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  • Serkan Görkemli, "Sweet Tooth and Other Stories" (UP of Kentucky, 2024)

    Serkan Görkemli, "Sweet Tooth and Other Stories" (UP of Kentucky, 2024)
    2024/12/22
    Queerness, labels, and allyship are central themes in this moving collection of stories set in Turkey, where Middle Eastern and Euro-American expressions of identity collide and naming one's orientation is a fraught endeavor. An eleven-year-old undergoes hand surgery that will allow him to wear a wedding ring in adulthood. Two college roommates reach an erotic understanding as they indulge in dessert. A sex worker travels with an American same-sex marriage activist through the Aegean countryside. A passionate hookup during Istanbul Pride ends in tear gas. Two friends' tempers flare over cold red wine on a hot summer night by the Dardanelles. A father bonds with his son and his son's drag-queen boyfriend over classic Turkish cinema on the Mediterranean coast. In Sweet Tooth and Other Stories (UP of Kentucky, 2024), Serkan Görkemli weaves together interconnected narratives of four Turkish characters—Hasan, Gökhan, Nazlı, and Cenk—who search for clarity, love, and acceptance amid social change. Set in a rich mixture of urban and rural locales, the stories take place from the 1980s through the 2010s against the backdrop of Turkey's transition from military-backed secularism to the rise of the religious right, local and global media representations of queer individuals and culture, and the emergence of affirming LGBTQ+ identities. Görkemli creates a complex, engaging network of plots about his characters' struggles and triumphs in navigating families, communities, and themselves. Braving discrimination, they strive to embrace their identities and find joy, solace, and approval within a society that marginalizes who they are and how they love. Serkan Görkemli (he/him) is the author of two books: Sweet Tooth and Other Stories (University Press of Kentucky) and Grassroots Literacies: Lesbian and Gay Activism and the Internet in Turkey (SUNY Press; winner of the 2015 Lavender Rhetorics Book Award presented by the Conference on College Composition and Communication). His creative nonfiction is forthcoming in Image; his fiction has appeared in Ploughshares, the Iowa Review, Epiphany, X-R-A-Y Literary Magazine, Joyland, Foglifter, and Chelsea Station. He was a 2023-24 faculty fellow at the University of Connecticut Humanities Institute, a contributor in fiction at the 2019 Bread Loaf Writers’ Conference, and a fiction fellow at the 2018 Lambda Literary Writers Retreat. Originally from Türkiye, he has a PhD in English from Purdue University and is an associate professor of English at UConn Stamford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies
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    1 時間 9 分
  • Matthew Chin, "Fractal Repair: Queer Histories of Modern Jamaica" (Duke UP, 2024)

    Matthew Chin, "Fractal Repair: Queer Histories of Modern Jamaica" (Duke UP, 2024)
    2024/12/22
    In Fractal Repair: Queer Histories of Modern Jamaica (Duke UP, 2024), Matthew Chin investigates queerness in Jamaica from early colonial occupation to the present, critically responding to the island’s global reputation for extreme homophobia and anti-queer violence. Chin advances a theory and method of queer fractals to bring together genealogies of queer and Caribbean formation. Fractals—a kind of geometry in which patterns repeat but never exactly in the same way—make visible shifting accounts of Caribbean queerness in terms of race, gender, and sexual alterity. Drawing on this fractal orientation, Chin assembles and analyzes multigenre archives, ranging from mid-twentieth-century social science studies of the Caribbean to Jamaica’s National Dance Theatre Company to HIV/AIDS organizations, to write reparative histories of queerness. Chin’s proposal of a fractal politics of repair invests in the horizon of difference that repetition materializes, and it extends reparations discourses intent on overcoming the past and calculating economic compensation for survivors of violence. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies
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    1 時間
  • Antoinette Burton, "Gender History: A Very Short Introduction" (Oxford UP, 2024)

