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Stephen King directed one movie… and he was coked out of his mind the whole time.

In this episode of Movies Minus 10, we take a wild ride through Maximum Overdrive (1986), the only film written and directed by the master of horror himself. Killer vending machines, homicidal lawnmowers, and a truck with a Green Goblin face—what could possibly go wrong? Is it a disasterpiece worth your bad movie night, or just a cautionary tale about letting authors direct?

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In this episode, we revisit the 70s horror classic that spawned a thousand (mostly terrible) sequels.

But what about the original Amityville Horror? Is it a so-bad-it’s-good gem—or just plain good? Tune in to Movies Minus 10 as we examine the infamous haunted Amityville house, questionable parenting, and whether this spooky staple still holds up… for all the wrong (or right) reasons.

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In the year 3000 we may not live under water, but we do live in caves, and the world is now rules by an alien race.

In this episode of Movies Minus 10, I’m joined by guest Connor Reason to tackle the notorious sci-fi trainwreck Battlefield Earth (2000). Is it a misunderstood epic—or just 118 minutes of forehead prosthetics and slow-motion chaos? Find out if it earns a spot on your next bad movie night lineup.

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A duck from outer space and a plot that’s totally quackers.

In this episode of Movies Minus 10, I’m joined by guest Jake Fleming to examine the bizarre, feathered chaos that is Howard the Duck (1986). Is this infamous 80s misfire a hidden gem for your next bad movie night—or just plain foul? Tune in as we wade through the weirdness.

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Far in the future, long after Earth has been forgotten, water has become the most precious—and scarce—resource in the galaxy. Amidst space rogues, killer robots, and time-warping hijinks, a ragtag crew of pirates dares to seek it out.

In this episode, I’m joined by special guest Oliver Reason to dive into The Ice Pirates (1984), a cult sci-fi comedy that’s equal parts absurd and ambitious. We unpack the film’s chaotic charm, bizarre plot twists, and whether it still holds up in the pantheon of so-bad-they’re-good classics.

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