Inspired by Schattenfroh, we discuss a seminal work on the impact of printing from 1450 to 1800 written by Lucien Febvre and Henri-Jean Martin. In this clip, we explore a few of the many mysteries in the life of Johannes Gutenberg.

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In this special episode, we discuss Schattenfroh with author Michael Lentz and translator Max Lawton. This novel, originally written in German, traverses centuries of history to confront a personal loss. We talk about Lentz's Catholic upbringing, Lawton's detective work, and how their collaboration reflects the narrator's imprisonment.

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In this episode, Professor Lawrence Warner joins us to talk about Adam Pinkhurst, a 14th century scribe who may or may not have been cursed in a humorous poem by Geoffrey Chaucer. We explore the evidence for Pinkhurst’s identification as Chaucer’s “owne scriveyn” behind two early manuscripts of The Canterbury Tales, enjoy some impromptu Middle English recitation, and question the relationship between paleography and literary studies.

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And we're back with a new season and episode covering Angus Wilson's Anglo-Saxon Attitudes, first published in 1956. The book tells the story of an archealogical hoax and its slow revelation due to the reluctant intervention of Gerald Middleton, a depressive medieval historian. We talk about the novelist versus the historian's investigation of truth, Wilson's treatment of gay relationships, and parallels with the Bayeux Tapestry.

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On this episode of Shorts, we're talking to author Jonathan Meades and publisher John Mitchinson about the unique publishing process at Unbound. We discuss how they each became readers, Unbound's roots in the subscription model of the 17th century, Meades' magnum opus, and more.

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In this episode, we talk about A Tomb for Boris Davidovich by Danilo Kiš and Philip Roth's Writers from the Other Europe series from the 1970s and 80s.

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Author and critic Craig Brown joins us to discuss Kingsley Amis' novel Ending Up. The story follows a group of poverty-stricken elders as they suffer the miseries of one another's company (and their relatives) over the holidays. We talk about the limits of comic writing, Amis' penchant for irritation, and the context of 1970s England. It's our 50th NYRB Classic! Let's cut the telephone wires in celebration!

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Eileen Cheng-yin Chow and Wai-yee Li, both scholars and devoted readers of Cao Xueqin's Dream of the Red Chamber, join us to discuss the book's final two volumes as well as their varied encounters with the text. In this clip, we talk about the controversy surrounding the novel's last 40 chapters, the author's alter ego, and the depiction of Chinese fatherhood.

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