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In her dynamic debut, Halle Hill’s Good Women delves into the lives of twelve Black women across the Appalachian South. A woman boards a Greyhound bus barreling toward Florida to meet her sugar daddy’s mother; a state fair employee considers revenge on a local preacher; a sister struggles with guilt as she helps her brother plan to run away with a man he's seeing in secret; a young woman who works for a scam for-profit college navigates the lies she sells for a living.

Isabel, the long-lost Gibson sister, is finally back home on Brinkley’s Island, Maine. With Sophie and Violet, her sister and her niece, she’s got the family bookstore—and with Johnny Lenox, she’s got something even more special. But even as life settles, not everything is falling into place. Isabel and Johnny have set the date three times, baked three wedding cakes, invited the whole island to three parties, only to have each attempt at matrimony fall apart at the last minute.

Shopaholic Becky Brandon (née Bloomwood)'s two-year-old is ... spirited. She knows what she wants, whether it's a grown-up Prada handbag or a toy pony (40% off, so a bargain, surely?) When yet another shopping trip turns to mayhem, Becky decides it's time to give Minnie her own pocket money. Is it a bad sign when Minnie goes instantly overdrawn?

When peddler John Durbeyfield learns that he may be a descendant of a noble family, he sends his oldest child, Tess, to “claim kin.” Blindly ushered into harm’s way, the strong-willed yet untinctured peasant girl is not prepared for the blighted course her life will take. Nor for those whose destructive desires will determine her fate, and force Tess to make only the most desperate of choices. From her tragic loss of innocence through betrayal and revenge, Tess’s struggle for survival challenged the era’s mores and the cruel indifference shown women in Victorian society.

Thérèse, une jeune fille solitaire de dix-neuf ans, croise dans le métro une femme qui ressemble étrangement à sa mère, disparue depuis des années. Tourmentée par son passé, elle décide de la suivre, partant ainsi à la recherche de ses origines.

It’s 1988 and Dexter Mayhew and Emma Morley have only just met. But after only one day together, they cannot stop thinking about one another. Over twenty years, snapshots of that relationship are revealed on the same day—July 15th—of each year. Dex and Em face squabbles and fights, hopes and missed opportunities, laughter and tears. And as the true meaning of this one crucial day is revealed, they must come to grips with the nature of love and life itself.

Love, in English is a contemporary romance about the ultimate forbidden love story. To a restless dreamer like Vera Miles, it sounded like the experience of a lifetime. Instead of spending her summer interning for her astronomy major, she would fly to Spain where she'd spend a few weeks teaching conversational English to businessmen and women, all while enjoying free room and board at an isolated resort. But while Vera expected to get a tan, meet new people and stuff herself with wine and paella, she never expected to fall in love.

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway - a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors.

On a June morning in 1923, Clarissa Dalloway is preparing for a party and remembering her past. Elsewhere in London, Septimus Smith is suffering from shell-shock and on the brink of madness. Their days interweave and their lives converge as the party reaches its glittering climax. Here, Virginia Woolf perfected the interior monologue and the novel's lyricism and accessibility have made it one of her most popular works.

Meredith and Nina Whitson are as different as sisters can be. One stayed at home to raise her children and manage the family apple orchard; the other followed a dream and traveled the world to become a famous photojournalist. But when their beloved father falls ill, Meredith and Nina find themselves together again, standing alongside their cold, disapproving mother, Anya, who even now, offers no comfort to her daughters.

All her life, Zofia has found comfort in two things during times of hardship: books and her best friend, Janina. But no one could have imagined the horrors of the Nazi occupation in Warsaw. As the bombs rain down and Hitler’s forces loot and destroy the city, Zofia finds that now books are also in need of saving. With the death count rising and persecution intensifying, Zofia jumps to action to save her friend and salvage whatever books she can from the wreckage, hiding them away, and even starting a clandestine book club.

I’d never forgotten him - a man I’d yet to meet. Griffin Quinn was my childhood pen pal, the British boy who couldn’t have been more different from me. Over the years, through hundreds of letters, we became best friends, sharing our deepest, darkest secrets and forming a connection I never thought could break. Until one day, it did. Then, out of the blue, a new letter arrived. A scathing one - one with eight years of pent-up anger. I had no choice but to finally come clean as to why I stopped writing. Griffin forgave me, and we were able to rekindle our childhood connection.

Virginia Woolf's 1925 novel takes place over the course of a single June day in the lives of some very different Londoners: wealthy society hostess Clarissa Dalloway, who is preparing for a party; her old friend Peter Walsh, recently returned from India, whose proposal of marriage Clarissa rejected years ago; Septimus Warren Smith, a WWI veteran suffering from shell shock; and his Italian-born wife, Rezia, who is trying to care for him as best she can. Woolf's beautiful prose captures the minds and souls of these vivid characters.

Little Women, closely based on Louisa May Alcott’s own experience of family life, was first published in 1869 and follows the lives of the four March sisters and their mother, "Marmee". With the heartrending story of gentle Beth, the humorous adventures of tomboyish Jo, Meg’s vain attempts to cut a fashionable figure in "society", and the artistic ambitions of the youngest sister Amy, it has never lost its extraordinary power to move and delight.

Inde. Smita est une intouchable. Mariée à un chasseur de rats, elle nettoie à mains nues les latrines de son village, comme le faisait sa mère. Son rêve : voir sa fille échapper à la tradition et apprendre à lire. Sicile. Julia est ouvrière dans l'atelier de traitement de cheveux de son père, le dernier du genre à Palerme. Elle trie, lave, décolore et teint des mèches fournies par les coiffeurs de la ville. Lorsque son père est victime d'un grave accident, elle découvre que l'atelier familial est ruiné.

Meet Harold Fry, recently retired. He lives in a small English village with his wife, Maureen, who seems irritated by almost everything he does, even down to how he butters his toast. Little differentiates one day from the next. Then one morning the mail arrives, and within the stack of quotidian minutiae is a letter addressed to Harold in a shaky scrawl from a woman he hasn’t seen or heard from in twenty years. Queenie Hennessy is in hospice and is writing to say goodbye.

Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina, for the month of August when Libby begs her for a sisters’ trip away.

Heads always turned when Rose McCarthy walked into a room. Nearly six feet tall, she was ramrod straight, and impeccably put together with faultless style, long graceful legs, her snow-white hair cut in a chin-length rounded cap. Her piercing blue eyes missed nothing. She could terrify anyone with a few well-chosen, soft-spoken, eloquent words, or comfort and delight a young employee with generous praise. For 25 years, she had been the legendary editor in chief of Mode magazine.

'The one book that has satisfied me completely – the book I always wanted to write.' Agatha Christie. Returning from a visit to her daughter in Iraq, Joan Scudamore finds herself unexpectedly alone and stranded in an isolated rest house by flooding of the railway tracks. Looking back over the years, Joan painfully re-examines her attitudes, relationships and actions and becomes increasingly uneasy about the person who is revealed to her….

It seems lately that Poppy Lively is invisible to everyone but the IRS. After her accountant absconded with her life savings, newly bankrupt Poppy is on the verge of losing her home when an old flame, now a hotshot producer, gives her a surprising way out: a job in costumes on a Hollywood film set. It’s a bold move to pack her bags, keep secrets from her daughter, and head to Los Angeles, but Poppy's a capable person—how hard can a job in wardrobe be?