検索キーワード： ナレーター "Elle Taylor" すべてのカテゴリー

When an A-list movie star shows up with a chip on her shoulder, Winston knows just what to do to make her happy. She learns that the little people of the Aphrodite Resort can do all sorts of things, like bring levels of pleasures she’s never known before....

It's 2016. Lance Alcocke, sole heir to an iron ore fortune, 40-ish bachelor, has just lost control of his life's work. His newly opened mine, Madeleine's Monster, named after his pioneering, iron-fisted grandmother, was supposed to be a workers' paradise in the Pilbara. But the Monster can't cover its costs, and Lance's Korean financiers are trying to steal his company out from under him. They've appointed administrators to APC Minerals, and Lance's 1,200 workers have lost their jobs.

Coming of age, the impact of class, and familial and romantic love are the prevalent motifs, along with the instinct toward escape and subsequent nostalgia for home. Some of the stories are linked, and some carry O'Brien's distinct sense of the comical. In "A Rose in the Heart of New York", the single-mindedness of love dramatically derails the relationship between a girl and her mother while in "Sister Imelda" and "The Creature", the strong ties between teacher and student and mother and son are ultimately broken.

From David Levithan’s story about a non-binary kid collecting pieces of other people’s collections to Jenny Torres Sanchez's tale of a girl gathering types of fire while trying not to get burned to G. Neri's piece about 1970's skaters seeking opportunities to go vertical—anything can be collected and in the hands of these award-winning and bestselling authors, any collection can tell a story. Nine of the best YA novelists working today have written fiction based on a prompt from Printz-winner A.S. King (who also contributes a story) and the result is itself an extraordinary collection.

Everything is all fun and games until living on the "wild" side becomes the rule instead of the exception. It's good to be bad... within reason, of course. And in this case? It's very, very good.