Chapter 14 : Adavus - Shall We Dance

In this Chapter Shantha explores and explains about Adavus, the fundamental steps in Bharatanatyam, combining rhythmic footwork, hand gestures, and body movements.

She explains that Adavus are the building blocks for choreography, enabling dancers to master balance, precision, and grace.

Practicing Adavus develops coordination, posture, and stamina, forming the foundation for advanced sequences like jathis and varnams.

Each Adavu is performed in specific rhythmic cycles, deepening the dancer’s understanding of tala (rhythm). They also improve focus and discipline, essential for expressing emotions (abhinaya) effectively.

Adavus connect technique with artistry, allowing seamless storytelling. Without Adavus, Bharatanatyam’s elegance and complexity would be incomplete.

They are crucial for transforming students into skilled performers.

This chapter delves into the significance of dance imagery in Bharatanatyam, focusing on the 108 Karanas, the foundational dance movements described in the Natya Shastra. These Karanas, created by Lord Shiva in his cosmic dance form, are believed to lead practitioners toward spiritual liberation.

The chapter explores the sacred origins of the Karanas, their role in purifying the soul, and their physical components, including specific arm, leg, and body movements. The chapter emphasizes the deeper spiritual and ritual meanings of dance sculptures in South Indian temples, particularly those with 108 Karana depictions, such as in Thanjavur and Chidambaram.

These sculptures are shown to symbolize ritual, transformation, and meditation, integral to Hindu worship.

In this Chapter, Shantha opens with Martha Graham's profound quote, "Dance is the hidden language of the soul of the body," underscoring the spiritual essence of Bharatanatyam. Anchored in the ancient Natya Shastra, it delves into the foundational concepts of Karanas—transitional movements embodying Shiva's divine dance.

Shantha then goes on to discuss about the Natya Shastra serves as an authoritative guide on aesthetics, dramaturgy, and the interplay of Nritta, Nritya, and Natya, showcasing technical brilliance, emotive storytelling, and dramatic expression. Temple sculptures vividly illustrate the Karanas, integrating ritual, symbolism, and spiritual transformation. The chapter highlights the emotional resonance of Rasas and Abhinaya, bridging ancient tradition with modern practice.

Ultimately, Shantha discusses about Karanas as a sacred blend of artistry, narrative depth, and spiritual elevation in Bharatanatyam.

Please enjoy this audio podcast for 6.30 mins