Join us for an interview with Instagram historian Keith Taillon (@keithyorkcity), whose detailed posts about New York's history have earned him nearly 60,000 followers and launched a successful tour business.

Keith shares the story behind his remarkable pandemic project of walking every single block of Manhattan in 2020, capturing the empty city in photographs that now appear in his first book, "Walking New York: Manhattan History on Foot."

From his childhood fascination with urban history to his graduate studies at Hunter College, Keith reveals how his personal journey led him to become one of the city's most engaging historical storytellers. You'll hear how he crafts walking tours that go beyond landmark-hopping to explain why New York looks and functions the way it does.

Plus: Listen to Keith's appearances on The Gilded Gentleman Podcast episodes on The Real Mamie Fish, The Hidden World of Gramercy Park, and a Gilded Age Tour up Manhattan.

Visit the Bowery Boys website and become a member of the show at Patreon.com/BoweryBoys.

We invite you to come with us inside one of America’s most interesting art museums – an institution that is BOTH an art gallery and a historic home.

This is The Frick Collection, located at 1 East 70th Street, within the former Fifth Avenue mansion of Gilded Age mogul Henry Clay Frick, containing many pieces that the steel titan himself purchased, as well as many other incredible works of art from master painters such as Rembrandt, Vermeer, Goya, Turner, and Whistler.

Frick himself had a rather complicated legacy. As a master financier and chairman of Andrew Carnegie's massive steel enterprise, Frick helped create the materials for America's railroads and bridges.

But his intolerance of labor unions led to a bloody confrontation in the summer of 1892, making him, for a time, one of the most hated men in America.

New Yorkers' love for the Frick Collection, however, remains far less complicated. The institution, which has been a museum since 1935, allows visitors to experience the work of the great master painters in an often regal and intimate setting, allowing people to imagine the fanciful life of the Gilded Age.

The Frick Collection reopens this month after an extensive renovation (temporarily relocating the collection to the Breuer Building for a few years) and we've got a sneak preview, featuring Frick curator and art historian Aimee Ng.

Visit the Bowery Boys website for more images and follow the Bowery Boys on Instagram, Threads, Facebook and Bluesky for even more.

The history of the United States Postal Service as it plays out in the streets of New York City -- from the first post road to the first postage stamps. From the most beautiful post office in the country to the forgotten Gilded Age landmark that was once considered the ugliest post office.

The postal service has always served as the country's circulatory system, linking the densest urban areas to the most rural outposts, a necessary link in moments when the country feels very far apart in other ways. The early American colonies knew this. Benjamin Franklin knew this The Founding Fathers who placed the postal service within the Constitution knew this.

And inventions such as the stagecoach, the steamship, the railroad, the pneumatic tube and even the electric car have helped keep the mail steadily flowing over the centuries.

New York has even played a pivotal role in the development of the American mail service, from the creation of the Boston Post Road (the first mail road which snaked through Manhattan and the Bronx) to the first mail boxes. Even the first postage stamps were sold in New York -- within former church-turned-post office in lower Manhattan.

Why are there so many post offices from the 1930s? Why is New York's largest post office next to Penn Station? And why does New York City have so many individual ZIP codes? And who, pray tell, is Barnabas Bates?

Visit our website for more information and images

More information here on the Bowery Boys: Gilded Age Weekend

This episode was produced and edited by Kieran Gannon

A special bonus episode! Two years ago we featured Patrick Bringley on the show, the author of All The Beauty In The World (Simon & Schuster), regarding his experiences as a security guard at the Metropolitan Museum of Art and the life lessons he learned strolling silently past priceless works of art.

The book has become a massive best-seller worldwide and has even become a cultural phenomenon in South Korea, selling more than a quarter million copies in that country alone. So we thought we'd bring Patrick back to the show, on the occasion of his new off-Broadway show based on the book.

How do you transform an off-Broadway stage into the Metropolitan Museum of Art? What life lessons can you absorb from walking around museum

This episode was edited and produced by Kieran Gannon

Tickets to All The Beauty In the World here.

It's one of the most foundational questions we could ever ask on this show -- how did New York City get its name?

