『You'll Hear It』のカバーアート

You'll Hear It

You'll Hear It

著者: Peter Martin & Adam Maness
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A podcast about music - how to listen, play, practice, and enjoy. Listen for a combo of advice, insights, and occasional humor from pianists Peter Martin and Adam Maness. A podcast from Open Studio©2025 Open Studio 音楽
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  • Jazz vs Classical - Songs That Bridge Musical Worlds
    2025/07/14

    The ultimate musical showdown: jazz vs classical. We bring in conductor Josh Weilerstein from the Sticky Notes podcast to compare, contrast and find the common ground among these two very different schools of music.

    From Duke Ellington's swinin' take on Peer Gynt to George Gershwin's Rhapsody in Blue, we explore the tunes and the musicians blurring the line between jazz and classical. Josh, Adam and Peter each bring their own picks to the conversation, and have the best time breaking it all down.

    Nerdy? Extremely. Snobby? A little. Fun? Heck yeah!

    In this episode you'll hear:
    - Ravel's Piano Concerto in G Major: Herbie Hancock vs the Cleveland Orchestra
    - How Duke Ellington made classical standards swingin'
    - Why Bartók matters to modern music
    - Two very different interpretations of Rhapsody In Blue
    - Brubeck’s Blue Rondo à la Turk: no improv, still loose
    - Miles Davis and Gil Evans doing Adagio

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    1 時間 9 分
  • The Best Thing To Ever Happen In 1960
    2025/07/07

    John Coltrane’s Giant Steps isn’t just a jazz classic — it’s a rite of passage. Peter Martin and Adam Maness dig into what makes the album so technically punishing and emotionally electrifying. From the iconic solo on the title track to the symmetrical harmonies, the lightning-fast chord changes, the fiery swing of Cousin Mary, and the full-throttle chaos of Countdown, they unpack the brilliance, the feel, and the mythology. Whether you’ve studied this album or are hearing it with fresh ears, you’ll come away understanding Coltrane — and Giant Steps — like never before.

    You’ll hear:

    - Adam’s deep dive into Coltrane’s use of symmetrical harmony and lightning fast chord changes — and why it still stumps players today
    - A glimpse into Coltrane’s early years with Miles Davis and Dizzy Gillespie
    - The truth about Tommy Flanagan’s controversial solo — was he lost or just playing it cool?
    - How Giant Steps became the tune every jazz musician has to face
    - Apex moments, desert island tracks, and a spirited debate: is Giant Steps better than Kind of Blue?

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    1 時間 1 分
  • Jazz Organ LEGEND Reveals Favorite Tracks
    2025/06/30

    We’re sitting down with one of the greats! Organist Larry Goldings is in the house to spin the B3 tracks that shaped him – from Jimmy Smith’s revolutionary runs to Billy Preston’s blending brilliance behind Aretha Franklin. Along the way, Larry breaks down the nuts and bolts (err… drawbars and percs) behind his favorite players, offering expert insights into Larry Young’s pedal-less playing and Ray Charles’ “dry-as-dust” sound. And somewhere in the midst of Larry’s fave five, we get into how to find your own voice (and why it might involve throwing all these great records out the window). Whether you’re chasing that perfect drawbar sound or just here for Hans Groiner’s alter ego, this one will change how you hear the Hammond forever.

    In this episode, You’ll Hear:

    • Jimmy Smith’s masterful expression pedal comping and turnarounds
    • How to build your organ sound through a track like Wild Bill Davis
    • Why Larry listens to singers and horn players (it’s all in the breath).
    • The power of the organ + guitar combo
    • What Larry’s listening to these days

    Start your FREE TRIAL to Larry’s new course: Jazz Organ Essentials | Open Studio


    Watch Adam’s organ lesson with Larry: Jazz Pianist Has To Learn Organ In 14 Minutes

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    33 分

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