    Antoinette Burton, "Gender History: A Very Short Introduction" (Oxford UP, 2024)
    2024/12/15
    Antoinette Burton's Gender History: A Very Short Introduction introduces the field of gender history--its origins, development, reception, recalibrations, and frictions. It offers a set of working definitions of gender as a descriptive category and as a category of historical analysis, tracing the emergence, usage, and applicability of these entwined subjects across a range of times and places since the 1970s. Inevitably political, gender history has taken aim at the broader field of historical narrative by asking who counts as a historical subject, what difference gender makes, and how attention to it subverts reigning assumptions of what power, culture, economics, and identity have been in the past--and what they are today. The book explores how gender analysis has changed interpretations of the histories of slavery, capitalism, migration, and empire. As a field, gender history has been extraordinarily influential in shaping several generations of scholars and students. The fact that its early emphasis on the relationship between masculinity and femininity was part of a larger set of challenges to universal history by poststructuralism, postmodernism, and postcolonialism positions it at the heart of some of the most fractious intellectual debates of the late twentieth and early twenty-first centuries. And, as part of the movement toward gender equality that is key to modern western progress, gender history has been caught up in the culture wars that continue to shape post-global society. What is intriguing and ultimately defining about gender history is the way that the centrality of gender, so important for revealing how identity is structured in and through regimes of power, has been unable to hold its own over the half century of the field's own history. The practice of gender history has always run up against the forces of race, class, and sexuality that challenge the singularity of gender itself as an explanatory category of historical analysis. That powerful, unruly tension is at the heart of this Very Short Introduction. Antoinette Burton is a feminist historian of 19th and 20th century Britain and its empire, and Director of the Humanities Research Institute at the University of Illinois. She is also the Principal Investigator for Mellon Foundation grants which support The Odyssey Project and the 16-partner consortium, Humanities Without Walls. In 2023 she was appointed to the Board of Illinois Humanities. She also serves as the chair of the Faculty Board of the University of Illinois Press. Her most recent book, Biocultural Empire: New Histories of Imperial Lifeworlds is available open-access here. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies
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    37 分
  • Timothy Gitzen, "Banal Security: Queer Korea in the Time of Viruses" (Helsinki UP, 2023)

    Timothy Gitzen, "Banal Security: Queer Korea in the Time of Viruses" (Helsinki UP, 2023)
    2024/12/13
    For more than 70 years, South Korea has woven the threat of North Korea into daily life. But now that threat has become mundane, and South Korean national security addresses family, public health, and national unity. Banal Security: Queer Korea in the Time of Viruses (Helsinki University Press, 2023) illustrates how as a result, queer Koreans are seen to represent a viral threat to national security. Taking readers from police stations and the Constitutional Court to queer activist offices and pride festivals, Timothy Gitzen shows how security weaves through daily life and diffuses the queer threat, in a context where queer Koreans are treated as viral carriers, disruptions to public order, and threats to family and culture. Timothy Gitzen is an Assistant Professor of Anthropology at Wake Forest University. Qing Shen recently obtained his PhD in anthropology from Uppsala University, Sweden. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies
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    58 分
  • Book Chat: Home & Queer Writing – "Ghost Town," with Kevin Chen

    Book Chat: Home & Queer Writing – "Ghost Town," with Kevin Chen
    2024/12/03
    In this episode, our host, Ti-han, invited Taiwanese Queer author, Kevin Chen, to talk about his LGBTQ novel, Ghost Town (Europa Editions, 2022) 鬼地方 and its fever worldwide. In our conversation, Kevin shared with us how he first “come out” as a gay writer in Taiwan in the 90s, and how his writings was influenced by key Taiwanese LGBTQ authors and continue to be shaped by his migratory experiences in Berlin. He also told us how he thinks translation and the transability of a literary work can be useful in terms of authors’ impacts on society. If you’re a fan of Kevin’s writing, you certainly can’t miss this episode! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies
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    34 分
  • Biopic

    Biopic
    2024/12/01
    In this episode of High Theory, Laura Stamm talks about the biopic. One of the oldest forms of narrative cinema, biographical pictures are a mainstay of the medium today. Early biopics played an important role in public health discourse, representing the discoveries of science and the lives of scientists, which in turn led queer artists to adopt the genre in response to the AIDS crisis. Laura’s book, The Queer Biopic in the AIDS Era (Oxford UP, 2022), asks why queer filmmakers repeatedly produced biographical films of queer individuals living and dead throughout the years surrounding the AIDS crisis. These films evoke the genre's history building up lives worthy of admiration and emulation and the parallel history of representing lives damaged. By portraying lives damaged by inconceivable loss, queer filmmakers challenge the illusion of a coherent self presumably reinforced by the biopic genre and in doing so, their films open the potential for new means of connection and relationality. In the episode Laura references many films, including the Greta Garbo film Queen Christina (1933); Freud: The Secret Passion (1962); The Story of Louis Pasteur (1936); Dr. Ehrlich's Magic Bullet (1940); John Greyson’s musical Zero Patience (1993); and the Amy Winehouse biopic Back to Black (2024). Her research extends beyond the 1980s moment of crisis, and in the episode she gives a good explainer pre-code Hollywood and (briefly) the New Queer Cinema of the 1990s. If you were interested in this episode and want to learn more about queer representation in US popular culture, check out Margaret Galvan’s episode on Visibility. Laura Stamm is Assistant Professor of Health Humanities and Bioethics and Director of Diversity, Equity, and Inclusion for Department of Medicine at University of Rochester. She completed her PhD in Film and Media Studies and Gender, Sexuality, and Women's Studies at the University of Pittsburgh. Dr. Stamm's research interests broadly focuses on LGBTQ+ health, transgender studies, and medicine in visual culture. Beyond the book discussed here, her work has recently appeared in the edited collection New Queer Television: From Marginalization to Mainstream (Intellect Press, 2024) and Synapsis on “From the Clinic to the Talk Show: Narratives of Trans History in Framing Agnes.” The image for this episode shows photographs by Rob Corder of photographs by Peter Hujar of two queer artists, the sculptor Louise Nevelson and the writer, photographer, film maker, etc., David Wojnarowicz. Left: Peter Hujar, "Louise Nevelson (II), 1969". Gelatin silver print (1934-1987) Morgan Library. BAM Right: Peter Hujar, "David Wojnarowicz", 1981. Gelatin silver print (1934-1987) Menschel Collection. BAM Photos by Rob Corder. We do not own these images, but we do like them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies
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    19 分
  • Sam Langsdale, "Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics" (U Texas Press, 2024)

