検索キーワード： ナレーター "Adam Barr" ミステリー・スリラー・サスペンス

A white woman has been bludgeoned to death with an altar cross in a rural church on Cicada Road in Walterboro, South Carolina. Sam Jenkins, a Black man, is found covered in blood, kneeling over the body. In a state already roiling with racial tension, this is not just a murder case: it's a powder keg. Two young women are murdered on quiet Edisto Beach, an hour southeast of Walterboro, and the killer disappears without a trace. Thirty-four years later, the mystery remains unsolved. Could there be a connection to Stander's case?

Vince Carver is persona non grata. As an asset, he's difficult to control. As an operator, he has no equal. Carver may be on the outs with the CIA, but the feds recognize a value proposition when they see one. Sooner or later, his services are always in demand. He gets a shot at redemption when the son of a Mexican congressman is kidnapped by narcos. A newly hobbled DEA with diminished operational resources needs two things more than ever: a solution, and deniability. With Delta Force experience in hostage rescue and no official government ties, they tap Carver for the mission in Tijuana.

The Cold War may be over, but Russian unconventional warfare has only grown more sophisticated. Preventing a series of bombings that threaten the security of Europe while babysitting a headstrong girl makes for a dangerous mission. Finding himself on a black op deep behind enemy lines, facing soldiers without uniforms or state affiliation, might just make it Carver's last.

Vince Carver left the CIA with a dead friend and a close call. So much for so-called intelligence work. No longer knowing what he was fighting for, Carver switched to the private sector and swore he'd never go back. Armed with the elite skills of a special operator, he now leads a team of security specialists far from the battlefield. But everything changes when his convoy is ambushed on American soil. The three-letter agencies all want a piece of him, and the CIA is front and center.

Like sharks to blood in the water, the mob arrived in Hollywood greedy and ready to tear away huge chunks of cash. Opportunistic mobsters saw labor unions as the means for muscling into the movie industry and extorting millions of dollars from studio bosses. Control the unions to which projectionists, art directors, cinematographers, electricians, scene designers, stagehands, extras belong, and you control the whole industry.