検索キーワード： "anita and" 大衆小説

New York City, 1950. Dreams come true for radio personality Maggie Lane when she gets her big break in the exciting new world of television. The Maggie Lane Baking Show is on the air. All she has to do is act like the ideal housewife, create sumptuous desserts, charm the show’s sponsors, and sign a morality clause to ensure that her girl-next-door image remains untarnished. Although newlywed Maggie has never baked so much as a cookie, and knows even less about maintaining a home, keeping up appearances is a necessary ingredient for success. Easy.

1916, London: Keen to support the war effort, bookshop manager and sometime amateur sleuth Hannah Merrill has taken a volunteer role in the library of the nearby military hospital. But arriving at the hospital one cold winter’s morning, she is horrified to find the body of a dead soldier in the library. What’s more, a beautiful young nurse confides in Hannah that she thinks she’s being followed, and then she abruptly disappears. Hannah can’t shake the suspicion that the two cases are connected, but she can’t solve the case alone.

Des effets secondaires insoupçonnés. Poids à perdre: huit foutues livres. Méthodes utilisées pour y parvenir: faire de l’exercice de façon saine? Manger santé? Non.... Suer à grosses gouttes avec un sac poubelle sur le dos, ne rien avaler de la journée et, surtout, vomir. Ç’a toujours été la solution la plus efficace. Mais mon chum Manu commençait à en avoir assez de mon petit manège. Et moi aussi, d’ailleurs.

When the murdered body of a woman is found in a Sheffield carpark, former cop turned private investigator Matt Forrester finds himself embroiled in the case, because the last call the victim made was to him…But the case isn’t as simple as the drug theft it looks like, and – when a young boy becomes the next victim – Matt and his life partner, DI Karen Nelson, realise they’re investigating a terrifying series of revenge killings. Arrests start to be made, but enemies are being made. And, as the killings continue, nobody is safe…

Three widows, with very different backgrounds, meet at a mourning support group. They all feel vulnerable and need a change, so they decide to start a funeral home together. Betty, 51, has two children and works in the deli counter at a grocery store. She suffers from severe menopausal problems, has a phobia of death and is completely broke, due to her late husband's debts. Viveka, 42 (a former priest) seems to despise everything and everyone, but has a sharp sense of humor and an even sharper brain. Eva, 74, is the mother figure of the trio, whose wisdom and warmth overcomes all obstacles.

They were destined to be best friends. The four girls – all born that same hot summer. They predicted a safe and happy life for them all…More than thirty years later, it’s more than an unbreakable friendship – it’s more like a sisterhood. It’s the girls who Jess reaches out to because she’s worried about her grandparents who’ve raised her since her mother disappeared, who Erin tells about her new business idea, who Melissa calls to say she’s desperate to escape her toxic job. But then Chantelle messages saying she’s discovered her husband is having an affair.

1926, Hyde Park, New York. Born to modest means but befriended by the wealthy, aspiring dress designer Pandora Carmichael has been surrounded by privilege yet never at home in it. That hasn’t stopped her from dreaming—of a romance in a rarified world that could also give her the status and resources to start a business of her own. When she’s introduced to a charismatic Princeton student, Pandora’s future begins to fall into place.

Young governess Flora Maguire is on her way home from America on the maiden voyage of the S.S. Minneapolis with her young charge Eddy, Viscount Trent, when she discovers a dead body. Unconvinced when the death is pronounced an accident, Flora starts asking questions, but following threats, a near drowning and a second murder, the hunt is on for a killer. Time is running out as the Minneapolis approaches the English coast. Will Flora be able to protect Eddy, as well as herself?

When Clare becomes a widow, her response is something that shocks her – relief. All she wants to do is move on and figure out how to continue her life, alone, no matter the guilt that brings. So when Vic, her closest friend, comes to her, showing the signs of trouble in her own marriage, she is more than supportive in helping her leave Rob. But Vic doesn’t get the chance to do that. Because as they go over to Vic's house to collect her things, they find a body. Rob’s. It appears someone else had an axe to grind.

Stazione ferroviaria di Bangalore, India. Akhila, single quarantacinquenne da sempre confinata nel ruolo di figlia, sorella, zia, è a un passo dal realizzare il suo grande sogno: salire su un treno gloriosamente sola, sistemarsi in una delle cuccette riservate alle signore e partire alla volta di una meta lontana, il paesino in riva al mare di Kanyakumari.