You may know that the English conquered the Dutch settlement of New Netherland (and its port town of New Amsterdam) in 1664, but the details of this history-making day have remained hazy -- until now.

Russell Shorto brought the world of New Amsterdam and the early years before New York to life in his classic history The Island At The Center of The World. His new book Taking Manhattan: The Extraordinary Events That Created New York and Shaped America functions as a sequel of sorts, revisiting the moment when New Amsterdam ceased to be -- and New York was born.

Shorto joins Greg and Tom for a very spirited discussion of international warfare, displaced princes, frantic letter writing and ominous warships in the harbor.

At the end of this story, you will not only know how New York -- the city, the state, the whole place, from Buffalo to Long Island -- got its name, you will know the exact forgotten historical figure who gave it that name.

Visit the Bowery Boys website for more information.

Get Russell Shorto's new book Taking Manhattan

This episode was produced and edited by Kieran Gannon

The New Yorker turns one century old -- and it hasn't aged a day! The witty, cosmopolitan magazine was first published on February 21, 1925. And even though present-day issues are often quite contemporary in content, the magazine's tone and style still recall its glamorous Jazz Age origins.

The New Yorker traces itself to members of that legendary group of wits known as the Algonquin Round Table -- renowned artists, critics and playwrights who met every day for lunch at the Algonquin Hotel.

And in particular, to two married journalists – Harold Ross and Jane Grant – who infused the magazine with a very distinct cosmopolitan zest. High fashion, martinis and Midtown Manhattan mixed with the droll wit of a worldly literati.

A new exhibition at the New York Public Library -- “A Century of the New Yorker” -- chronicles the magazine’s history, from its origins and creation by Harold Ross and Jane Grant to its current era, under the editorship of David Remnick.

Greg and Tom interview the show's two curators Julie Golia and Julie Carlsen about the treasures on display from the New Yorker's glorious past -- from the magazine's first cover (featuring everybody's favorite snob Eustace Tilly) to artifacts and manuscripts from the world's greatest writers.

Visit the website for more information and other Bowery Boys podcasts

This episode was edited by Kieran Gannon

Greg and Tom have taken off their historian hats and have become -- movie critics? Close but not quite!

This week we're giving you a 'sneak preview' of their Patreon podcast called Side Streets, a conversational show about New York City and, well, whatever interests them that week. In honor of the Academy Awards, the Bowery Boys hosts pay homage to the great Gene Siskel and Roger Ebert while looking at five award-worthy films with strong New York City connections:

-- Anora with its captivating south Brooklyn locations

-- A Complete Unknown, taking us back 1960s Greenwich Village

-- Wicked, a spritely interpretation of the Broadway musical

-- The Brutalist, an epic about more than just architecture

-- Saturday Night, a frenetic tribute to the comedy-show icon which turns 50 years old this year

To listen to all episodes of Side Streets, support the Bowery Boys on Patreon

This episode was edited by Kieran Gannon

This year marks the 100th anniversary of Alain Locke's classic essay "The New Negro" and the literary anthology featuring the work of Langston Hughes, Zora Neale Hurston, Countee Cullen and other significant black writers of the day.

The rising artistic scene would soon be known as the Harlem Renaissance, one of the most important cultural movements in American history. And it would be centered within America's largest black neighborhood -- Harlem, the "great black city," as described by Wallace Thurman, with a rising population and growing political and cultural influence.

During the 1920s, Harlem became even more. Along "Swing Street" and Lenox Avenue, nightclubs and speakeasies gave birth to American music and fostered great musical talents like Count Basie, Billie Holiday and Duke Ellington. Ballrooms like the Savoy and the Alhambra helped turn Harlem into a destination for adventure and romance.

What were these two worlds like -- the literary salons and the nightclubs? How removed were these spheres from the everyday lives of regular Harlem residents? How did the neighborhood develop both an energetic and raucous music scene and a diverse number of churches -- many (like the Abyssinian Baptist Church) still around today?

Visit the website for more details and more podcasts

Get tickets to our March 31 City Vineyard event Bowery Boys HISTORY LIVE! here

And join us for our Gilded Age Weekend in New York, May 29-June 1, 2025. More info here.

This episode was edited by Kieran Gannon