Corbin and Ellis talk about the new proliferation of tracking takes at the dawn of digital cinema, focusing in particular on "Children of Men,' Alfonso Cauron's movie about the whole world losing their minds when fertility ends. Also metioned: Timecode, Russian Ark, video games, Gravity, and 1917.

Matt reccomends an album. Corbin reccomends a movie.

Next week's episode is about APOCOLYPTO, which you can watch on Hulu.

Statham. Handheld cameras. Offensive stuff. Insane continuity. Statham. Violence. Statham. Statham. Statham. Statham. It's Crank, baby.

Matt reccomends this article. Corbin reccomends this article. Next week's episode is about tracking shots, you could watch Children of Men and/or Russian Ark, but you don't have to, I don't think.

ERIC MARSH joins Matt and Corbin to talk about MIAMI VICE, Michael Mann's digital fantasia/globalization fable/index of excruciatingly hot one liners. Topics include: globalization as topic and as aesthetic driver, the insane looking sky, and the unstability of digital filmmaking in an unstable time.

Matt Recommends "Tokyo Vice" on MAX. Corbin recommends "Hell Hath No Fury," an album available on your local music streaming service. Eric recommends the song "Alone," by The Cry.

Check out Eric's Podcast, "The Gaunlet," here. Next week's episode is about CRANK. It's not streaming for free anywhere, somehow, but you SHOULD rent it.