the bedtime stories, the early mornings and the late homework. Suddenly, he decides enough is enough - he has to win his family back. Starting with Kate. The only problem? In six weeks' time, Kate is getting married to someone else.

Professor Dr Moritz-Maria von Igelfeld and his colleagues at the University of Regensburg's Institute of Romance Philology pride themselves on their unwavering commitment to intellectual excellence. They know it is their job to protect a certain civilised approach to the scholarly arts. So when a new deputy librarian, Dr Hilda Schreiber-Ziegler, threatens to drag them all down a path of progressive inclusivity, they are determined to stop her in the name of scholarship - even if that requires von Igelfeld to make the noble sacrifice of running for director of the Institute.

Eighteen years old, pregnant, and working as a pizza delivery girl in suburban Los Angeles, our charmingly dysfunctional heroine is deeply lost and in complete denial. She's grieving the death of her father, avoiding her supportive mom and loving boyfriend, and flagrantly ignoring her future.

A dazzling urban satire of modern human relations? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed 30-something?