Up next, we celebrate a magical year in our culture. See if you can guess the year. A wide-eyed alien named E.T. captured our hearts on the big screen, and the alien the Thing filled our hearts with fear—but over the airwaves, some of the most unforgettable songs of the Rock Era were blasting out of our speakers! Including New World Man, the only hit Rush ever had, and it was kind of a fluke. They had 3:57 of dead space on their finished album, so even though they never wrote short songs, they set a goal to write one in less than a day. Then there was Jackson Browne, who had his biggest hit ever: Somebody's Baby. But he thought it was fluff, so he refused to put it on his new album. And it may have cost him #1 and at least a million sales. Then there was Phil Oakey, who begged his label not to put out his catchy song Don't You Want Me. So, of course, it became the biggest song of the year! And finally, there was the duet Under Pressure that Freddie Mercury and David Bowie declined to sing in the same room. Crazy stories with Iconic guests…NEXT on Professor of Rock.

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Coming up next, Earth, Wind & Fire's September, a 70s classic that contained a date that would become the most famous in song history! Many have wondered why the legendary group or songwriter chose the particular date… We’ll find out next. September is a stone-cold classic song that, whenever played, is a guaranteed floor flooder from a group that grooves like no other. It was a song written by a woman who was on food stamps, but this classic would immediately pull her out of poverty and make her one of the richest songwriters ever. But the legendary singer of the band, Maurice White, threw a nonsense word in the chorus that he was severely criticized for. Many wanted it changed… He stuck with it, believing it was a key to the song…But what did it mean? Find out why it was so important as we celebrate maybe the greatest crossover classic in music history!

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Before streaming, before binge-watching, and long before the skip-intro button… there was the TV theme song. And in the 1970s, they weren’t just an afterthought—theme songs were an art form. A great theme could sell you on a show before the first line of dialogue. On today’s countdown, we’re rewinding back to the golden age of polyester and primetime to bring you the Top 12 TV themes of the 70s. Along the way, we’ll feature the M*A*S*H Theme Song written by a producer’s teenage son. And it became an enduring classic—even though he was told to make it sound “stupid.” Another song, Come and Knock on Our Door, was supposed to be sung by the show’s cast, but they were so incredibly bad, they were replaced by professional singers. And the song Welcome Back Kotter was so good that the name of the TV show was changed to match it. These stories and more are coming up NEXT on the Professor of Rock.

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Coming up next: one of the greatest singer-songwriters of the '80s and beyond, Neil Finn, tells the story of his first band, Split Enz. They were underground heroes who would later conquer the mainstream with some of the best songs of the decade, including their 1980 single I Got You that became the biggest-selling single in Australian history, even though Neil thought the chorus was Corny and was planning to replace it but ran out of time. Then, another single One Step Ahead that became one of the first videos played on MTV, where one of his bandmates did the Moonwalk years before Michael Jackson would. Then there’s the song that he wrote for a fan because they traveled all across the world to meet him. It’s an entertaining interview with one of the finest songwriters ever next on professor of rock.

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