Concluding our treatment of The Sources of Normativity. We give Korsgaard's tweaks to Kant, including her distinction between the categorical imperative and the moral law. We then explain her reference to Wittgenstein's private language argument in her argument that reason-giving, and hence morality, can't be merely self-referential.

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Not only is John a multi-instrumentalist who's played with Violent Femmes, Allen Ginsberg, Hal Willner, John Prine, et al, but he's released around 24 albums as a solo artist or with groups including the NYC world music outfit TriBeCaStan.

We discuss "(Be Careful What You Say to) An Armed Lady" by Folklorkestra from A Strange Day in June (2023), the title track from Forever Ago (with La Societe; del Musici) (2018), "Bed Bugs" by TriBeCaStan from New Deli (2012), and listen to "Back Country" by The Electric Chairmen from Toast (1995). Intro: "Grim Reaper’s Song" from Midnight Snack (1986). More at kruthworks.com.

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On lectures 3 and 4 of The Sources of Normativity (1996), where we get Korsgaard's positive view on how morality becomes obligatory for an individual, which has to do with identity, reason-giving, and our fundamentally social nature. And yet, her view is an interpretation of Kant!

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Mark Schiff is a legendary stand-up who currently podcasts with friend-of-PEL and philosophy enthusiast, Daniel Lobell as We Think It's Funny.

These gents join Mark and Bill to talk about stand-up vs. improv, comedy LPs, waterless urinals, bad press, the path to enlightenment, and how to get rid of syphilis. We run a scene on hiring entertainment for the company party, and engage in some riffs that can only be called improv.

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We dive further into the text of lectures 1 and 2 of The Sources of Normativity (1996).

We give Korsgaard's account of the idea of reflective endorsement through Hume and Bernard Williams to get to her own view. When you come to know the origins of your moral sentiments, do you still stand behind them?

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Learn more about Mark's fall online political philosophy class at partiallyexaminedlife.com/class.

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In immediate reaction to the Apple TV+ Seth Rogan show The Studio, we talk about Hollywood's obsession with itself and how studio dynamics interfere with what exactly we all get to see. Also, what's with the fascination with old Hollywood? What's the appeal of Hollywood gossip?

Erica our first-season co-host returns to join Mark, Lawrence, Sarahlyn, and Al.

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On The Sources of Normativity (1996), lectures 1 and 2.

How are facts related to obligations? We don't want to merely explain our moral impulses, but justify them. Korsgaard walks us through the views of Hobbes, Hume, Bernard Williams and others to arrive at her own breed of Kantianism, which we'll lay out in ep. 371.

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This famed finger-style guitarist broke through with Jefferson Airplane's seven albums from 1966-1972, recorded eight with Hot Tuna 1970-1976 (with subsequent reunions by both bands), recorded his first solo album in 1974 and then 10 more from 1981-2025, and has collaborated with John Hurlburt, members of the Grateful Dead, and Janice Joplin.

We discuss "In My Dreams" from Ain't in No Hurry (2015), "Been So Long" from River of Time (2009), "Sleep Song" by Hot Tuna from America's Choice (1975). End song: "Hesitation Blues" from Reno Road: Unreleased Tracks from the 60s (1960). Intro: "Embryonic Journey" from Jefferson Airplane's Surrealistic Pillow (1967). More at jormakaukonen.com.

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