This one's for the sad girlies! The Millennium era's Frankenstein-like reinvention of Mechagodzilla brings us the long-awaited BONES GODZILLA, as the original creature's corpse is resurrected as a cyborg known as Kiryu who cries blood and shoots an ice bubble. We get into whether this robot dinosaur is a haunted tragic figure or a redemptive heroic one, and the many conflicting themes of loss, self-loathing, the value of life, and ambiguous character ages. Plus, plenty of Evangelion and Megaguirus talk!

Cover Art by: Alo (Zketchart)

Instagram | Bluesky

Part of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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Theme song:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Sources include:

A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Godzilla FAQ: All That's Left to Know About the King of the Monsters by Brian Solomon

Wikizilla

The Frankenstein Brothers are ready to rumble! In this sorta-kinda sequel to Frankenstein vs. Baragon and the final Japanese/American collab with UPA, gargantuan bros Sanda and Gaira -- one friendly and peace-loving, one violent and hungry -- have a battle to the death, but not before extensive sequences of military fights, people-eating, and a big musical number. We get into this film's underlying darkness, the troubles with lead Russ Tamblyn (of Twin Peaks!), and a strangely empty story for the human characters.

Cover Art by: Doug

Part of⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠Cover Art Gallery⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Theme song:⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Sources include:

A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Ishirō Honda: A Life in Film, from Godzilla to Kurosawa by by Steve Ryfle and Ed Godziszewski

Godzilla FAQ: All That's Left to Know About the King of the Monsters by Brian Solomon

YouTube Compilation of UPA Version Differences

Wikizilla

Come for the robot dinosaur, stay for the cutest bestest baby boy! In what was originally conceived as the finale of the Heisei era, big names Mechagodzilla, Rodan, and even a new Baby Godzilla arrive for this nature vs. technology story, where humans and the military are unambiguously the bad guys and the monsters are just seeking their adopted family. We talk about this era's odd use of Miki (and how this film makes an effort to fix it), eerie psychic songs, Mechagodzilla as corporate pride, all the smoke, sparks, and spotlights, and Derek's all-time favorite Godzilla character.

Cover Art by: Radical Gator

Part of⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠

Cover Art Gallery⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠Discord

Email: ⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠

Theme song:⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠

Sources include:

A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Godzilla FAQ: All That’s Left to Know About the King of the Monsters by Brian Solomon

Shelley Sweeny interview with Vantage Point

Wikizilla