    Sam Langsdale, "Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics" (U Texas Press, 2024)
    2024/11/30
    It’s no secret that superhero comics and their related media perpetuate a model of a straight, white, male hero at the expense of representing women and other minorities, but other narratives exist. Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics (University of Texas Press, 2024) by Dr. Sam Langsdale recognizes that female-led superhero comics, with diverse casts of characters and inclusive storytelling, exist on the margins of the mainstream superhero genre. But rather than focusing on these stories as marginalized, Dr. Langsdale’s work on heroes such as Spider-Woman, America Chavez, and Ironheart locates the margins as a site of innovation and productivity, which have enabled the creation of feminist superhero texts. Employing feminist and intersectional philosophies in an analysis of these comics, Dr. Langsdale suggests that feminist superheroes have the potential to contribute to a social imagination that is crucial in working toward a more just world. At a time when US popular culture continues to manifest as a battleground between oppressive and progressive social norms, Searching for Feminist Superheroes demonstrates that a fight for a better world is worthwhile. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies
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    57 分
  • Serene Khader, "Faux Feminism: Why We Fall for White Feminism and How We Can Stop" (Beacon Press, 2024)

    Serene Khader, "Faux Feminism: Why We Fall for White Feminism and How We Can Stop" (Beacon Press, 2024)
    2024/11/21
    After over 175 years, the feminist movement, now in its fourth wave, is at risk of collapsing on its eroding foundation. In Faux Feminism: Why We Fall for White Feminism and How We Can Stop (Beacon Press, 2024), political philosopher Serene Khader advocates for another feminism—one that doesn’t overwhelmingly serve white, affluent #girlbosses. With empathy, passion, and wit, Khader invites the reader to join her as she excavates the movement’s history and draws a blueprint for a more inclusive and resilient future. A feminist myth buster, Khader begins by deconstructing “faux feminisms.” Thought to be the pillars of good feminism, they may appeal to many but, in truth, leave most women behind. Khader identifies these traps that white feminism lays for us all, asking readers to think critically about: –The Freedom Myth: The overarching misconception that feminism is about personal freedom rather than collective equality. –The Individualism Myth: The pervasive idea that feminism aims to free individual women from social expectations. –The Culture Myth: The harmful misconception that “other” cultures restrict women’s liberation. –The Restriction Myth: The flawed belief that feminism is a fight against social restrictions. –The Judgment Myth: The fallacy of celebrating women’s choices without first interrogating the privileges afforded or denied to the women. In later chapters, Khader draws on global and intersectional feminist lessons of the past and present to imagine feminism’s future. She pays particular attention to women of color, especially those in the Global South. Khader recounts their cultural and political stories of building a more inclusive framework in their societies. These are the women, she argues, from whom today’s feminists can learn. Khader’s critical inquiry begets a new vision of feminism: one that tackles inequality at the societal, not individual, level and is ultimately rooted in community. Serene Khader is Jay Newman Chair in Philosophy of Culture at Brooklyn College and Professor of Philosophy and Women's and Gender Studies at the CUNY Graduate Center. Emily K. Crandall is a Doctoral Lecturer in Women and Gender Studies at Hunter College. She holds a PhD in Political Theory from the Graduate Center, CUNY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies
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    1 時間 5 分