In this episode, Qanita Lilla talks with Jessica Karuhanga about her creative journeys from Sarnia, in south western Ontario to London, Ontario. Jessica talks about how her personal geographies shapes her artistic practice. She also talks about Black embodiment, about the audible demands of space, and of moving toward art as experience and embodiment.

In this episode, artist Anthony Gebrehiwot and Qanita Lilla talk about his photography and digital art practice. Anthony describes the future-thinking themes of his work as being premised on the possibilities of a community of “like-hearted” people who can uplift each other towards new modes of living. Together, they talk about his artworks, Mahaba (2024), an ongoing research project that is shared in its early phases as part of Ukutula: Our Timeless Journeys on view at Museum London, and Echoes of Devotion (2024), a digital mural on the Queen’s University campus.

Anthony Gebrehiwot’s Mahaba (2024) is on view as part of Ukutula: Our Timeless Journeys (21 November 2024- 11 May 2025), a travelling exhibition, developed by Agnes and hosted by Museum London.

In the inaugural episode of season three, artist Camille Turner talks with Qanita Lilla about how she balances humour, healing and storytelling to recover Black histories in Canada. In her work, Camille lovingly assembles the detritus of the archive, with its sparse and often painful accounts of Black life. She invokes personas and performance, like in Miss Canadiana and Afronautic Research Lab, Camille navigates the currents of submerged histories and resurfaces stories lost in the archive. As the Afronaut and Miss Canadiana fall into the past, they project the future and conjure new liberated possibilities.

Camille Turner’s Nave (2022) is on view as part of Ukutula: Our Timeless Journeys (21 November 2024- 11 May 2025), a travelling exhibition, developed by Agnes and hosted by Museum London.