Akhila est employée aux impôts. Célibataire, cette quadragénaire n'a jamais été libre de mener sa vie comme elle l'entendait : toujours la fille, la sœur, la tante de quelqu'un, celle qui fait vivre la famille. Sur un coup de tête, elle prend un aller simple pour Kanyakumari, une petite ville balnéaire du sud de l'Inde. Dans l'intimité du sleeping le fameux "compartiment pour dames" qu'elle partage avec cinq autres compagnes, Akhila ose poser la question qui la hante depuis longtemps : une femme a-t-elle vraiment besoin d'un homme pour être heureuse et épanouie ?

One of the most popular novels released in the 1920s on the hedonistic Jazz Age, Gentlement Prefer Blondes was declared "the great American novel" by Edith Wharton. Told from the point of view of a blonde flapper named Lorelei in the form of her diary, this novel follows her adventures around the world in search of a gentleman companion who can elevate her position within society. As Lorelei cycles through multiple men, she discovers things about herself and the way that she lives her life in retrospection....

Anna Mikołajska jest zdolną, odnoszącą sukcesy dziennikarką. Jej życie wydaje się idealne: przy kochającym mężu, w przepięknym mieszkaniu. Nikt nie wie, że to tylko pozory, kobieta opanowała swoją rolę do perfekcji, zaś za zamkniętymi drzwiami domu przeżywa piekło. Pewnego dnia dostaje zadanie napisania reportażu z ośrodka leczenia uzależnień. Wyjazd tam okazuje się nie tylko wyzwaniem zawodowym, lecz także iskrą, która rozpali w niej ogień buntu i da jej siłę na odmianę życia.

Julie Jones has left her suffocating marriage. With her teenage daughter, Jess, she’s starting over. Their new house in Oceanside is the first step toward a new life. Even if it does come with the unexpected. The previous owners, a pastor and his wife, have left something - or rather someone - behind. Tom Dean has a bitter hatred for the father who considers him a lost cause, and for the woman who’s moved into their family’s house. The only home he’s ever known. He’s never going to leave. She thinks he’ll be gone in three days, but Tom has the perfect plan.

1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten – certainly by the time Raquel, a third-year art history student is preparing her final thesis. Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last is a propulsive, witty examination of power, love and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite.

Carla Andrews and Lorraine West are work colleagues and best friends. They socialise together, they work in the same bookmakers and they support each other as only best friends can. Then they are murdered together. When DI Tom Fowler is handed the case, he discovers a journal that Carla has left and must unpick the secrets Lorraine has kept hidden. Soon Carla’s and Lorraine’s husbands become the main suspects. It’s usually the spouse who is responsible, isn’t it? The investigation progresses until Isaac West, Lorraine’s 16-year-old son, disappears.

Best-selling author Anita Waller is back with a twisting, fast-paced listen, perfect for fans of domestic noir. When a gang of six children playing in their den in the woods spot a man burying drugs nearby, it marks the beginning of the end of their childhoods. Unsure what to do, the children dig up the drugs and take them away. But when the dealer, whom they watched bury the stash, shows up dead, the youngsters are thrown into turmoil.

Liz Chambers is a devoted mother who works for a successful law firm. She has two children, a husband and a blossoming career. But behind closed doors, Liz is harbouring a secret that could destroy her life. Then the unthinkable happens, and in a frenzied attack, her young son is snatched from the home of the childminder charged with looking after him. As Liz’s life unfolds, it becomes clear that someone is out for revenge. Desperate to get her baby boy back, Liz must work out who is responsible for his kidnap and why.

What if a death sentence meant you could get away with murder? Claudia and Heather both decide to leave their husbands. Together, they get a flat - but their peace is short-lived when Claudia is diagnosed with a terminal illness. Heather takes on caring for Claudia, but a lethal meeting with James, Claudia’s ex-husband, causes complications. As life for Claudia and Heather begins to unravel, the answer to their problems becomes clear...it’s murder.

Wendy and Nell have been best friends since childhood but when someone threatens to ruin their relationship, tough decisions must be made. Nell leaves for France while Wendy embarks on marriage and motherhood. Both keep in touch, sending letters baring all, or are they? They hide the truth that homesickness, violence, loneliness, and murder form the backdrop of their lives. When a twisted, deceitful face from the past turns up, obsession and heartbreak wreak havoc on their lives. Someone is seeking revenge and recompense. And someone is a killer.